#16
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Tony have you tried Rohrbacher Titanium Strings to last almost as long as the Cargos? I might pick some up to check out..
http://rds.yahoo.com/_ylt=A0oG7nv3Xh.../rohrtech.com/
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#17
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Collings and Santa Cruz have been making their Baby and Firefly (24" scale) for a number of years now. 24" scale guitars are getting some traction in popularity (IMO) and it's unfortunate that both nut width and bridge spacing are at the short end of the range with the production-line instruments. I believe that you can get the Firefly with a 1-3/4" nut, but the bridge spacing is less than 2-1/4". The Larrivée Parlor's bridge spacing is also tight, at 2-3/16".
Adults play these guitars, and I personally believe that the market for these guitars would be bigger with a few changes. ...but that's just my opinion. It looks like Lukas Brunner is jumping into the carbon-fiber market with this bolt-on/bolt-off neck travel guitar: http://www.acousticguitarforum.com/f...d.php?t=202934 If this is the CF equivalent of his original travel guitar it has a scale length of 21-21.5". Lukas goes the "other way" with nut width, and his standard on the smallest body wood model (perhaps similar to the CF guitar in the other thread) is 1-7/8"+.
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Larry Pattis on Spotify and Pandora LarryPattis.com American Guitar Masters 100 Greatest Acoustic Guitarists Steel-string guitars by Rebecca Urlacher and Simon Fay Classical guitars by Anders Sterner |
#18
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I'm still a bit surprised since the Cargo was such a popular instrument, you'd think somebody would manufacture a model in wood with the same specs. If I were a manufacture, I'd probably do that (not that I know what I'm talking about exactly).
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#19
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Quote:
No, I had not heard of these strings. Over the weekend, I stocked up on my favorites - D'Addario EJ16 that were on sale at GC at $4 a set. So I am good to go for a very long time. However, I might just try a set of those anyway. Tony |
#20
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Company that made those went out of business, no?
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"Still a man hears what he wants to hear, and disregards the rest." --Paul Simon |
#21
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There are more short scale wood guitars on the market than I care to list here..
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#22
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Quote:
http://www.maton.com.au/acoustics/mi...on-series.html Last edited by Berf; 12-22-2010 at 12:39 AM. |
#23
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I think the Cargo has an exceptionally thin, sensitive top. With a shorter scale, and therefore lighter string tension, a thicker top is more likely to be under-driven, and not as loud.
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I'm a professional - people pay big bucks for me NOT to play. |
#24
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i think the success of the gs mini and cargo show that there is a demand for shorter scaled guitars (with wide nuts - i.e. not a 3/4 scale child's guitar), and the industry is slow to catch up. i love them, and even a tacoma papoose can be hard to find a deal on on ebay. custom builders are making more of these guitars, it seems to me. |
#25
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Tony |
#26
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#27
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When I see people play those big dreadnought acoustics, with the elbow sticking sticking up in the air, it looks really uncomfortable to me and I am not surprised to read on occasion about shoulder pain.
Tony |
#28
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I should have included Steve Sheriff (Edwinson Guitars, an AGF sponsor) as a one-man-shop builder that has experience with 22-7/8" to 24" scale (and regular scale instruments, of course), both on small/parlor bodies, and now with a 00 sized instrument (called the Zephyr).
Current AGF thread, with small-body guitar and bevel: http://www.acousticguitarforum.com/f...d.php?t=202943 Edwinson website: http://edwinsonguitar.com/Edwinson_Lutherie/Home.html
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Larry Pattis on Spotify and Pandora LarryPattis.com American Guitar Masters 100 Greatest Acoustic Guitarists Steel-string guitars by Rebecca Urlacher and Simon Fay Classical guitars by Anders Sterner |
#29
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The popularity of the Cargo and GS Mini only prove there is a demand for decent sounding travel guitars not short scale guitars. In fact these two guitars have received less than favorable reviews by those that tried to force them in to different roles.
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#30
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Quote:
Your interpretation is that the demand is for one particular thing...but there is no "proof" of anything...IMO. My perspective is that the unwashed masses of guitar players are unaware of many things surrounding guitar construction, and choices (and non-choices, i.e., limitations based on convention) that have been offered by various builders and manufacturers. Folks tend to be fairly tuned into nut-width issues these days...around forums such as this....but the general (and generally uneducated) guitar player may not be quite so aware of this. Folks are also starting to understand string-spacing at the bridge as an important number to consider...amongst forum members. Not so, *I* suspect, for the general public. Fewer folks understand that the width at the 12th fret (of the fingerboard itself) can be added to nut and bridge numbers to get a better understanding of the guitar's geometry and playability. This is a tie-in to the whole short-scale aspect of guitars. Folks with small hands and other physical issues are looking more and more at possible ergonomic solutions...and with enough education, they will begin to understand that scale-length is a *huge* and important variable. I believe, in fact, that a *big* part of the popularity of some of the small body guitars with short-scales is due to the short-scale comfort that these guitars can provide. Now, if we can just get some of the larger manufacturers to combine the small-body/short-scale thing with wider nut and bridge spacing numbers (and wider 12th fret width!), then we'll be headed (IMO!) in the right direction with these guitars... Just one man's opinions....
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Larry Pattis on Spotify and Pandora LarryPattis.com American Guitar Masters 100 Greatest Acoustic Guitarists Steel-string guitars by Rebecca Urlacher and Simon Fay Classical guitars by Anders Sterner |