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Mic question
I have a Shure sm58 which is an inexpensive mic but it seems that it only picks up my voice if it is pointed directly at my mouth. If I sing from the side of it, even only a few inches away, it will not pick up the sound. Is this normal or do I need another type of mic?
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#2
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These days I use a Sennheiser E935 which costs a little more but which is worth every penny, especially for make voices, This is a dynamic mic and built like a tank. It is easier t stand back from the mic a bit which I really like. Best which a 90 degrees to your mouth rather than at an angle. I take this with me everywhere now and nobody usually complains when I swap it for the 58. When running this through my AER or a PA I just use the EQ flat. I also have the Shure 58 Beta which has a wider field t in general I don't think it is as good a mic as the E935.
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#3
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The Heil PR35 has a cardioid pattern and a rep for sounding good when the singer is somewhat off-axis. However, its also going to have a poor repsonse when you're coming at it from a side angle of 90 degrees or greater. |
#4
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Do you deliberately sing like that or was this just an observation ?
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#5
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I forget what the effect is called but as your mouth moves closer to a SM58, the sound gets fuller and bassier.
Some singers like that. Proximity Effect? Is that what it's called? Anyways, it's a valuable mic technique many singers are well aware of.
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Taylor 512...Taylor 710B...Blueridge BR163...Blueridge BR183a...all with K&K's & used w/RedEye preamps Seagull CW w/Baggs M1 pickup...National Vintage Steel Tricone...SWR California Blonde Amp Last edited by Gypsyblue; 08-01-2015 at 11:06 AM. |
#6
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-Mike
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For sale: Mint Condition Guild D125-12 All Mahogany 12 string 2009 Martin 000-18 Golden Era 1937 |
#7
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Yes, my Audix mic was designed to be right in front of and close. Can't share it at all.
I've got a nice condenser that I can switch between cardioid and omnidirectional I like to use for acoustic rehearsal. Run the signal through my amp for a touch of reverb with everyone sitting in a circle around it. Nice but doesn't take much to produce feedback. Microphones are another sinkhole for your money. I love the look of mics like I love the look of guitars. The retro looking mics sound and look good.
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#8
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SM-58 and other mics like it are built with a cardioid pickup pattern, and are useful in PA situations where if they picked up sound from the sides or back it would create feedback. Most of the high end ones have an even narrower pickup pattern than an SM-58. The pattern is narrow, and sounds like a built in laptop speaker when you get off to the side (off-axis). It's meant to be sung into from 1˝" to 2" directly in front of it. When you get further away, the bass drops off and we're back to that laptop speaker type of tone. You could try an omni-directional mic, since they will pickup equally on all sides, without the severe proximity effect (which is what causes them to sound like laptop speakers), but they will also feed back quite easily. Generally unless you are a bluegrass fan (or Milk carton kid emulator), omni-directional condenser microphones are avoided for live play. Good ones sound great and are very costly. And even bluegrass bands and the Milk Carton kid's mics are not omni directional. |