#16
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Aloha Chipotle RE: OC703
Aloha Chipotle,
In Honolulu. we are so far away from everywhere that we are used to special ordering everything. I ordered my OC 703 2"x2'x4' through a local acoustic materials supply house, AMS (Acoustic Materials Services). By ordering through a local supplier, shipping costs were defrayed. OC 703 is the "not-so" rigid fiberglass you want & that pro studio's use. Why use anything else, IMO? They come 6 or 12 to a box. It's been a long time since I last ordered, but back then they cost between $100-150 per box including shipping out here. You double them up so keep that in mind for how many you wish to order. Use Fran's instructional DIY video to see how to make them. Always use gloves & a safety mask when handling or around uncovered OC 703. I was able to build them outdoors - so no issues. You can really make them look nice even decorative & BE SAFE by covering them with attractive cloth material (using hot melt glue on the seam & corners & spray glue for the larger surfaces - Loctite 200 or 300 were my fav's). I covered with a durable, nice glossy burlap that was on sale at Walmart - neutral but not too rough looking. I've seen some that were almost fashion statements - Ha! You need to cover the rigid fiberglass panels to keep particles from becoming airborne. I made 22 of them in three increments for around & above my tracking area where I record, for around & above my editing desk, and also for the room itself in the corners (floor to ceiling) as bass traps. Because the finished, rectangular absorbers are 4" thick, they are free standing (almost) & once I spaced them around where I tracked, I used pieces of hard wire to connect them & increase stability. I just jammed it into the panels. I made nine panels at first: two in front of the mic's, two behind me, two on each side, & one suspended above me - a portable 'room within a room' effect. You can change the spacing of the panels to let more or less room into the mix, Chipotle. I can't play, sing or record anymore, so now I lend my absorbers out to players (most acoustic) doing recording. They always work, no matter what project or space they're used. In fact, I often have a difficult time getting them returned. Don't hesitate, Chipotle. Find 'em. Build them, meter your space (got mine at Radio Shack) to find out where they're needed. Set 'em in place. Store out of the way as needed. It's that simple. DIY will save you a lot of money, provide studio results, & maximize your gear. It makes all the difference in achieving clear home recordings. Sorry guys about all the extra info I provided here. I just want players/home recordists to really understand how big a difference Room Treatment makes & how easy & cheaper it is to DIY. Good Luck! alohachris PS: GIF products are expensive, iMO. If you've got the bucks go for it. Just treat! -alohachris- Last edited by alohachris; 03-04-2020 at 05:33 PM. |
#17
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#18
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#19
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If you are going pre made I can recommend GIK
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 |
#20
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Building your own will save you money, but don't kid yourself, the "stuffing" is really the smaller part of the cost. Between wood, screws and even cheap fabric, you'll rack up a few hundred $ quickly. And, you do really need a good miter saw and power drill/screw-driver to do this reasonably quickly. But then, you'll have a couple dozen single thickness or half that many double thick/wide panels for the cost of a few pre-made ones. If you are treating the room for mixing full band stuff, you need good bass traps (IMO) in addition to broadband treatment. That won't be cheap. (Quick look at GIK and I'd have spent on just bass traps what I spent for everything in my room.)
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"I know in the morning that it's gonna be good, when I stick out my elbows and they don't bump wood." - Bill Kirchen |
#21
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From what I've read, Safe 'n' Sound is different than Roxul 40/60/80 or OC703--cheaper and available retail, not as good for broadband absorption but okay for bass traps if you make it thick enough (like 6").
But I didn't know that Roxul changed their brand name to Rockwool. I did find a supplier that carries Rockwool right near where I work. Maybe I'll stop in and see if they'll humor me. Saving hundreds in shipping costs definitely changes the DIY calculus. |
#22
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https://cdn01.rockwool.com/siteasset...20190515124445 http://commercial.owenscorning.com/a...c7419d1e31.pdf Personally, I did not find working with Safe'n'Sound (a rock-wool product) as irritating as any kind of fiberglass I've ever come in contact with, but I have not used OC 703 FRK.
