#1
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1939 D-18 Authentic
Has anyone tried the newer 1939 D-18 Authentic? It looks like the recipe for a screamer! I have played a 1937 D-18 Authentic and it sounded amazing but the neck was too gigantic -- and I generally like massive necks. I don't know if this would be better but I like the overall writeup for sure.
Too bad they don't make these with a little more modern neck profiles. Although I realize they wouldn't be entirely "Authentic" then. (One thing I really liked about my Collings was the neck. The sound was too wimpy and pretty, but the neck itself, their thinnest with a 1-3/4 nut, was absolute perfection.) I think these ancien regime kinds of necks that are okay at the first position and then become enormous tree trunks above the ~5th fret are just too anachronistic for how most people play now.
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And I thought, "I've fiddled all night, and lost! You were good, hillbilly ... but you've been bossed." - Mountain Whippoorwill (Or, How Hillbilly Jim Won The Great Fiddler's Prize), Nitty Gritty Dirt Band |
#2
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I have not had a chance to play the 1939 D-18 Authentic. If it is anything like the rest of the Authentics I'm sure it is a quality guitar. I may just be the anomaly but I have no problem whatsoever with my 1937 D18 Authentic neck or any of the other of Martin's Authentics that I own. I play leads and chords all the way up the neck comfortably.
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Jared |
#3
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Gotta disagree with the OP, the necks come with the territory and I think that mass may contribute to the overall sound.
The Authentics are a huge hit for Martin, the folks I know who own one (or more), myself included, consider them the best Martins they own. I have Martins more than twice the price of my OM-18A 1933, but the Authentic rules them all. I understand the necks aren't for everybody, but then Authentics aren't for those people who don't like or have problems with chunky necks. Martin isn't going to put a modern neck on an Authentic body, nor do the people who buy Authentics want them to, there are plenty of other Martin choices for those folks.
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Rich - rmyAddison Rich Macklin Soundclick Website http://www.youtube.com/rmyaddison Martin OM-18 Authentic '33 Adirondack/Mahogany Martin CS OM-28 Alpine/Madagascar Martin CS 00-42 Adirondack/Madagascar Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29) |
#4
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I played one at a Martin experience event. Pretty awesome. If it was a 1 3/4 vs 1 11/16 it likely would have came home with me
you might not like it though, there is aging toner in the finish |
#5
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I have not had the chance to play the 1937 Authentic dreads yet, but the 1939 D-18A is hands down my favorite of the others. Huge sound, and notes just explode off that thing. Clarity is excellent too, as I own 3 Collings guitars and ultimately I end up comparing tone to that benchmark.
The neck profile on the 1939 D-18A is a little narrower (because of the narrower nut and string spacing) but top to bottom depth is similar to a 1 3/4 nut necked Collings OM. It's reasonably comfortable but I personally would really need that extra room. I can handle big necks provided they are rounded into a nice medium/fat C shape, so I hope I run into a 1937A someday to compare. But yes, great guitar the 1939 D-18A !!
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Merrill | Martin | Collings | Gibson For Sale: 2023 Collings D2H 1 3/4 Nut, Adi Bracing, NTB -- $4100 shipped |
#6
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I would think there are at least some folks who have purchased an Authentic that would want them to come with a more modern neck, no?
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Bill Gennaro "Accept your lot, whatever it may be, in ultimate humbleness. Accept in humbleness what you are, not as grounds for regret but as a living challenge." Last edited by billgennaro; 10-23-2014 at 10:52 AM. |
#7
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I agree with the opinion that the mass of the neck has a big influence on the overall tone of a guitar. It's not necessarily the size of the neck, but the density of the wood used for the neck. I like to feel a bit of weight in the neck. I find that guitars with denser or thicker necks sustain better and transmit more sound to the body. Part of the equation that makes the Authentics so great. .....Mike
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#8
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Holy cow! Nice group of guitars you've got there!
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#9
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I've owned one for 6 months, it's great. The neck is a smaller profile than '37. It's hard to do sometimes, but better to try one.
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#10
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Quote:
As per my other thread, I'm starting to formulate a theory that **rear**-shifted scalloped bracing, like they use in the 1939 D-18A, is the magical route to explosive sound, albeit possibly at the expense of some bass. Your post is another data point supporting that.
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And I thought, "I've fiddled all night, and lost! You were good, hillbilly ... but you've been bossed." - Mountain Whippoorwill (Or, How Hillbilly Jim Won The Great Fiddler's Prize), Nitty Gritty Dirt Band |
#11
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Quote:
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Merrill | Martin | Collings | Gibson For Sale: 2023 Collings D2H 1 3/4 Nut, Adi Bracing, NTB -- $4100 shipped |
#12
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Quote:
When you spend $5K on a guitar, IMO, you need to like everything about it or move on to a better fit. A modern neck on an Authentic does make it a little less "Authentic", no?
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Rich - rmyAddison Rich Macklin Soundclick Website http://www.youtube.com/rmyaddison Martin OM-18 Authentic '33 Adirondack/Mahogany Martin CS OM-28 Alpine/Madagascar Martin CS 00-42 Adirondack/Madagascar Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29) |
#13
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No set of specs will perfectly suit anyone. For example, I wouldn't buy an Authentic if it had "modern" feeling neck.
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#14
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The Collings is wimpy AND in the past tense? What happened? Was it the bolt on neck?
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Bourgeois, Collings, R Taylor, Santa Cruz |
#15
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Artisan Guitars
Artisan Guitars in Franklin, TN has a nice sounding used '39 Authentic on their eBay website if anyone is looking. I'd be going for it if I had the coin.
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