#46
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[QUOTE=frankmcr;7420234]
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#47
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I'm excited that our Open Mic will actually start happening in April.
It will be held twice a month to start out. We have a small PA with 1 vocal mic and 1 instrument mic, and that will be all that is used for each set. We did a dry run today and I'm very happy with the way the sound system is going to work. The background noise from the machines in the venue will make using a PA a necessity. There is already nightly music there and PA systems are a must. The word is getting out and we have several people already wanting to sign up for the opening night. Thank you everyone for your suggestions and tips.
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Happiness Is A New Set Of Strings L-20A |
#48
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Not to rain on the parade, but has anyone mentioned the ASCAP, BMI, etc., music license fees for live performances?
If people are doing cover-songs of popular music in a place of business, (in which the songs are not yet in the public domain), then the BMI "police" can basically shut it down. It would be wise to look up the regulations in your area. This has been mentioned on this forum in previous open-mic performing discussions. I haven't actually witnessed it, but a few local open-mic venues I've attended (in Salem, OR) had to either pay up or cease their open-mic performance venues. edit: I've re-read your post; You mentioned that this shop already hires musicians for the weekend. So maybe they're already paying the BMI fee (?) Last edited by maxed; 03-25-2024 at 04:14 AM. |
#49
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On the other hand, the best open mics I’ve been do not allow covers.
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat |
#50
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#51
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The Owners of the place have already paid the fees.
They hold live music events 3 days a week. This will just be one of the events that they host. We should be covered as far as ASCAP goes.
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Happiness Is A New Set Of Strings L-20A |
#52
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[QUOTE=maxed;7433150]Not to rain on the parade, but has anyone mentioned the ASCAP, BMI, etc., music license fees for live performances?
If people are doing cover-songs of popular music in a place of business, (in which the songs are not yet in the public domain), then the BMI "police" can basically shut it down. It would be wise to look up the regulations in your area. This has been mentioned on this forum in previous open-mic performing discussions. I haven't actually witnessed it, but a few local open-mic venues I've attended (in Salem, OR) had to either pay up or cease their open-mic performance venues." Yep. This very fact shut down a lot of cool Open Mics in San Francisco. The current OM I attend does have the BMI/ASCAP fees paid so they can allow covers. |
#53
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Encourage performers to stick around for a few performers after they do their set. Courtesy. Others sat and listened to you; return the favor.
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"Here is a song about the feelings of an expensive, finely crafted, hand made instrument spending its life in the hands of a musical hack" |
#54
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#55
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[QUOTE=6L6;7433300]
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. |
#56
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ASCAP and BMI are not in the business of closing down performance venues.
Their rates are calculated based on the venue's size, performance schedule, and other relevant factors. You can find them on line if you actually care about finding out instead of repeating tired out BS about "ASCAP thugs" etc etc. Performing rights organization fees are a part of the cost of doing business. You might as well complain about the "electric company police" shutting down venues that refuse to pay their bills.
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stai scherzando? |
#57
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Im a beginner guitar player, but active musician and professional in other areas and im a regular at all the open mics. Me, along with all the other regulars are really not that great. Some might even say bad. Every so often really good singers come in, they may come a few times but they do not come back as regulars. My guess is that the really good singers are practicing, not attending open mics, since they can be a 3-4 hour thing, if they're courteous and stick around for the whole thing and don't just bounce. Last edited by cip; 03-25-2024 at 01:46 PM. |
#58
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Which leads to another question? If you or your band host an open mic at, say, a bar ... who is responsible or would be held responsible for paying any fee? The host ... who provides the overall service ... or the venue which holds the event? However this does occasionally happen. I was in a forming classic rock band years ago and we had our first gig lined up at a local bar. At the last moment we were told (or at least I was told) our gig was postponed indefinitely just for this reason. Now of course it could have been another reason but that was what I was told. (Eventually we did play. And it was a nightmare. Our main p.a. died and we had to use a backup. We had a total of one couple dance to one song. And we found out our keyboard player hadn't learned most of the songs so he resorted to faking it ... I called it playing air keyboard. We dumped him after the set.) Good times, though.
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