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Which condenser mic for vocals??
I don't have too much experience with professional recording, but I do know condenser mics are the way to go when recording vocals. Which condenser mics have you all had the best experience with?
I'm not talking Neumann mics or anything so pricey - I'm on a budget! I guess a good analogy would be SM58 is to live vocals (very reliable, good sound, and very good price) as ______ is to recording vocals Fill in the blank
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Taylor 710CE Gibson SG standard Fender American Telecaster Fender MIM Thinline Telecaster Gibson Les Paul Custom |
#2
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I have an AT4033 that gives great quality vocal sound. However, surprisingly enough, when recording my students, I usually use my SM58's because they are not as sensitive, and do not pick up background noise and every little nuance like the higher quality condensers, which can be a good thing when you are recording non-professional vocalists. Anyway the AT4033 is a great vocal mic, at a reasonable price from the right dealers.
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Rebecca Rejoice Music |
#3
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Thanks! Great recommendation, that's exactly the type of responses I'm looking for. Any other good experiences?
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Taylor 710CE Gibson SG standard Fender American Telecaster Fender MIM Thinline Telecaster Gibson Les Paul Custom |
#4
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You might look at the line of mics from Studio Projects.
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#5
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mics for vocal recording...
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For vocals, a 1'' diaphragm is the correct size, and there are several reasonable combos. I like the Behringer B-1 & B-2 for vocals. Another reasonable sounding choice is the MXL combo for under a C note for a vocal and instrument mic set. I use AT-4033, AKG-414, & ShureKM-44s in the studio for vocals. For Tenors and Sopranos I use the AKG-414 and for Baritone or Altos the KSM-44. The AT-4033 is for backup vocals and upright bass. I have been surprised at how good the Behringer and MXL sound for those on budgets. The Behringers were the smoothest on my large tube preamp/firewire interface rig. While these would not work for commercial recording they are more than adequate for home use... |
#6
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Here's recent thread on the same subject, you might enjoy:
http://www.acousticguitarforum.com/f...ad.php?t=62151 It really depends on cost. Obviously, most folks can't afford a Neumann U87. There are tons of less expensive options. I love my Studio Projects C1. But keep in mind - different mics sound different on different singers. So do your homework - read all the reviews you can find. A nice tube mic usually sounds really good, also. One other point - don't forget about your mic pre. The best mic in the world won't sound like the best mic in the world with a lousy preamp. Of course - you may already have a good pre. If so - ignore that last sentence!!
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Harlon |
#7
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Thanks for the link, very helpful stuff.
Have you tried out the Marshall MXL v69 yet? How does it compare to the C1? Thus far, I'm considering the Audio Technica AT4033, Sure KSM44, Behringer B2, the Marshall MXL, and the C1.
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Taylor 710CE Gibson SG standard Fender American Telecaster Fender MIM Thinline Telecaster Gibson Les Paul Custom |
#8
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Quote:
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Derek 14fret 0 12fret 000 |
#9
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You can do this...
Hi...
You are asking for empirical data from a group of subjective people most of whom have not played with more than one kind of microphone. Even if we own more than one, without listing all our preamps or other front end gear we use, there is no way to evaluate this for you. I know you are trying to eliminate risk, but you just need to purchase one of the mic listed and enjoy it. When people come to our studio to record, I teach them the process if they are interested and help them find the gear to record their own next projects. There is nothing magic about it, all it takes is good gear, talent and a good ear. I help them locate equipment for around $500-700 bucks that when used well will allow them to record a project which the average person will not think inferior as far as sound reproduction is concerned. Go get a decent mic and interface and you be you studio. |
#10
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I own an MXL 990/991 kit. It works great on guitars and decent to good on vocals I have yet to get the pop filter to protect from my spit
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Acoustics:... Larrivée LV-03E | Martin CEO-7 | Eastman E10P SS | Yamaha CSF3M Electrics:..... Gibson Les Paul R8 | Gibson ES 335 | PRS Silver Sky | PRS Signature Limited | PRS Custom Special Semi Hollow 22 Autumn Sky | PRS Starla X P90 | Fender Am. Std. Tele Amps:..........Kemper Toaster |
#11
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it works well and is cheap...
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Just build one from a small embroidry hoop with a piece of panty hose stretched in it. |
#12
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"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#13
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Studio Projects C1
Another vote for the Studio Projects C1. I have been extremely happy with mine. At the time of my research about 18 months ago, it certainly appeared to be the best reviewed mic in it's price range (for what it's worth). Good luck!
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#14
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B1's are also very popular. C1's are good for most male vocals, though some engineers complain of a bit too much siblance. For the price though I think there's anything that compares to a C1. An AKG-414 would be the next step for me. You're likely to get a lot of opinions on mics, it's a very subjective thing, on par with opinions about acoustic guitars. |
#15
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Also... I don't have any panties.. do girls still wear those? Does anyone know of a place to get a pop filter for cheap? Rasio Shack maybe?
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Acoustics:... Larrivée LV-03E | Martin CEO-7 | Eastman E10P SS | Yamaha CSF3M Electrics:..... Gibson Les Paul R8 | Gibson ES 335 | PRS Silver Sky | PRS Signature Limited | PRS Custom Special Semi Hollow 22 Autumn Sky | PRS Starla X P90 | Fender Am. Std. Tele Amps:..........Kemper Toaster |