#16
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I know I griped a little earlier about Emerald’s studio shots, but after trying to take some representative pictures yesterday for this thread, I’m reminded how difficult these things are to photograph. At least the studio shots are consistent across all the instruments!
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#17
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#18
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"Chalky" may not be the best word having both visual and tactile meaning. Maybe "hazy" is better, or "vague." It is not as pronounced, not as clear, not as striking as the solid black.
The coloration does not seem to have anything to do with playability, but it is an aesthetic consideration. |
#19
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And having seen the gist of most answers here ... this particular "aesthetic consideration" is giving me pause ...
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` “Success is falling down nine times and getting up ten.” |
#20
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I suggest matte versus glossy to describe the new surface. Some background might be useful.
Last year a member here bought a custom woody X20 that had some low spots in the gloss fret board, and that really bothered him (along with some other cosmetic issues). Eventually that guitar went back to Emerald and was replaced with a new guitar, IIRC. Shortly thereafter the cast epoxy (?) gloss fret board was changed to a unidirectional CF veneer which has a fine grained matte surface, as shown in eatswodo's photos. My suggestion is that if you still have concerns, send Simon an email and start a dialogue. Then if you ultimately choose another brand, you made an informed decision that fits your priorities. |
#21
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#22
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That may be a good idea since Emerald can probably still provide the old glossy fret board as a custom option.
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Emerald X30 Emerald X20 Nylon Emerald X7 Nylon Rainsong Smokey SMH Outdoor Guitalele Taylor 522e 12-fret ✝ Gitane DG-560 nylon ✝ Alhambra 3C CW Eastman AR910CE Recording King RM-991 tricone resonator Recording King RK-G25 6-string banjo Thomann Irish Bouzouki M1089 |
#23
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I'm here if you need any info or some more photos (non studio shots)
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#24
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This reminds me a bit of the discussion when Taylor first introduced the "streaked" (my emphasis) ebony fretboards. Bob Taylor was appalled with the waste of ebony that was tossed aside because it wasn't solid black. Since Taylor controls much of the ebony market that guitar manufacturers use, they either got to use to the streaked or could dye it solid black. It was a change in responsible sustainability - the streaks were simply cosmetic. Turns out, it was good for the industry.
I'm thinking that Emerald made a change to make their guitars even more consistent. I don't see that it changes the visual appeal of these guitars in any way, but we each get to vote with our dollars. It would be a shame to pass on a great guitar because of the way the light on the fretboard photographs from a particular angle in strong light. Look at the recent Emerald in-stock videos (X7 and X20) to see them in more typical light.
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Some CF, some wood. |
#25
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Thanks to all for the replies - much appreciated.
Earl, that sounds like good advice. ~ Paul
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` “Success is falling down nine times and getting up ten.” |
#26
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I wouldn't let the fretboard stop you from buying an Emerald. There's nothing wrong with it. Having both styles I can't tell you with absolute certainty which one I prefer over the other.
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