#61
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Quote:
Some luthiers believe that HHG imparts a more organic sound to the guitar - it can smooth out the rough edges of the notes. Others have tried both glues and say that they can't hear a difference. I'd love to hear what Mike has to say about HHG after this build! Thanks again for sharing and keep the drool inducing pics coming! |
#62
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I'm not sure I can hear a difference either, but whatever magic happened with vintage guitars I'd like to bottle at least some of it
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#63
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Note the asymmetry in the bracing.
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1930 Martin OM-28 2017 LeGeyt Parlor 2021 LeGeyt CLM Red/Tree 2021 Kostal MDW German/Pernambuco Last edited by CoolerKing; 10-01-2017 at 11:45 AM. |
#64
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So when Mike heats up the hide glue...does the place smell a bit like a burger joint?
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#65
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Mathew,
I honestly don't see the asymmetry. It appears like a fairly straightahead x-brace with tone bar pattern to my lay person eyes albeit with a multi-scale bridge plate. Is it the orientation of the x-brace itself with respect to the body shape? The shot is somewhat foreshortened and is difficult to tell. Thanks, Bob
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A bunch of nice archtops, flattops, a gypsy & nylon strings… Last edited by CoolerKing; 10-01-2017 at 11:45 AM. |
#66
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Note that the left top x brace is about a cm higher compared to the hole drilled in the side of the top compared to the right top x brace, and note the angle of the bridge plate. edit: saw you noted the bridge plate.
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#67
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Having used hide glue for one of the guitars I built, it smells more like, well, a hot, wet horse hide that's been left in the sun for a few days :/
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#68
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Quote:
Thanks
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#69
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No idea. I just knew it was part of his fan fret design. More bass is my guess.
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#70
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The relationship between the X and the bridge is of crucial importance to the tone and balance of the guitar. Therefore, if the bridge is turned the X MUST be turned to maintain the structural formula.
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#71
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Also, on a practical note (and depending on the specific parameters of the fan fret), if you consider where the bridge pin holes will punch through the bridge plate - if the bracing were not rotated, the treble side of the X would likely cover the top E hole or snag the string ball end.
Mike does make a lot of use of asymmetry in his designs, though. The whole body shape is asymmetrical (and extremely comfortable to hold), and his back braces are fanned, rather than all being perpendicular to the centre seam. Another example you can see in the image - the use of a straight brace on one of the long arms of the X, and a scalloped brace on the other (not unique to this guitar, Mike does this as standard on the Meridian). Cheers, David
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wolframslides.com Endorsed by Martin Simpson and Tony McManus. Last edited by CoolerKing; 10-01-2017 at 11:46 AM. |
#72
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Was the bracing glue-up done all in one operation, with HHG, and then vacuum clamped? Or was it done in stages, with the pic showing the final clamping ? If done in stages, how many separate clampings would have been involved? Last edited by CoolerKing; 10-01-2017 at 11:46 AM. |
#73
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Quote:
Quote:
Thanks Bruce and David.
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#74
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It was done in stages, I just didn't want to bore people with too many bracing photos. The x brace went in the pie dough first, then the soundhole reinforcement, then the tone bars. I think. If Mike is reading or others please feel to correct.
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1930 Martin OM-28 2017 LeGeyt Parlor 2021 LeGeyt CLM Red/Tree 2021 Kostal MDW German/Pernambuco Last edited by CoolerKing; 10-01-2017 at 11:46 AM. |
#75
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1930 Martin OM-28 2017 LeGeyt Parlor 2021 LeGeyt CLM Red/Tree 2021 Kostal MDW German/Pernambuco Last edited by CoolerKing; 10-01-2017 at 11:48 AM. |