#31
|
||||
|
||||
Quote:
__________________
Dave F ************* Martins Guilds Gibsons A few others 2020 macbook pro i5 8GB Scarlett 18i20 Reaper 7 |
#32
|
|||
|
|||
Quote:
I use a mix of plugin & hardware compressors. I find them both useful, though plugins are far more convenient.
__________________
-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#33
|
|||
|
|||
Anyone wanting to hear a good viewpoint on using compression when recording acoustic guitars might benefit from listening 47:30 into John Leventhal's recent Fretboard Journal podcast.
https://www.fretboardjournal.com/pod...ohn-leventhal/ John talks about his use of compression as the bit of magic he uses to obtain a "solid" presence for the acoustic guitar. He also relates his use of the Emperical Labs Distressor to apply compression that's particularly pleasing to him. Last edited by Rudy4; 04-01-2024 at 08:16 AM. |
#34
|
|||
|
|||
Quote:
|
#35
|
|||
|
|||
I have recorded since the early 70's.
First on Sony, Studer/Revox and Otari reel to reels, later on of course on computer. The tape plugins I have tried don't really sound like real tape compression/distortion but I like some of them all the same, for what they are. I like using Softube's Tape more often than not, both on some individual tracks and on the master bus.
__________________
Gibson J-15 2015 Martin 00-15M 2021 |