#1
|
|||
|
|||
tuning by ear and coming up flat
I've been practicing trying to tune my guitar by ear (no fork, tuner etc). While I am getting much better, I always seem to be a half step flat from standard tuning (I check it with the a tuner after I am done).
If I'm playing along with Stevie Ray Vaughan or some others who tune down, I will tune down to match. Although most of the time I play in standard tuning. Is this due to lack of skill, or is that what my hearing will always tell me? Should I try and compensate and tune as if I think it's sharp? |
#2
|
|||
|
|||
Quote:
__________________
Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#3
|
|||
|
|||
If you are consistent, then the rest can be learned. Familiarize yourself with the 440 A. Forget the guitar for a moment. Just "learn" that one note. Then you should get closer to the perfect pitch.
I remember breaking strings trying to tune without any aid when I was learning...before electronic tuners...and finally I got a reed tuner. Later, I used a harmonica since I was playing with one a lot. Now, I can get quite close without a tuning aid, providing it is a familiar six-steel string guitar. (But not my tenor!) In a store, I picked up a rosewood Gibson J-45 and it was way out of tune and I quickly went to near perfect. Within thirty minutes, I tried the same thing on a rosewood Guild... I couldn't get anywhere close. "Does someone have a tuner I can borrow -- please?" Ken C.
__________________
Martin 000-15S E-Guitar "Ken-Trapsion" Dean Playmate Gibson J-45 Rosewood Gibson J-50 Mahogany G-40 Maccaferri arch top (3 ea.) Kay Catalina arch top w/DeArmond floating p.u. Harmony arch top Silvertone (Kay) flat top Framus 12-string Harmony tenor arch top Gakki Yamaha FG-140 DeArmond arch top And 14 misc.ukes. |
#4
|
|||
|
|||
Why even try?
Just spend $20 for a tuner, and go! |
#5
|
|||
|
|||
I have tuners, 4 to be exact. I just wanted to learn to do it so when a reference such as a tuning fork or tuner isn't available, I'd be able to get a guitar tuned pretty close to standard tuning.
|
#6
|
|||
|
|||
Quote:
If you''re not playing with other people, it won't really matter if you're flat or sharp . . as long as you can get the relative pitch OK. Most of us get fairly close to that by just fretting the other strings to tune. But for me, the tuner is a much faster way, and it always sounds better. To get the entire guitar perfectly in tune, the problem is remembering exactly what one note sounds like. Doesn't really matter what note it is (though it'd be easier if it's an open string on the guitar, like an A). The vast majority of us, though, can't remember a specific frequency that closely. |
#7
|
|||
|
|||
DJ,
I think your experience is typical of most of us -- few people have perfect pitch and if you do, it may be a disadvantage. Relative pitch is mostly what matters, and inexpensive and accurate tuners solve all your problems. From a practical standpoint, tuners work wonders for stopping arguments between people playing together who hear things differently. Regards, Glenn |
#8
|
|||
|
|||
Tune to a chord. Then tune to another chord. Then tune to another chord. Where there are discrepancies compromise.
|
#9
|
|||
|
|||
In UK folk clubs . . .
. . . in the 60s and 70s, the comment always used to be 'It was in tune when I bought it'.
Still works for me - good luck by the way, I am always dazzled by a friend who can sing note perfect from a 'standing start'. Amazing. I am boring and still use a D or G tuning fork - nice to know my harmonicas are in tune too.
__________________
NOT from Queen - he's much cleverer I am English, so are all my spellings Two guitars I'm happy with . . . |
#10
|
|||
|
|||
Quote:
Brad |
#11
|
|||
|
|||
if there is no reference around, then it doesn't matter. you get to Just Play. all you need is close enough that the strings aren't floppy or breaking.
__________________
-donh- *everything* is a tone control |
#12
|
|||
|
|||
Quote:
Hope that helps some. |
#13
|
|||
|
|||
Quote:
Brad
__________________
Guild F212: 1964 (Hoboken), Guild Mark V: 1975 (Westerly), Guild Artist Award: 1975 (Westerly), Guild F50: 1976 (Westerly), Guild F512: 2010 (New Hartford), Pawless Mesquite Special: 2012, 90s Epi HR Custom (Samick), 2014 Guild OOO 12-fret Orpheum (New Hartford), 2013 12 fret Orpheum Dread (New Hartford), Guild BT258E, 8 string baritone, 1994 Guild D55, Westerly, 2023 Cordoba GK Negra Pro. |
#14
|
|||
|
|||
Quote:
In Daniel Leviton's book, "This Is Your Brain On Music," he states that research shows the people remember songs in their actual key, so that the starting note typically IS within a few cents of the true starting note. Thanks, Glenn |