#1
|
|||
|
|||
WTB: Dobro Hula Blues guitar
Title says it all. I'm looking to buy one of these somewhat obscure Dobro
Hula Blues guitars with OHSC. No "issues" please. Immediate cash payment. Thanks, Ce. |
#2
|
|||
|
|||
Check Facebook group
|
#3
|
|||
|
|||
Or Reverb.com (5 shown there)....
|
#4
|
|||
|
|||
Following the ones on Reverb, thank you.
Was hoping someone just had one they weren't playing and, upon seeing this post, thought: hey, cash? |
#5
|
|||
|
|||
If you are after a bargain, good luck. Perhaps should be combing thru Craigslist (no fees) not Reverb. Otherwise, try resonator-specific sites like Reso Hangout or Steel Guitar forum.
|
#6
|
|||
|
|||
Thanks, GuitarMD. Following all leads.
|
#7
|
|||
|
|||
Curious. Why the Hula Blues in particular?
|
#8
|
|||
|
|||
I have a dobro for lap style and thought the HB with its National style cone would provide a different tone. I appreciate the wood body for its tone and the lower weight (than say a metal National, which are also too loud for my purposes.) The 12 fret neck is also a plus for me.
Plan to leave it in Hawiian G tuning (low D) and play that style on it, maybe some bottleneck too. And then there's the rather low cost, which is also plus. |
#9
|
|||
|
|||
Interesting.
I own vintage lapsteels, a National style 1.5 tricone squareneck, and a Lebeda mahogany dobro, so my default is lap style. I am selling the Lebeda in order to buy a wood-bodied biscuit reso for bottleneck playing. I’ve owned then sold/traded newer roundneck Nationals (Tricone & Style N) - liked the sound, but personally I didn’t find the playability to my liking. There seem to be some great wood body biscuit resos on the market at good prices. I happened to play a Recording King Rattlesnake model at NAMM a few years back which you may wish to check out. Might be easier to come across than a Hula Blues. No Hawaiian stencil though... Keep us posted. |
#10
|
|||
|
|||
For many years I held the trifecta: '29 Style 1 National tricone, black bakelite
Rickenbacher with cream panels lap and one by Gibson. Eventually found the woodbody dobro I now use regularly and liked it so much the others slowly got sold off. Probably miss the tricone the most. I did try one of the newer wood Gretsches but felt it was a one trick pony. |
#11
|
|||
|
|||
A Gibson lapsteel like this?
Unfortunately, I don’t have the tweed amp to go with it. |
#12
|
|||
|
|||
Restoration project....
|
#13
|
|||
|
|||
Yes, it was an ES-150, wasn't it?
Your seven string National is pretty darn cool! |
#14
|
|||
|
|||
EH-150 lapsteel (ES was CC’s guitar model) with variations on the pickup. Amp was EH-150 model too w tweed covering that matched the lapsteel case. Rare finds....
Never played/owned a Ric model B, but the stable’s pretty full anyhow. Hard to part with these pieces of history. Started out in the 70’s with a nice Dobro that I had OMI swap the roundneck for a squareneck. A guy in Iowa (Richard Jacks) was a pro at tweaking them for ultimate vintage (Oswald, Graves) tone. |
#15
|
|||
|
|||
EH-150. Right. So comparing the Gibson with the National, I preferred the National. Just a deeper, fuller tone. Miss that one.
|