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Best way to remember new pieces?
Hi, I’ve decided to learn more pieces and play from memory. It takes me a long time to learn even a short fiddle tune.
Anyone one using memory enhancing techniques? I don’t read music, or at least not fast enough to play from initially. I have used it as an aide memoire before. I don’t perform live, so maybe I’m being over ambitious. It wouldn’t hurt to improve my reading skills. What are your thoughts please? |
#2
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I play everything from memory as well. When I’m learning new songs I just practice more. Short and frequent sessions are more productive for me vs one long practice session.
Timber |
#3
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Funny old thing the mind. |
#4
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This kind of memory resides in both your brain and your hands. Your brain remembers a tune by constantly hearing it. Your hands remember a tune by constantly playing it.
I find that if I don't regularly practice my more complex fingerstyle pieces, my 'muscle memory' of how to play them starts to fade... . |
#5
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OP mentioned fiddle tunes. I've been playing these for a long time (since I was 13). What really reinforces these songs in my memory is frequent repetition. I took weekly lessons from a bluegrass fiddler for around 3 years as a teen. He didn't use sheet music, tabs or charts. He would play a tune through at a medium tempo while I watched and listened. Then I would play it with him until I got it. He taped the sessions and I took them home to practice with.
I didn't play fiddle or bluegrass much after high school (kept up with playing Americana on guitar though). In my mid-40's I started playing mandolin (which is tuned like a fiddle) and I swear all those old fiddle tunes just fell right out, from memory. The time I'd spent 30 years earlier learning them paid off. I go to several bluegrass and old time jams each month now. Playing songs with other people on a regular basis is the mantra I've been advocating here for years. I've learned a bunch of new songs at these the same way - aurally. |
#6
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So you should practise until you feel that sensation kicking in - don't push beyond there. Then take a break - even a whole day - before going back to it. (Of course you can work on other stuff in the meantime.) The memory for this kind of activity (and any similar task) is linear. In this respect, if nothing else, it's like computer memory, a one-dimensional string of events. You embed one measure, then add another to it, and so on. You can't picture the whole thing at once. Even when you have a tune fully memorized, if someone said to you "play me measure 10 in that tune", almost certainly you'd have no idea; you'd have to start from the beginning and work your way through to it. Every note you play sparks the memory of the next one in the chain. so it all spools out.
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#7
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Here's a serious hint. Play in a) the dark, and/or b) with your eyes closed. Seriously, it really helps.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#8
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#9
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https://www.amazon.com/Laws-Brainjo-...3100360&sr=8-1
I read this oft recommended book. It was really good. I think.... David
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I took up the guitar at 62 as penance for a youth well-spent. |
#10
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Learn to sing it.
Even a complicated fingerstyle piece has a melody. |
#11
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#12
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I used to memorize everything way back when we were just trying to get up to around 50 songs to be able to play/gig. It was a chore and inevitably there would be a song or two that would end up being a train wreck because I'd forget something or worse just go blank mid-song. Once we started to gig frequently and needed to add more songs, I started using a tablet with guitar tab as a reference. It allowed me to add way more songs and be able to perform them way faster than if I needed to memorize them all. I don't stare at the tablet during performance but rather use it as a reference to glance at as needed. It's also great as I can use it to construct setlists, provide capo positioning, time counts via the metronome count-in, change keys and whatnot. Very powerful too. Over time playing them they eventually get committed to memory via muscle memory and ear to the point I don't even need to look at them on the tablet. But it's still nice to have it there.
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#13
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https://markstonemusic.com - American Primitive Guitar in West Texas Instruments by Kazuo Yairi, Alvarez, Gibson & Taylor Former AGF Moderator |
#14
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#15
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The problem with the more involved stuff is not playing a piece for a while.
All things considered nothing else but repetition works for me If I can access a tab, I will keep it in a book so if I go too long without reviewing and the muscle memory has me all twisted around, I still have the tab handy. I think a video recording of a complicated pieces would be a good idea too once you learn it, if there's no score or tab you can find A video just for your own reference later would be just the thing to job your memory
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