#16
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Interestingly, what did shake me a little is that there's no 12 fret inlay, the neck/body join is at the 12th fret, but there are two markers at the 9th - I occasionally "got lost" if I was looking rather than feeling my way around. Quote:
One of the "issues" at TAMCO is that there is a huge selection of really good guitars. We spoke a lot yesterday about "relative" vs "absolute" judgements. Comparing two really great guitars A/B again and again tends to magnify any differences between them whereas, in absolute terms, both are great guitars that anyone would be happy with. I find it very easy to get "confused" and I guess that's not unexpected - who wouldn't with so many stellar instruments? That being said, there were 4 guitars that really stood out for me: 1. A Claxton EM, German over macassar ebony. This - unsurprisingly given its heritage - was very reminiscent of my Traugott. It was an unbelievably refined and balanced guitar. Complex, great separation. We described it "like a fine wine". Probably the best guitar I've ever played at TAMCO (the other being a Somogyi MD that was at the other end of the tonal spectrum). Predictably, the most expensive of the day. 2. The OOO cutaway Circa; spellbinding trebles and with that looseness you seem to get get from the 12-fret position. Far less fundamental than the Circa OM (which was mahogany, so you'd expect that). 3. A Fischer 12/15 that I really liked - mahogany but warm and luscious, and inviting. No hard edges on this one - great for slow airs. Don't know how well this would stand up to strumming hard, since I never strum. 4. A Brondel "essential" A2 in panamanian rosewood. Pretty typical of the best of Laurent's guitar to my ears - they look like Sobells but are much lighter and sound very different to me (I've had 4 Sobells): this was open, resonant, earthy and woody. A great guitar. Hovering just below these was a Beneteau OM that I'd played a couple of years ago and which was just as good as I'd remembered. Price no option, I'd walk out with the Claxton immediately but the Fischer and Brondel were a lot of guitar for the money. And that Circa... I also have no doubt that someone else would come to a whole lot of different conclusions regarding their favourites. Cheers, Steve Last edited by steveh; 06-13-2013 at 03:48 AM. |
#17
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I would be quite happy to own that OM. Nice woods all around. I'm sure those two guitars won't end up in the Dusty Corner anytime soon.
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As for the single 0, John was a bit concerned at first as he has far more experience with the 00 and has more control over the end result. But I told him to go nuts and to just build the best 0 according to his taste -- so now I think he's excited to introduce a new model, with no pressure whatsoever from the customer. |