#31
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Yo;
Different experience must lead to different conclusions. It's true that I was not exactly rigorous in my humidifying/temperature duties. But experience tells me that rigorous elements can have rigorous consequences. For example, a friend with a Martin went from the mountains to the coast of California. He humidified, but his guitar revolted and split down the face. My play has been in some extreme environments, from 10 to a 100 degrees. In one of the cold spells we were playing around a wood stove--that's when my father-in-law's guitar gave up the ghost. I suspect I've been dumber than you in the care and feeding of a guitar. I suppose that's one reason I really like carbon fiber guitars. I do have to admit, I like the character of the well-used guitar in your photos. |
#32
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Everyone needs a trigger. Sometimes it's a horse. Sometimes it's a guitar. Mine just happens to be CF.
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Cheers, Tom PS If you don't want to invest in yourself, why should anyone else even bother to try? |
#33
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A woodstove probably dries that place out quite a bit. I would imagine keeping the guitar in the case with not being played and keeping sponges moist would be paramount in that situation. Having something to check the room and case humidity is important as well. It’s easy to forget and neglect those things, so I understand people that want a carbon fiber guitar Many of them have a very nice sound, but some of them sound very thin to me. That however is true of wood in the guitars as well. If they ever make a carbon fiber guitar that sounds like my vintage J 45, I’ll be in the market for one. Until then, it will be cases, sponges, and room humidifiers. Play what inspires you.
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Current: 1952 Gibson J-45 - Schatten HFN passive / Fishman Matrix Infinity 1983 Washburn Timber Ridge Custom - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive 2016 Gibson J-45 Standard - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive backup Tonedexter & Sunnaudio Stage DI 1990 Yamaha FS-310 Past: 1995 Martin D-28 2015 Eastman E10SS |
#34
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I don't think I have seen two J 45s together that sound the same as the other. I suspect you might be blown away by an Emerald X30. It looks a bit different though.
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Cheers, Tom PS If you don't want to invest in yourself, why should anyone else even bother to try? |
#35
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#36
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The CF's that I've played have all had a "new" guitar sound to me. Nothing wrong with that, but my 2016 sounds better and better as time goes on, and the '52 is probably as good as it's going to get, but it's perfect IMO. From what I've read, CF's sound the same throughout their lifespan. That's not necessarily a bad thing as long as it sounds good out of the gate. They also felt new too me too, and there's something I like about a well broken in guitar. I'd love to try an X20 or X30. They're beautiful looking guitars. I just have to find one to try. I'm open minded. It would take a lot to for me to get rid of my '52 though. I guess what kind of triggers me about the whole CF sub forums is the subsequent hyperbole that comes in some discussions. Mainly, those claiming to have sold off their high end wood guitars to switch over to CF because it's so superior, or the ones that allude to the fact that a particular gig couldn't be done with an all wood guitar. That's about it.
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Current: 1952 Gibson J-45 - Schatten HFN passive / Fishman Matrix Infinity 1983 Washburn Timber Ridge Custom - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive 2016 Gibson J-45 Standard - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive backup Tonedexter & Sunnaudio Stage DI 1990 Yamaha FS-310 Past: 1995 Martin D-28 2015 Eastman E10SS |
#37
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John |