#1
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Are mini guitars all the rage?
Seems to me they keep getting better and better, with some of them rivaling their full size counterparts. I find myself liking the minis more and more, and after playing quite a few of them, I must say they make a lot of sense, from a player's perspective. I am not saying they can or will replace full sized guitars, but there are some very good mini guitars out there producing big sounds in a small, convenient package. Short scales, small bodies, lightweight, big sound. Most of them are quite budget friendly as well. I can understand why so many folks seem to be gravitating towards them, and why more of these mini guitars seem to be invading the market...Is anyone else noticing this trend, or is it just my imagination?
I played a few mini guitars at a local shop recently, and I don't hesitate to say I would play some of them on stage. They were excellent. A special mention goes to the Taylor GS mini. I played the mahogany and the Koa. Both of them blew my mind when it comes to the capabilities of mini guitars. My only problem is deciding which one to buy. |
#2
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I've yet to hear a "mini" that rivals their full-sized counterparts. Yes, minis have gotten better since the days when the most accessible option was the Martin backpacker, but I've never played one that made me think it was a better decision to put money toward that than a non-mini guitar.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#3
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#4
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#5
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On guitar boards it seems that a lot of people buy them, but I haven't heard any that I liked yet. Even the Taylor GS which has a good reputation online sounded very weak and boxy to me. I wouldn't choose it over a full size beater or a parlor at all if you're talking about something you need to transport in your trunk or leave stored somewhere. JMO
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#6
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Yes, we've come full circle. Twas a day when all you could get were small body guitars. The along came the 000/OM that was a game changer with awesome volume and tone. Then along came the dread and really shook things up and for the longest time that was pretty much all anyone made and could be found, or so it seemed at least.
Then came the Clapton VH1 Unplugged show and the 000 body was suddenly in demand again and then the smaller and smaller body guitars seemed to make a comeback. For the longest time one needed that huge dread body for the volume so one could be heard. Nowadays with modern pickup systems and dedicated acoustic amplifiers you can be heard even with a small body guitars. Plus that whole generation of dread guys my age(ish) aren't getting any younger and our shoulders and necks and elbows and wrists (and just about everything else!) are killing us so smaller guitars are easier to play without so much discomfort and pain. I've always been a small body guitar fan and much prefer their size along with a short scale. And many have come a LONG way in sound doing a halfway decent job. But just halfway. I have yet to play anything smaller than a dread that has the glorious tone, sound and volume of a dread. I love playing my little Emerald X7 all day long. But if I A/B it with any dread it loses badly. I test drove several GS Mini's a while back after reading all the love. Wonderful little guitar for the price but the sound did nothing for me. Probably the best small body guitars I've played over the years for great tone and decent volume are the smaller shop 00 12 frets like Santa Cruz. I had a Martin 00-18VS UMGF and 00-28VS that were both great. But none of them held a candle to that D-18GE I played a while back. |
#7
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Not me. It's 17" lower bout jumbos for me! Nothin' quite like 'em!
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2018 Guild F-512 Sunburst -- 2007 Guild F412 Ice Tea burst 2002 Guild JF30-12 Whiskeyburst -- 2011 Guild F-50R Sunburst 2011 Guild GAD D125-12 NT -- 1972 Epiphone FT-160 12-string 2012 Epiphone Dot CH -- 2010 Epiphone Les Paul Standard trans amber 2013 Yamaha Motif XS7 Cougar's Soundcloud page |
#8
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I don't know if they're all the rage, but I certainly think they've gotten better and better. The mini I enjoyed the most for travel was a Go Grande Mahogany. For the really small guitars, it couldn't be beat. The small size and light weight were appealing to me.
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#9
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There was a time when I would not consider such a small guitar. That has changed. Not only would I own a mini, but I will own a mini very soon. |
#10
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Just another one out there that I have not heard of before now. I will check it out.
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#11
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Go Guitars was Sam Radding's company in San Diego. Great guy, but I believe he isn't building any longer. He had his Go Guitars, Go Grandes (a little bigger) and a parlor. I imagine they come up on the used market every once in a while. Can't beat 'em for the money.
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#12
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I don't think that the modern "mini" guitars are anywhere near as good as the parlour guitars that were popular many decades ago. I think, they have their use for children, travelling, etc and for me they include things like guileles. It's good to have so many choices, but for guitars I prefer full size at least OM/000 or larger and for smaller instrument I prefer my concert and tenor sized ukuleles which have even better portability and a much better sound than small guitars.
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#13
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Likewise, I was really pleasantly surprised the first time I picked up a fun to play Taylor Mini, but the second time I thought there was something missing. The OOs and GC's I have now make me think they're the smallest you can go and still get a reasonable amount of resonance. But if I needed a travel guitar that'd be it. I recently experimented with Larrivee's larger LSs and they did nothing for me which makes me wonder if my small bodied guitars have trained my ear for them only. . .
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Larrivee OO-05, OOV-03, OO-44R & Strat |
#14
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I get a chuckle (or sometimes roll my eyes) whenever I hear 000/OMs being mentioned as "small guitars." They were originally introduced as LARGE guitars meant to be heard in middle of ORCHESTRAS. (Hence the term "Orchestra Model" or "OM" for short.) I get that dreads and jumbos came later to provide even more volume and size. But at worst 000/OMs should be classified as "medium-sized" guitars, IMHO.
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#15
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I don't rally know what you mean by a mini ?
Do you mean anything smaller than a dreadnought or jumbo? At one time it was impossible to buy anything like a 000,00 or 0 but they are seemingly back in fashion for fingerstyle, which is sensible as that's what they were designed for.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |