#16
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Will Kirk,
Great question. This is something we've thought a lot about and experimented with quite extensively. The soundhole, in our experience (especially with our latest location: in the side), has less to do with tone. The hole, essentially, is there as an 'airport', allowing air movement over and under the top... otherwise, we have a vacuum, and thus no sound. The Tone we are after is realized by allowing the 'tone-generator' (the soundboard) to function more effectively as a unit - having a balanced, even movement. Bracing comes into this picture and the 'lattice' we now use for top bracing has a great impact on even disbursement of tension, creating a balance of tone and a note/string clarity that we've never heard before. Did I answer your question? Let me know if that doesn't clear anything up for you... or it opens up another can of worms... gb Quote:
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#17
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This is one of the most beautiful guitars I've seen,,,ever! Well done!
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#18
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Thanks, Joel. It may have been my favorite ever.
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#19
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How do the tuners work?
Chris
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Wife 2 kids Dog and some nice guitars... |
#20
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Grant, as always this is a stunning guitar! I hope the owner is enjoying this wonderful guitar.
Kindly, Danny |
#21
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Ruble,
The tuners are banjo tuners, but two of them actually have stops built in. From what I understand, they are a combination of spring-driven and geared... Honestly, I know only a little about these tuners, as these were the first we ever used. They were requested by the client. He emailed me yesterday and says he loves them. You can check them out here: http://www.beaconbanjo.com/faq.cfm Cheers! Grant |
#22
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Awesome!!
Can you post a closeup of the bridge setup?
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"There is no leaving, there is only parting" A.J. ____________________________ Eastman 412 Natural Alvarez 5053- Brazilian Alvarez A-900 mandolin |
#23
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I went through the photos and really didn't have a great clear one of the bridge. It was pretty typical of our bridge setup, though. No inlays or anything different about it.
Any particular questions regarding the bridge? |