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This is what I love and hate about Rosewood
http://www.youtube.com/watch?v=h_v4w__YvUY
Rich, poweful, overtone rich, but also very metallic sounding especially on the unwound strings. Does anyone else feel like this about Rosewood back & sides? |
#2
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Dutch, Still playing after all these years. |
#3
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I've been impressed by the 00 1929 Collings all hog, maybe check that one out?
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#4
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Hi
If I'm not mistaken his Lakewood has macassar ebony back and sides Theo
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http://www.youtube.com/user/teosoph/videos |
#5
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have you played this model in person ? as dwstout says - "All depends on the guitar." I'd suggest the recording / Micing has a lot to do with the sound on the video. I play a Bourgeois Rwood / spruce - very mellow - of course it's played in - dont forget some 'new' guitars can sound a bit 'edgy'. Just things to consider
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#6
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Every guitar I own has different tone woods, but that being said, the build is far more important, especially the bracing, the woods are the spice, and any wood can be made to sound pretty good or pretty bad. Plus the top has more influence than the back and side woods, and there are many different rosewoods, rosewood done well is wonderful..............
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Rich - rmyAddison Rich Macklin Soundclick Website http://www.youtube.com/rmyaddison Martin OM-18 Authentic '33 Adirondack/Mahogany Martin CS OM-28 Alpine/Madagascar Martin CS 00-42 Adirondack/Madagascar Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29) |
#7
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But it definitely sounds good either way |
#8
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Rosewood guitars - from a currant thread -
s this a Martin OM-42? Amazing tone! http://www.youtube.com/watch?v=eoSn2Y-b6wI Quote:
I don't consider this recording of this guitar to be very good in terms of 'record quality' - just goes to show you need to play guitars in person. Though they do record the 'crack' from the fire well - mic placement ?
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some toons - http://www.youtube.com/user/TheGeordieAdams https://myspace.com/geordieadams/music/songs |
#9
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The metallic sound is in no small part due to the player's use of a thumbpick, probably a heavy one. My rosewood b & s Taylor BTO GC 12 fret is rich, dark, warm and mellow with no metallic twang even when plectrumed (add that to your dictionary)
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#10
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Dolly Parton Grand Ol' Opry Big Beard Parlor Brain Song Imaginary Fiber Derailer (My go-to travel guitar) Glibson Super Duper Jumbo Deluxe Extreme (with birds on it) Martino Cinco De Mayo (First Edition) Louden Silent Guitar Lowvation 12 String Salad Bowl Albatross Merrytime with Red Tide Sunburst http://portraitsinpencil.tumblr.com/ https://www.youtube.com/user/TheDerrickRyan |
#11
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I would not blame the tonewood, nor necessarily the model guitar. It could simply be player, pick or string choice. I actually find the mids of the guitar sound quite nice, but the high strings do sound a bit brassy.
Bryant
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1994 Martin D-16H Silvertone SD-50CE Greg Bennett D-8CE 1991 Takamine EF350MC Fender T-Bucket 400CE $19 Silvertone Bobby Labonte SNBLA |
#12
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in many descriptions of tonewoods that i have read there are quite a few that elude to the fact that Rosewood offers a "reverby" or "metallic" character. and this can be true in some instances as i've played quite a few that do, indeed, feature a metallic high end. but, personally, i own two Rosewood guitars and neither of them are metallic sounding in the high end at all. so, all in all, i'd say it depends on the guitar/builder (and also on the player's playing style).
hope this helps!
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Bill Gennaro "Accept your lot, whatever it may be, in ultimate humbleness. Accept in humbleness what you are, not as grounds for regret but as a living challenge." |
#13
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As others have commented, rosewood does not have to sound quite like that and string choice can make a huge difference. So can the choice of guitar, of course. We all seem to have a different sound in our heads that we strive to achieve. Your sound is not likely to match up with mine. Fortunately, there are all kinds of ways to get what you want these days. - Glenn |
#14
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I believe that's what Lakewoods sound like mostly, atleast the spruce/tropical hardwood ones. I have one with Engelmann/BRW. I like bright guitars generally, so it's mostly okay with me, though I have usually swapped out 12s for 13s in light gauge sets which helps somewhat.
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