#1
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Taylor 714 vs GA7
What are the major differences in construction, tone & playability? Why does the GA retail for so much less? They look almost identical on Taylor's site, except no electronics in the GA's.
Our local GC's don't seem to stock any of the GA models so I haven't been able to play one yet. Any insight is greatly appreciated. |
#2
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The 714 (no C no E) is now called a GA7 (pure acoustic). If you add a cut-away, I don't think it adds to the price much? The ES however adds several hundred dollars to the price.
The GA size seems to most popular alongh with the ES so the GC here mainly stocks x14s as well. They do have x10s and a few other shapes but mostly I see x14CEs.
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2005 Taylor 914CE 2003 Pavan TP-20 2004 Samick JZ4 Archtop 2005 Squire Fat Srat 2010 Laguna LD1 Little Brat |
#3
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Look closer into details. They are quite different in appointments if you will.
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'08 Goodall KCJC (Koa/Englemann) '09 Fujii MD (Camatillo RW/German) '11 Martin J custom(EIR/Sitka w/PA1 appts.) '14 Collings SJ(Wenge/German) |
#4
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The GA7 has the thickness of the wood optimized for rosewood. The 714 uses the standard wood thickness that Taylor has been using for quite some time. In other words, the wood thickness of a 514, 614 and 714 are all the same, while the wood thickness varies from a GA5 to GA6 to GA7. Other construction features are the same accross both lines and playability should be the same. As far as tone, the GA7 may have the potential to sound a bit better but I have no doubt that from time to time one may find a 714 that wounds better than a a given GA7.
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#5
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The main structural difference is the wood thickness, as Herb pointed out. The big price difference is due to the difference in appointments.
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#6
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For what it's worth, there is a 4 figure difference between the 714CE in the Acoustic / Electric series and the GA7 in the Acoustic series! As standard models, if you want a cutaway, you have to order it as a 714 and if you want it w/o the cutaway, you have to order it as a GA7. Either model can be ordered with or W/O the ES.
To mirror what others have said, the Acoustic series models backs, sides, and tops are thicknessed based on wood type to enhance the acoustic tone, whereas the A/E series are thicknessed based on body style no matter what the wood combo.
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Mike |
#7
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AND the big difference in the price is due to Taylor Guitars deciding to re-align their guitar line, and separate the all-acoustic models from the more performace-oriented CE models.
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Ken 2006 Martin 0000-28H 2001 Taylor Baby-R ------------------------- |
#8
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I've been playing and swooning over a GA7 at Guitar Works in Richmond, VA. It has a great tone, and I'm partial to the sound of large body guitars.
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#9
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So really what I'm getting from everyone's comments is that the GA series potentially is the better sounding acoustic... Would you all agree?
Mainly what you pay extra for with the x14 series is wood binding versus Ivoriod, and nicer inlays? If all a person cares about is tone, is there really any reason to pay the extra cash? Do they possibly use higher graded tops in the x14 series? |
#10
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I would venture a guess that the wood grading would be no different between the series, again, keeping in mind that grading only addresses cosmetics, and not tonal quality. Perhaps the 900 series, having no acoustic line counterpart, might get higher-graded (cosmetically, mind you) woods than the other models. Of course, the best grades would be reserved for the Presentation series (not to mention R.Taylor).
In the final analysis, if you're all about tone, the acoustic series is probably the way to go. If you need to plug in to perform, you can either include the ES or some other after-market pickup. If you prefer fancier appointments, there's always the custom route. Hope this helps!
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Singing Fool 1997 Taylor Cujo 14 (RED cedar/BLACK walnut) 1999 Larrivee OM 10K (sitka spruce/reserve koa) 2001 Taylor 514e (engelmann spruce/mahogany) 2003 Taylor Pelican-LTD (sitka spruce/myrtlewood) |
#11
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Quote:
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#12
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Thank you all... Of course I'll have to play a few to be sure, but I appreciate the info everyone has given.
On a side note... From reading about the GS, it almost sounds like it might be a sound I'd prefer, so I'm going to try that series now too. What are people's opinion about the GA vs the GS series? |
#13
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Quote:
Note added a few minutes later: on a second reading of that text, it's just as confusing as ever. The text appears to say that there is a standard thickness for tops and sides that varies depending on the wood - so you'd think both tops and sides are affected. But it then goes on to exemplify this by saying that "the thicknesses of mahogany, maple, and rosewood sides will all vary" - no mention of standard topwoods like spruce and cedar. And since you wouldn't think the sides would affect the tone much, you wonder what the big deal is. Richard Last edited by re17; 09-10-2007 at 05:35 PM. Reason: To make meaning more confusing :) |