#16
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I hooked up the QP and I can see what Davidd is saying. It’s a bit compressed sounding if that’s what you call it. Not as much of that clean glassy tele sound. But it is much hotter than the old pickup that was in it.
But I’m still wondering - this tele even with the QP doesn’t have the volume of any of my other electrics. My melody maker is louder, even my ‘69 thinline with noiseless pickups is louder. It has me wondering if the capacitor on it is sapping some of the output. I need to look again to see what type it is. It looks larger than the typical orange drop. |
#17
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Non of my Tele's are as loud as any of my other electrics except my Strats. I think you might be expecting more output than traditional Tele pickups will give you. I have some very hot Creamery PU's (Alt 88's) in one of my Tele's and any of my HB or P90 guitars are still way louder. I found an easy solution... turn the amp up.
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1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |
#18
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I use a Moen Optical Comp. It gives me a smooth, punchy tone and a significant signal boost. I can’t think of any country players who don’t use a compressor. They also work well for country rock.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#19
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Another pedal that is common with the Nashville crowd is the Nobels ODR pedal. Can go from boost to mild OD. Compressors are great when used correctly, but unfortunately it seems that they are confusing to many players. If used judiciously an EQ pedal can be a good boost also while having the option to sculpt your tone somewhat. I always prefer to keep it as simple as possible.
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1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |
#20
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I use a Analog Man King of Tone pedal for clean boost and OD. The pedal has two sides to it that can be independently voiced or blended together. One side clean with a slight volume push to drive the tube amps. The hotter side with slightly more push and a fair amount of OD. Setup really depends on if I am using a clean amp like a Fender Princeton Reverb Reissue as a pedal platform, or if I am using an already hot amp like my Reinhardt 18.
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Gibson and Fender Electrics Boutique Tube Amps Martin, Gibson, and Larrivee Acoustics |
#21
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Go to the Doug and Pat Show web site. Listen to the dozens of sound clips of OEM and boutique pups they did. You know what you’ll find out. All the pups sound good. Why you ask? Because the guy is a great player and he has an awesome amp. +
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Gibson and Fender Electrics Boutique Tube Amps Martin, Gibson, and Larrivee Acoustics |
#22
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I have palo duro's in my last build, they are great!
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'21 Bourgeois Vintage D '21 Martin Custom Shop 18 Style 3 personally crafted mandolins 2 tele partscasters Yamaha Pacifica 611 VFM |
#23
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I've got Lindy Fralins in my Tele, but really, between pedal choices, amp choices and playing styles, I'm not sure it makes a whole lot of difference.
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2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |
#24
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For the win! Much truth in this statement...
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1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |
#25
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I see what y’all are saying. I’ll probably call it a day with the bootstrap pup and the Duncan. I built a cheap eBay partscaster a few years ago and it’s crazy but I really liked the $20 pickup set I had in it. It was on the clean side but plenty hot and good for blues and jazz.
Lucky for me I don’t really like pedals. Besides a reverb and looper, I don’t use anything else. Only problem is that it makes the pup choice more crucial. |
#26
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1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |
#27
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I know it comes down to individual taste, but, I just don't get the Bootstrap Tele pickup love. On the other hand, I love the Duncan Quarter Pound Tele pickup, and I had one in my old 70's Tele that I could absolutely twang with. I like over-wound Tele pickups, and with the volume backed up a bit, I like them even better. As mentioned in a few posts, I think it comes down to the amp the Tele is plugged into.
Last week I went online and listened to every Bootstrap Tele pickup video I could find, and NONE of them like what I want to hear from a Tele, this Quarter Pound demo on the other hand, sounds great to me, and is exactly what my Tele sounded like, it even shows him with the volume knob at 80% like I said above. I love how the harmonics just seem to jump off of this guitar. And I think with a light touch, the extra mids of this pickup help make that happen. I also love the slapback delay which really is a match made in heaven for a Tele (or Gretsch), it just brings out the twang. Last edited by rockabilly69; 05-22-2023 at 02:35 PM. |
#28
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