#16
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Check out the Breedlove Discovery Series Concert models... right around $300, solid tops, very nice little guitars for not a lot of money!
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"Home is where I hang my hat, but home is so much more than that. Home is where the ones and the things I hold dear are near... And I always find my way back home." "Home" (working title) J.S, Sherman |
#17
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Good luck! |
#18
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I'd just watch for a used S-6; I keep mine mostly in DADGAD and it's stellar.
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Breedlove Masterclass Dread - Sitka/Koa Breedlove Masterclass Concert - Sitka/BRW Seagull Artist Deluxe CE Seagull Artist Element Furch G22CR-C Several other exceptional guitars, but these make me smile and keep me inspired! |
#19
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Hum ! A second guitar kept in DADGAD for 200-300$
Why not a USED Alvarez, Seagull or Eastman ?
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Needed some nylons, a wide range of acoustics and some weirdos to be happy... |
#20
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Another vote for used. You can get Seagull S6s in your price range pretty readily. I have one, and it's really a good guitar, not just "for the money".
Since my "daily driver" is a Martin 00-28, that's pretty high praise, considering that I literally paid 10x as much for the Martin as I did for the used Seagull. And the Martin is outstanding. |
#21
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Some more good suggestions, thanks.
What is the difference between the Yamaha 800, 820, and 830? It's not obvious from the basic specs, so I'm guessing different levels of bling? I also heard the FS800 on YouTube, and it sounds pretty good, even in the low end, for something that is such a small guitar (under 15" at lower bout.) I've been keeping an eye on the local CL for a used Seagull, either S-6 or mini-jumbo entourage. I'll expand my search image to include others. Or, I'll have saved up enough for new. |
#22
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Also, since starting back in January of this year, the FG/FS800 has cheaped out some over the 820/830 series. I’ve previously posted the differences and the reasoning behind this (my opinion) here multiple times. Basically the 2020 FG/FS800s dropped the use of rosewood fretboard and bridge for the cheaper and softer dyed Walnut. Also the finish was not to the usual standards one the new one that I seen last week. Not sure if this is the new norm or not. It may be one that just slipped by QC. I will keep an eye out for later runs As for the 820/830, besides having different back and sides, they do have different degrees of bling. Also, I know others will disagree, but I can certainly hear the difference between the 820 (Mahogany) and 830 (Rosewood) models, especially in the FS line. So you may prefer one more than the other. Btw, I find the 820s are usually a little more boomy/louder.
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Martin D-35 Martin 000-18 |
#23
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PCH1-OM https://www.eastmanguitars.com/pch1_om Neck Material:Maple Fingerboard:Rosewood Fingerboard Radius:12" Neck Profile:Traditional Even "C" Nut:Bone 1 3/4" Fretwire:20 Jescar-FW43080 Scale Length:24.9" Body Dimensions:15" x 4 1/4" x 4" Bracings:X-Braced Body Top:Solid Sitka Spruce Body Back/Sides:Laminated Sapele Bridge/Saddle:Rosewood/Bone, 2 5/32" Spacing Rosette:Abalone Truss Rodual Acting Binding:Top and Back Binding Material:Black Plastic Logo:Maple Headstock Inlay:Pearl Dots Side Dot Color:White Bridge Pins:White Plastic w/black dots Body Top Finish:Open Pore Neck/Headstock Finish:Open Pore Hardware Color:Nickel Pickguard:Optional Plack Teardrop Tuners:Ping RM 1171 Electronics:None Strings'Addario .012-.053 #EXP16 Action Height:12th fret 3/32" on the bass side and 2/32" on the treble side Case:None Truss Rod Wrench:4mm
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#24
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There's a semi local store with the Eastman PCH1, including a grand auditorium. I see a masked road trip in my future...
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#25
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While a new Seagull guitar might be more expensive than your budget will allow, I see them for sale as used guitars on Craigslist fairly frequently. I've bought several off Craigslist that way, and have never spent more than $300 on one. In fact, I think I've never paid more than $275. So keep an eye peeled for one of those. My strong preference among the various Seagull and Simon & Patrick guitars (both made by Godin) is for their guitars with solid cedar tops and laminated cherry backs and sides. Those hit a tonal sweet spot for me that none of the spruce-topped Seagulls and Simon & Patricks have. I suspect it's because the cedar tops just sound fully broken in when the guitars are still brand new. They're NOT fully broken in yet, and will continue to develop richer tonality the more you play the guitar, but they are ready to go and rich-sounding from the very start. Here are some Seagull Folk models, followed by a picture of the various other body sizes that both Seagull and Simon & Patrick (S&P) guitars use: Seagull Folk Models Various Seagull models Two other models you should consider if you can find them are the Concert Hall and the Mini Jumbo (MJ) models shown. I've played all of those various Seagull and S&P body shapes in stores and have owned all of them at one time or another except for the MJ. The Concert Hall is Seagull/S&P's version of an OM, which is a very versatile midsized guitar design. I've used OM's onstage for years because they're so tonally balanced that they mic like a dream. In all of the Seagull/S&P body styles shown above, for me the tonal champions are still the solid cedar/laminated cherry versions, which are also typically the least expensive of the guitars that the Godin company makes. But they sound terrific. One thing about those cedar tops that you should be aware of going in is that because cedar is softer, it's more easily scratched than spruce. So if you really dislike scratches on any kind of guitar, new or used, it's fairly pointless for you to buy a cedar-topped instrument. Because they can scratch if you give them a hard look. So I recommend using harsh language on them instead.... Seriously, if you haven't already made a decision about which guitar you want to get, keep an eye out for cedar topped Seagulls and Simon and Patrick guitars. Hope this helps. Wade Hampton Miller |
#26
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To my ears DADGAD only sounds right on a jumbo - you want the low-end support you're only going to get from a large body; I say borrow a few extra bucks or juggle your budget if you can, and spring for this:
https://www.midlothianmusic.com/products/alvarez-aj60s
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#27
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My cheap beater is a Dean Exotica DAO. Sounds pretty good for a $500 guitar. And not so expensive that I can take it anywhere without worry.
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#28
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I really like slightly used guitars in this price range. They look virtually new and there is a considerable savings, allowing a lot more bang for your buck.
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Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#29
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#30
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There will be a number of decent guitars available in that price range, but you should pay attention to nut width when you're checking them out. The guitar you have right now has a 1.75 inch nut width. Eastman and most Alvarez guitars will keep you there. The Yamahas, and most other guitars in that price range, will take you down to 1.69. I don't know if that makes a difference to you, but it does to me so I thought I would put that on your radar screen.
I currently have a Yamaha FSX700SC and I love it, but I certainly feel the difference when I pick it up after playing my Martin. I'm in a similar shopping mode right now, and I'm anxious to check out the Eastman PCH1-D and the Alvarez AD30 as soon as someone has them in stock locally. I've played the Seagull S6 a bit, and I'm quite impressed with it (nut width 1.8) Your preferences, of course, might be different. |