#1
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GHS Strings Cryogenically Treated - Is this a gimmick?
Has anyone used these? Would love to get a couple of opinions before I buy them. Sound intriguing if it isn't just a marketing gimmick.
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#2
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Dean Markley has had a set out for decades called Blue Steel that make the same claim. I tried them once... nothing noticeably different or special about them and I never bought another set.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#3
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A local brick and mortar “sponsored” my high school band back in the early 00s and the guy was really pushing these on us. He couldn’t believe I was more into the $5 Martin strings than the magic blue steels he was trying to give us. |
#4
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I just threw all my new string sets into the freezer. . . .
Really? What's next? |
#5
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Place them in a pan of boiling water to remove all the gunk and contaminants. I figure with the freezing and cleaning it could be years before you need to buy another set of strings. Sorry, I couldn't resist and I just don't get it.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#6
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Sounds like most of you think it's a gimmick. I would love to hear from some who have actually used them.
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#7
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JMNSHO, YMMV.
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Under construction |
#8
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I used the blue steels I was talking about. I don’t think the cryogenic treatment did anything. If memory serves, I stopped using them because they were obnoxiously bright for my taste.
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#9
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I didn't think the blue steels were GHS.
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#10
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#11
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After the test I had one of my trumpets cryo'd. It was a Yamaha 9335 with a tunable bell. It was a good instrument, but a little on the bright side. After the cryo two things were noticeable: The horn had a quicker response and was a bit easier to play. But the second thing was that its inherent "bright" sound got snarly bright. I subsequently sold the instrument. I suspect whoever bought it had a darker sound than I do naturally.
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Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS Last edited by vindibona1; 08-24-2019 at 12:51 PM. |
#12
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I've used the Blue Steel, nothing remarkable about them. I used them once. It's just marketing to me.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#13
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Also, this is probably gimmick also: Each single string is sealed in a nitrogen environment, eliminating all oxygen, in a tear-resistant package. Whether you use one string or the whole set, the Nitro Pack guarantees straight from the factory freshness |
#14
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I used to work in a metallurgical test lab, I don't think it would make much of a difference in tone.
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Fred |
#15
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From a materials perspective, I am going to suggest a >95% probability it is a gimmick for the wire itself. I have to stop before 100% since I haven't laid hands on a set. But I can understand the materials science at play.
Cryo treatment of tool steels is a real thing and has real benefits in terms of dimensional stability and uniformity of mechanical properties. Music wire steel is a different animal from tool steel. The metallurgical features that make cryo treatment beneficial for tool steels are not present in music wire. Subcooling music wire probably won't change a thing. There is a big, loooong story behind this but probably not one worth telling. Winding materials contribute in a different way and have even more different metallurgical characteristics.There are several material options and it can get harder of bundle. But two of the most common acoustic winding materials, copper zinc and copper tin, behave basically as copper metallurgically. Keeping in mind this is a generalization and there are minor deviations at the fringes. But overall it means the mechanical properties of these materials are not affected by subcooling. Which is not to say the shrinkage and expansion that would occur as wound strings are cryo cooled and then returned to ambient wouldn't have an effect on the winding distribution and shape. It could but I don't have any data addressing that. Toss that effect's uncertain impact on sound into that last 5%. hunter |