#31
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On the question of noticing tuners and pins. I notice tuners, in the same nerdy way that I read car registration plates. It's a habit bordering on compulsion.
Pins is a new one though. It has never occurred to me to study those. Until now.... |
#32
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I have to say, even though I’m a gear head, I never pay attention to details like that when I’m watching a performance. If I’m in a very small venue, I probably will check out the guitar, but not the appointments.
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#33
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But I suspect that the guitar in question is a 000-18. whm |
#34
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After Knives & Guitars wrote:
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This was the only image I found online that shows the screw in question even halfway well: Schertler tuners So I sat down to loosen the screw, then remove it so I could test a Gotoh tuner button on it, only to discover that it would not budge. At all. I gave it the old college try but stopped when I realized that the screw would get stripped out if I persisted. As it is, I'll always be able to tell which tuner from the set was the one that I tried to take apart, as I did start to distort the slots a bit. I've loosened plenty of stiff screws that didn't want to be loosened, but this went beyond that. I'm convinced that the screw was cemented into place when the tuner was put together, and that it was there as a construction method to assemble the tuner but wasn't intended to ever be removed so the buttons could be swapped out. Perhaps a guitar repairman would be able to coax the screw out of there and change the tuner buttons, but I didn't want to risk it, frankly. So I'm sorry I can't tell you whether a Gotoh button will fit on a Schertler tuner's shaft, but I think I did determine that the Schertlers aren't intended for that. Wade Hampton Miller |
#35
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"Look at the new (your choice of exotic bridgepin material here) bridgepins I just installed!" but I never notice them otherwise. whm |
#36
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''What do you think?''
Well if that other guy wasn't making so darn much noise on the mandoline, I'd be sure it's an OM. But since that guy's hogging the mic, I'm just guessing! Last edited by lowrider; 04-26-2019 at 01:11 PM. |
#37
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Yeah, those pesky mandolin guys! They're kind of like the yellow jackets buzzing around your head when you're trying to enjoy a nice summertime picnic!
whm |
#38
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I'm about as interested in some guy's bridge pins as I am in what brand of tyres he has on his car. In other words, not in the least.
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Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#39
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I don't !
Looking dor the brand on the headstock when the model/sound catch my eyes/ears though.
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Needed some nylons, a wide range of acoustics and some weirdos to be happy... |
#40
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I notice sometimes, especially if it's a guitar brand with which I'm otherwise unfamiliar, or a small shop builder known for changing things. I'm not likely to look if it's a common brand.
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#41
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I am what George Gruhn refers to as a utility-tool user. So no I don't really pay much attention to that stuff.
hunter |
#42
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Well, Martin does still make plenty of OM-18s, and many of them have 000-style pick guards. But Gordy often uses a 1940s 000-18, so I’m guessing that’s what he’s playing in the video. To answer the OP, I don’t think I’ve ever noticed another player’s tuners or bridge pins.
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Martin CS-00-18 (2015) Martin OM-28V (2011) Northfield Model M mandolin |
#43
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Not when someone is playing. But if someone is sitting and holding their guitar, I might look more closely at the inlays or the head stock. I don't think that I ever really notice bridge pins but if the tuner buttons are unusual, I might take a closer look.
Best, Jayne |
#44
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it never occurs to me to look at stuff like bridge pins and tuners, I'm usually caught up in the performance
TBH I could'nt even tell you whats on my own instruments without looking |
#45
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I absolutely look at those things as well as the name on headstock. I also notice the amp (if there is one). Occasionally I'll notice wardrobe too but I'm there for the music and so whatever is creating the sound is what I focus on. And focus I do (though not so much as to detract from the show).
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