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"I know in the morning that it's gonna be good, when I stick out my elbows and they don't bump wood." - Bill Kirchen |
#23
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi |
#24
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Go with OC 703
Aloha Chipotle,
How are you going to use or mount sound treatment in your space? How do you envision your studio layout? Will your treatment be permanent? How many DIY absorbers will you start out building or requiring? No matter the answers to those questions, if you go to the trouble of building anything, don't go with lesser Room Treatment materials than OC703. For great reasons, Pro studio's do not use Roxul, Rockwool, Safe 'n Sound, egg crates, or moving blankets for that matter for studio treatment - nothing other than OC703. Many of your peers here have had no problem creating the room treatment they needed using OC703. If I could get OC703 all the way to Hawaii, then it's certainly available to you. Same for the ease of building them. In terms of expense, if you're not building a permanent studio space, then start off building 2-4 broadband absorbers (per Fran's video above). Move them around as needed, starting w/ your tracking space. Check my comments above for clues if that's your route. And PM me if you have questions about how I did it. AND buy the 2"x2'x4' OC703 panels & double them up to 4" thickness - cheaper & more common than the manufactured 4" panels. The way I look at it, GIF & other manufactured gobos are really expensive ($800 the last I looked) compared to DIY. That's a fact. You need treatment, period, or recording is a waste of time, gear & money, IMO. The cost of the OC703 for a few start-up DIY panels is minimal when compared to the few GIF gobo's you'd need for the same coverage. The cost of building materials - all from Walmart or Lowe's - is small - see Fran's materials list in his DIY video above. Building wood frames around DIY absorbers defeats the whole purpose - creating more hard surfaces to deal with. Don't frame them out if you don't need to. Because Room Treatment is so unsexy compared to the gear, players hesitate to spend money on it or save it for last. It should be your first investment. DIY will give you several panels for the cost of a couple average affordable vocal mic's. You can add more as needed - push the expense down the road & get started recording with the real deal OC703 right now - taming those room reflections that kill acoustic recordings & make mid-range mud. Even if you record to a Zoom, IMO. you need treatment for the best results, even a simple mono guitar track! Again, if you're building anything, Chipotle, then build with the best- OC 703 - especially for recording, right. A studio & the recording process by nature are fairly expensive & ongoing - if you want the best result. Start with spending for appropriate room treatment for your space & musical ambitions & requirements. And save lotsa money & take the doubt out with the DIY process with resources described above. Put the savings into great mic-pre combo's or your signal chain. Don't you want to create your best recordings? When I built my absorbers 3X over three years, I had almost no time available in my life for building anything, working day & night. So I dedicated a weekend at a time to each build. I got faster with experience so it took a lot less time than I thought. I built 9, then 7, then 6 absorbers - 22 in all - & not hard to make at all a few hours at a time. Build them as time & money allow. That was 15 years ago. My absorbers still work well at taming/enhancing the sound (and are still free-standing) in every space I've taken them to. Build your own DIY broadband absorbers with OC703, Chipotle. Your recordings & ears will be glad you went with the best. alohachris Last edited by alohachris; 03-05-2020 at 06:43 PM. |
#25
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I agree with Chris that it depends on what you want to do. I'd be very tempted if doing it all over to just buy stuff from GIK, or ATS. Yes, pricier, but nice looking and easy. On the other hand, what I did was build stuff in. My entire ceiling is solid 703. Corners are thick triangles of 703, permanently installed. Panels that hang on the wall are detachable and become free-standing gobos. So a combination of permanently built in, and sort of customized to what I thought I'd need (I've actually only used the panels as gobos once or twice in a decade...)
On the other hand, I spent 6 months of nearly every night and weekend on a ladder, hammering, nailing, sawing, and coughing up 703 fibers, instead of playing guitar. Glad that time's far behind me... (to be fair, tho, there was a lot more to do than just the acoustic treatment)
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Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar Last edited by Doug Young; 03-06-2020 at 02:36 AM. |
#26
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Hmm, well, audio waves respond to the laws of physics, so I am going to suggest that it doesn't matter what the brand is or actually the material is, so long as the measured results show that the trapping is effective.
It's a bit of hyperbole to suggest that pro studios have only ever used OC 703 (I guess that was after they stopped using asbestos), or to lump rockwool products together with egg crates (BS). While I know OC703 is fine, the physical properties of the Rockboard line will do the same thing, and even us poor bumblers who had to use Safe'n'Sound can prove it's effective (as well as inexpensive and available). Folks with home studios are constrained by finances, and that frequently limits our access to some of the same materials that might be common in pro studios, i.e., those places which also sport a single mic costing more than all of our equipment added together, perhaps, all in large, engineered spaces. And, miraculously, but not impossibly, some folks record and mix in places that do not have OC 703 stickers on their acoustic panels. In short (OP), I would focus on how to get the amount (depth and area) of material in your space to achieve an overall trapping (measurable) however it works best.
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"I know in the morning that it's gonna be good, when I stick out my elbows and they don't bump wood." - Bill Kirchen |
#27
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Yes, the shipping charges from ATS really add up.
ATS gives you the absorption #s here: https://www.atsacoustics.com/page--S...erial--ac.html I bought the ROXUL AFB 2", doubled it up for my traps. Half the price of 703 and absorption numbers seem to be better/as good comparing 2" vs 2". I used ROXUL Safe n Sound for my ceiling cloud panels (which are now point-of-first-reflection panels in my new room). If you double it up to 6" you should get decent absorption, but SnS is not on the ATS page. It took me less than 2 hours to build my first 6 traps. Its pretty simple - cut the wood for the frames, screw them together, put the frame on the cloth (I used burlap), put insulation in the frame, wrap cloth around, pull tight, staple in place.
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#28
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Thanks, lots of good info here.
I seem to recall from treating my present room that the 703 was pretty hard to get in Canada. But I was able to special order bundles of Roxul 80 which had pretty similar absorption numbers iirc. Sure worked well anyway. |