#1
|
|||
|
|||
Loud, Bassy, Warm J-45?
So help me in my quest... first off, I do know with Gibson that trying each guitar is the way to go... I have tried multiple standards and owned one, sold it, miss it, and want to get back into the J-45 game :-)
I want a J-45 that had good volume, good bass, is warm, and preferably not a huge neck... where would you look/what models? Had been leaning towards a Vintage (2012-2019), possibly a TV but had read those can be quiet... Custom Rosewood? Thoughts? I currently have 3 Martins, a HD-35, a Custom shop D-18 and a custom shop M-36 in Mahogany. All 3 are loud (hence why looking for a loud j-45 is appealing so it's not as big of a shock when I switch) I am probably going to move the D-18 as the custom shop M-36 pretty much does all the same things and is comfier for me to play as it's a SS... I love D-18s but really miss the J-45 tone too. Thanks! |
#2
|
|||
|
|||
The J-45 Studio Rosewood is a good choice. It has the best neck you could want. Medium volume.
The J-45 TV checks off many from your wishlist, but is about $1,000 more than the studio and no longer being produced. The J-45 Mystic Rosewood is a good choice, but isn’t readily available and doesn’t hold a TON of bass. The WM-45 is the loudest and has a ridiculous amount of bass for a bargain-priced instrument from about 20 years ago. The J-45 Standard isn’t the loudest out of the box, but it matures well, is balanced, and has a medium feel neck. The J-15 has a great neck, but it’s volume to bass to treble ratio isn’t the strongest. The J-45 Rosewood (1999-2006ish) has the most volume, most bass, most headroom, and most comfortable neck combination. I own (or have owned) all of those guitars. If you want to go above and beyond everything above, go for an Advanced Jumbo. It truly is a bone-crusher. |
#3
|
|||
|
|||
Quote:
Yea I have been thinking about an AJ . I really do want to stick with short scale tho as that's part of what draws me to the J-45... Had a J-15 and a J-45 standard - agree with your assessments for sure! How did you like the Rosewood 45s? I have pondered one of those for awhile now... I do like the mahogany J-45, but I'm wondering if a rosewood version will give me what I'm looking for... did you find it still warm or was it "metallic"? What of those were your keepers? |
#4
|
|||
|
|||
Stick with mahogany back & sides & short scale if you want a magical J45
|
#5
|
|||
|
|||
I do own a Gibson J50 which has been described as having a low end which would make a pre-War Martin D28 Herringbone run for cover. But it was built in 1942 and as such it was not as much a result of design but of quirks in the build and at least one big mistake in the top build.
You are obviously though talking about New School Gibson Tone. And Bozeman has its own ideas as to what sounds best. I have got my hands on J45s with low ends which range from subdued to a bigger clearer bass. I always figured this was due to say one set of hands going with a more radical scalloped bracing than the next or perhaps a slight difference in top thickness or something. So, I guess the upshot of it is you cannot rely on the what the specs tell you but have to judge the guitars as individuals which means taking the time to sort through them finding the one which says what you want it to say.
__________________
"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |
#6
|
|||
|
|||
I had forgot to mention it but Bozeman also uses two different bracing footprints in their guitars. It is not as much rear or forward shifted (that is a Martin thing) but has different angles. What they call their AJ or Vintage Style bracing is set at a wider angle than their Standard bracing. The AJ style was what Bozeman went with in the J35, J45TV and others.
__________________
"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |
#7
|
|||
|
|||
If you. have the inkling have a look at the Kopp K 35, A Fairbanks or a Walker. 3 Luthier builds that I think do a better job of Gibsons than Gibson.
Having said that I use a Standard J45 as a gig guitar ( having removed the standard pick up ) because I wouldn't want to take one of the above anywhere a little hairy.
__________________
Steve |
#8
|
|||
|
|||
Quote:
If you want rosewood, look for an Advanced Jumbo. Longer scale, rosewood, and very powerful. A good J45 standard is impossible to beat in my book. Rb |
#9
|
|||
|
|||
Quote:
Leaning towards a J-45 Vintage or TV at this point |
#10
|
|||
|
|||
No-one has mentioned the Custom Shop Historic Series 1942 Banner J-45 - could certainly be worth checking out.
__________________
Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#11
|
|||
|
|||
Quote:
I'm 5'7" with size small hands :-/ |
#12
|
|||
|
|||
Can't help you with the neck but I have the 1957 SJ-200 from this Historic Series - I believe they all have thermally aged tops, hide glue construction and very thin finish - no pick-up system, the focus is pure acoustic - period correct hard case is a nice touch too.
__________________
Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#13
|
|||
|
|||
The biggest, bassiest, warmest J45 I ever played was a 1944 J45 at Gruhn’s six or eight years ago that had a mahogany top. It sounded like a cross between a J45 and a Martin HD28. Unfortunately, those don’t grow on trees, so that doesn’t help much.
All I can add is that the J45TV isn’t warm or bassy IMO. It sounds like a late 40s or 50s J45, which I would describe as “pinched” and “nasally” so I would recomend you avoid this model. Maybe a used J45 standard that has opened up would be what you are looking for. |
#14
|
|||
|
|||
Quote:
I have a 2016 J45 Standard that checks all the boxes except for "loud" especially compared to a lot of Martin dreads.
__________________
Gibson J-45 Martin D-18 Gibson LG-2 |
#15
|
|||
|
|||
Quote:
That said though I do own a Fairbanks Roy Smeck I picked up used a couple of years ago. It is a heck of a guitar with Dale absolutely nailing the bracing found in the originals.
__________________
"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |