#1
|
|||
|
|||
Looking for my first Hollowbody guitar
Honestly I don't want to deal with an older guitar, so in the current hollow body guitars in the $600 +/- area which one is worth buying? I already have a Semi-Hollow Epiphone 339Pro and I'm tired of trying to find the perfect acoustic, so I figured I'd give a arch top a go.... Current listings like Godin, Grestch, Etcc,
|
#2
|
|||
|
|||
I'm no expert but I have a Godin Fifth Avenue Kingpin and a Gretsch 5422. I reeeeeelly like my Gretsch.
__________________
.[SIZE="2"] - Sean Debut album Time Will Tell now available on all the usual platforms -- visit SeanLewisMusic |
#3
|
|||
|
|||
I'd like to have a Gretsch but it's pushing my money limit the Godin looks good tho
|
#4
|
|||
|
|||
If you don’t mind slightly used, you can snag a PRS Hollowbody II for $650 at Dave’s. They go quick though.
__________________
2020 Furch Red Master's Choice Gc-SR SPA - 1994 Guild D4-NT - 2021 PRS McCarty 594 Hollowbody II - 2019 PRS McCarty 594 Semi-Hollow - 2016 Fender American Elite Tele - 1929 Martin Style C Mandolin - Cordoba 20CM Uke |
#5
|
|||
|
|||
If you're OK buying used you can have a Korean-made Gretsch Electromatic 5420/5422 (single/double-cutaway respectively) - avoid the newer Chinese versions - or Godin CW II in the $600-700 range. Although there's a bit of stylistic overlap they're very different animals at heart: the Godin is a classic early-50's dual-pickup/single-cutaway jazzer in the mold of the first-run P-90 ES-175 (FYI Tony Bennett's guitarist uses one), whereas the Gretsch has that unmistakable rockabilly/British Invasion twang and chime; FWIW I own examples of both and IME they're about as good as it gets in a low-midpriced. traditional-style hollowbody - you can't go wrong with either one...
__________________
"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#6
|
|||
|
|||
Quote:
|
#7
|
|||
|
|||
There are a couple guys on this forum who love theirs, one in particular who does some fabulous jazz solos - if you're looking for something in the mold of the early-50's Gibson ES-125/Epiphone Zephyr it's a good choice (BTW I own the now-discontinued, 5th Avenue all-acoustic version) - but I personally prefer the tonal versatility/flexibility of the 2-pickup CW II...
__________________
"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#8
|
|||
|
|||
Quote:
I know the Chinese Gretsch is frown a pond but it does have some good reviews at several different places |
#9
|
|||
|
|||
Quote:
|
#10
|
|||
|
|||
I'm an old Gretsch guy since 1964 - still own the Double Anniversary I bought brand-new in sixth grade - and the Indonesian-made Streamliners are Gretsch in name only, lacking the tonal response one expects from Gretsch instruments (the pickups are in fact full-size humbuckers with a slight upper-midrange bump, as are the Broad'trons being used in the new Chinese-made Electromatics), and the QC is about what you'd expect in a $400 hollowbody . If you're into older styles (as I am) and looking for "That Great Gretsch Sound" you're not going to get it there; as I said, seek out a good used Korean 5400/5600-Series Electromatic - it's at the top of your price range - and if you need some additional endorsement, check out the universally positive reviews over on the Electric Guitar subforum...
__________________
"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#11
|
|||
|
|||
Over the past 50 years I've owned and played Pre CBS Fenders, ES-335's Gretsches, Guilds... some very fine instruments. But none of them compare to the tone of my 1960 Harmony Meteor w/Bigsby!
Absolutely the best playing/best sounding electric I've ever owned. You just can't beat those "Gold Foil" pickups in that solid wood hollow box! Readily available within your price range. Last edited by 6L6; 08-22-2020 at 03:34 PM. |
#12
|
|||
|
|||
Quote:
|
#13
|
|||
|
|||
Quote:
Check eBay and get yourself an original. Forgot to mention the neck on mine is beefy and my hands love that! |
#14
|
|||
|
|||
Quote:
|
#15
|
|||
|
|||
The Rocket was positioned lower in the line than the Meteor, essentially their entry-level thinline cutaway and available in 1, 2, or 3-pickup variations as well as two different finishes (redburst being the most common) over the years. Speaking from nearly 60 years of first-hand knowledge I'd be careful with these - they were beginners' guitars in their heyday, and while some of them were relegated to the closet and escaped the ravages of time, many of them were used and abused; they also weren't made to the standard we've come to accept in a modern entry-level guitar and, given the eccentric three-bolt neck joint and non-adjustable truss rods on many pre-1960's examples - to which we can add the long-term effects of the heavy-gauge Black Diamond strings that were standard record-shop/music-school fare - you'll probably be kissing a few dozen (or more) frogs before you find your princess...
__________________
"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |