#1
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What guides your guitar collecting? (If you collect...)
I'm compulsive about certain things. When I was into guns, I had to have one of each kind. It wasn't gratuitous collecting, where I just wanted MORE MORE MORE -- one day I had enough and I stopped. One of each kind.
I don't collect acoustic guitars for their sound. I have a beat up old Martin D28 whose sound I like. Something else drives me. I had to have a "Supreme Art Guitar" so i got a Taylor PS. I needed a guitar with crazy cocobolo so I got a Breedlove masterclass. I needed a koa guitar. Needed an SJ200. Needed a wood veneer and a plain blue weave carbon fiber guitar. Needed a Cole Clark because of their strange woods and build. None of it makes sense, but every day I look at these guitars on my walls and they make me happy. I think it's about the compulsion to have a global ownership of a topic much more than it is about guitars as instruments. I'm guessing everyone has their own reason for collecting, and I'm guessing most revolve around playability/sound, but I'm curious how broad the range of reasons is.
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Emerald X30 Padauk Custom Emerald X20 Koa 1998 Gibson J200 Elite 1972 Martin D-28 McPherson Sable Breedlove Masterclass Taylor PS16ce Macassar |
#2
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I shudder to think what my guitar 'collection', such as it is, would look like if money were no object, and I've actually been slowly "thinning the herd". I think it's kinda like some people who collect art or antiques; in terms of investment it's pretty hard to go wrong if one spends a bit of thought and time and research on it, but buys only what one actually likes.
The art, or the guitar, or whatever it is that does it for you, is still a thing you can hang on the wall and enjoy, or take it out and play it and share it, as opposed to accumulating bearer bonds or stocks or real estate, etc., that simply represent adding more zeros in front of the decimal on one's books. I'm not saying that's a bad thing, in and of itself, but acquisitiveness for it's own sake skews shallow and joyless to me. I'd rather play the guitar, or look at the painting, or use the 100 year old Stickley dresser to store my skivvies, and derive joy from the thing itself, knowing that if and when I need to convert it to liquid asset, it will be there for me.
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Larrivee L-10 Custom Larrivee DV-10K Larrivee L-03 Taylor 412K ('96) Yamaha LL16-12 (SOLD) PRS 'Studio' (SOLD) Rickenbacker 660-12 (SOLD) Fender USA Deluxe Strat Fender USA Roadhouse Strat Fender MIM/USA Partscaster Fender MIM Nashville Tele Kelsey Custom Hardtail Strat Fender MIM P-Bass |
#3
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I don't collect -- I'm just moody.
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'05 Larrivée 0M-03 Custom (bear claw/hog), '13 Kronbauer TDK 285 MJ Custom (koa), '94 Froggy Bottom Custom (koa) dread', '08 Seagull Artist (EIR), '19 Gnome Blues Custom (EIR/T13? redwood), '78 S. Yairi 726 (hog), '84 K Yairi AR377, 1905 Vega parlor (hog), 60's Stella,'94 Saudi Tele', '79 Epi Genesis "Your sound is in your hands ... ... more than it is the amp or the guitar you use." - SRV |
#4
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What drives me in buying a guitar is it offers tone at a level that my ears find to be superior to almost any other guitars. My ideal range of guitars is 3 guitars of this elite level of tonal quality but that offers very different types of tone - scratching different musical itches, as it were.
So far I have had some world class guitars pass through my hands but I have always ended up either finding them too expensive to keep or looking for new tones and selling them on. I hope with the current guitars I own that I will find them so satisfactory from the bang for buck and quality of tone perspectives that I have no more interest in checking out other guitars!
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In the end it is about who you love above yourself and what you have stood for and lived for that make the difference... Last edited by gitarro; 10-20-2019 at 01:30 AM. |
#5
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Quote:
I pick guitars based on playability and sound. How is feels in my hands and if I feel a connection with the instrument. You know it's the right one when you play it. Also, my mood depends on which one I want to play. |
#6
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Tone and more tone and long as it's structurally sound, and it has to be a cutaway.
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2001 Goodall RGCC 2004 Goodall RPC-14 2022 Emerald X20 Hyvibe 2021 Emerald X7 Select 2020 Emerald X10 Woody Select 3-way 2016 Emerald X20 Artisan 2002 Gibson J185EC JJ Cale 2009 Gibson EC-20 1974 Alvarez Dreadnought 2013 Woody Tahitian hybrid Uke 2008 Zager 3/4 Size Some camp fire guitars, classical's, & electric's |
#7
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Some guys hoard guitars. Some guys collect to be the envy of their peers. Some guys collect guitars because it's their passion.
I legitimately enjoy guitar and bass as much as I did when I was 15. The same goes with guitar based music. I used to be the guy that could play most genres and have an arsenal of tones to do well in most environments. Unfortunately I'm now considered a collector because my local scene is pretty dead. I also have a family and an intense job that has never been a traditional Monday through Friday 9 to 5. I still practice with the hope of getting back out there some day. My collection is totally geared to my tone and desired neck specs. On more than a few occasions, guys have taken shots at my stuff. Dumb specs, they wouldn't touch it with a 10 foot pole. The first time I took a nice Bob Thompson DN to a jam I got a "nice Martin clone." Here's the thing. He was being very sarcastic. Regardless, I'm happy with my guitars and will continue to play them until my hands quit. Get what you want. Collecting as an investment is a poor chose with a looming boomer sell off. They take up too much space and cost too much money to sit on a rack. |
#8
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Collecting implies knowing what you want ahead of time, having an object, then pursuing it. I don't think I have really done that.
One attribute that that attracts me which is is a bit unusual is getting somewhat unusual woods or combinations thereof. Obviously, it is not the only thing. Size, shape, tone and whether or not I envision these things filling a gap that i will make use of. Playability always seems to satisfy me, so that is not much of an issue. I have often discovered my guitars are less specialized than I thought they'd be when I bought them; they can cover more bases than I expected. Which is good, but it also renders some of them less needed, meaning I could sell 2 or 3 and have my music covered. Only I like them too much.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Goodman J45 Lutz/fiddleback Mahogany Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#9
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I think a key point is: they make you happy. I have lots of acoustic and electric guitars, mostly not overly expensive, but all unique. If it's not hurting anyone - do what makes you happy.
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#10
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Not a collector per se, but I feel a need for different tones, so my collection (for lack of a better word) reflects a variety.
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#11
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Makes sense. I don't play out much and never for pay so basically I purchase and play guitars to give me pleasure. I don't look to them to make me happy but to add a dimension to my existing happiness. I've owned lots of Taylors because of their playability, tone and appearance. I also liked supporting Taylor as a company. I live in a smallish cabin in the woods that I partially heat with wood so maintaining proper humidity is temperature are a challenge. On Friday I sold my last two wooden guitars (both Taylors) and so for the first time ever, I own only carbon fiber acoustics. My Rainsongs and Emerald differ markedly in respect to their ergonomics and tone, and I can leave all of them out on their stands without worry. I prefer the tone of larger bodied guitars but purchased a Rainsong parlor as a travel guitar that would fit into the trunk (or "boot" as our UK brothers and sisters say) of my Mazda MX5. I also prefer my acoustics without electronics (as are my Rainsongs), but I do enjoy playing my Emerald X20 through my Fishman acoustic amp on occasion...
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm Last edited by RP; 10-20-2019 at 07:37 AM. |
#12
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The best of each tone wood but currently having good enough is where I reside.
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#13
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Of the guitars I own no 2 are alike. Or there is a story behind it.
But to buy just to collect, no. I enjoy going to a music store and picking something up. I may like what I'm playing but if I have one similar I put it down. I have only 1 guitar that I want. A Gibson Dove, always wanted one. When the time is right I will have one. That will be the last acoustic I buy.
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2007 Indiana Scout 2018 Indiana Madison Quilt Elite 2018 Takamine GJ72CE 12-String 2019 Takamine GD93 2022 Takamine GJ72CE 6-String 2022 Cort GA-QF CBB 1963 Gibson SG 2016 Kala uke Dean A style mandolin. (Year unknown) Lotus L80 (1984ish) Plus a few lower end I have had for years |
#14
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I love blinged out guitars, but they have to sound and play great too. My collection of acoustic guitars is finished at 12 guitars.
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Martins: '93 D35, '94 D18, '95 00016, '06 D41 Spec., '49 018 Guilds: '76 D25, '92 JF65-12 Santa Cruz: '92 F model w/cutaway Recording King RO227 Fender FR-50 Baby Taylor (spruce) Blueridge BR 180 Eastman E10 SS/v |
#15
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My priorities include:
• It must visually appealing to me. I insist on vintage/classic/old school aesthetics, and I prefer very little adornment. That is why I was instantly attracted to the Martin 000-15SM. • It has to have a compelling tone. If I am not emotionally moved by the instrument's tone, I will have little incentive to play it. • It has to play well up and down the neck. I am not fussy about neck profiles (I got on fine with a Gibson F-25 Folksinger's 2" nut and flat neck), but the instrument has to have excellent playability. I am instantly turned off by guitars that rattle or are uncomfortable to play above the 5th fret.
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |