#1
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last couple of fretts dropping down a tad
Okay,I even did a forum search so I wouldn't have to look like an idiot but I don't care, Im curious. An occasional guitar and some mid rangers I have let the last part of the fret board dive down slightly. It appears to be part of the design, what say you about this
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just a box with strings Tons of guitars and Mandos including: Larry D-10, Martin D 18, Blueberry, Cole Clark, Gurian, tele, G&L blues boy, Emerald, Kentucky, Stradolin, etc... |
#2
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I noticed this on my Martin SWDGT, too. At first, I thought it was a lasting effect from when the guitar dried out a bit and the top sunk. I took it to the shop and the tech said I shouldn't worry about it and it's fairly common.
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#3
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g
Okay, in hind sight of posting this I know mathematically the fret board should be flat as most are(a little relief I know) but I swear Ive run across this numerous times, who uses those last 3 frets anyway, and do you expect to get a clear good tone up there? Im being ridiculous now but wondering if fellow agfers have seen much of this.
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just a box with strings Tons of guitars and Mandos including: Larry D-10, Martin D 18, Blueberry, Cole Clark, Gurian, tele, G&L blues boy, Emerald, Kentucky, Stradolin, etc... |
#4
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It's supposed to do that. It's call "fallaway." Do a forum search on that term.
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"You can get help from teachers, but you are going to have to learn a lot by yourself, sitting alone in a room." --Dr. Seuss |
#5
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fretting
Thanks DT, Im thinking this is somewhat common too and I don't worry but there must be some more comments regarding this. Is this something a manufacturer lets slide a little or what? Hey thanks Dave, I will.
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just a box with strings Tons of guitars and Mandos including: Larry D-10, Martin D 18, Blueberry, Cole Clark, Gurian, tele, G&L blues boy, Emerald, Kentucky, Stradolin, etc... |
#6
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fallaway
Okay, I feel better, learned something. The purpose of creating this thread is Im selling a guitar with a little "fallaway" Im as honest as the day is long and its not much money. Everythings perfect on this but I did notice a slight drop. All is well in Wades World-Wades World -awesome dudes
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just a box with strings Tons of guitars and Mandos including: Larry D-10, Martin D 18, Blueberry, Cole Clark, Gurian, tele, G&L blues boy, Emerald, Kentucky, Stradolin, etc... |
#7
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It's called "falloff" and is intentional. On my Larrivee D-03R-12 it's fairly noticeable.
Think about how a truss rod affects the relief of a fretboard. The portion of the fretboard past where the truss rod is anchored is not affected (i.e. the relief can't be set) so a builder will build in a bit of falloff or fade to prevent fret-rattle on the last few frets.
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#8
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Yes, the falloff or fall away is important to a clean playing guitar. Without it the initial attack can sound plunky and banjo-like.
I've had several guitars that didn't have a correct falloff. The fix is simple. I dress the frets with the neck perfectly straight, as is normally done, then I put 4-5 layers of masking tape over the 12th fret and continue dressing the frets above that until the dressing bar just touches the 13th fret. This creates a kind of false falloff. Once crowning and polishing is done the guitar will ring out nicely. |
#9
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It's simple geometry. If the clearance at the 12th fret (action) is 3/32" and you want the string height (from the guitar's top) at the bridge to be close to 1/2" (16/32") the neck has to tilt back. That puts the surface of the fretboard in a different plane from the top. Then at the body joint, the fretboard either has to bend down or have a tapered shim to fill the gap. We usually let it drop off since most people don't play up there anyway. (I said most, not all. Those that do play up there have to be more concerned about that area that I am.)
All that is somewhat oversimplified and assumes a perfectly flat top and all that, but you get the idea. |
#10
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Its funny some do and some don't. In fact I did notice it on my Larry d10 and I would only assume that was intentional, but the stone bridge is flat as a pancake, go figure
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just a box with strings Tons of guitars and Mandos including: Larry D-10, Martin D 18, Blueberry, Cole Clark, Gurian, tele, G&L blues boy, Emerald, Kentucky, Stradolin, etc... |
#11
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Quote:
Yup, I think in general that bolt on necks will have little to no falloff as they are not subject to the top heaving or sagging. |
#12
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If the fretboard extension is supported as with an elevated extension or an extension that sits in its own pocket the geometry of the guitar won't have the same effect on it as it can with an extension glued to the top.
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The standard you walk past is the standard you accept. |
#13
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Falloff used to be standard and many builders still use that concept due to the neck geometry but modern builders have learned how to counteract that. So it is two different building methods not just a bolt on vs dovetail situation.
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#14
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Quote:
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just a box with strings Tons of guitars and Mandos including: Larry D-10, Martin D 18, Blueberry, Cole Clark, Gurian, tele, G&L blues boy, Emerald, Kentucky, Stradolin, etc... |
#15
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It's also humidity dependent. A more dry guitar will exhibit more of that fall off than a properly (or overly) humidified instrument.
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