#61
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My 335 studio has become my go to guitar for so many styles and needs. Who would have thought it? Still love my G&L ASAT Classic hollowbody for sheer playability and versatility but in a shootout I don’t know which would win…!
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Gibson ES-335 Studio 2016; Furch OM34sr 2015; Fender MiJ Geddy Lee Jazz bass, 2009; Taylor 414CE 2005; Guild D35 NT 1976; Fender MIM Classic 60s Tele 2008; Fender US Standard Strat 1992; G&L ASAT classic hollowbody 2005; Ibanez RG350MDX 2010(?); Ibanez Musician fretless, 1980s; Seymour Duncan Tube 84-40; Vox AC4TV; Ex-pat Brit in Sweden
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#62
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The 335 is my favorite Gibson electric, and one of my all time favorite guitars. I don't think there is anything more versatile. I played one for many years. In fact, I'm playing one in my avatar. I mostly country, southern rock and rockabilly, but the 335 can do anything. My 2 cents.
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#63
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I have owned and played a Gibson ES-345 for decades... got it in '76, slightly used, for $600... since then, I've pretty much "Frankensteined" the thing so that it makes all the sounds I want...
Coil taps on the two Seymour Duncan pickups (Jeff Beck for the bridge, PAF '59 for the 'board). Yanked the Varitone thing out of there and put in a "bypass" toggle that routes the pickups straight to the amp, bypassing tone and volume controls... I had fat fretwire put in, as well as a Kahler locking nut vibrato system - the guitar would NOT hold tune for more than 1/2 a song until the Kahler went into it, and now it holds tune for months! It's a heavy beast, but it plays and sounds the way I want my one electric to play and sound. I can get everything from a nice fat jazz tone to a decent approximation of Tele-twang... and everything in-between!
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"Home is where I hang my hat, but home is so much more than that. Home is where the ones and the things I hold dear are near... And I always find my way back home." "Home" (working title) J.S, Sherman |
#64
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It's an older one, 1967, but it works and sounds great. Pretty good for a 54 year old amp! I usually keep a spare set of tubes in the car just in case one should fail, but that is a very rare occurrence. |
#65
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One thing that strikes me about the 335-style guitars I’ve played and owned is how different they all are—much more so than different examples of any other guitar model I’m familiar with. My late-60s 335 12-string (now sold) had a raw, intense jangle on the bridge pickup, a la the Plimsouls’ “A Million Miles Away”, and a neck pickup that was round but kind of light-bodied, almost like a Tele stock neck pickup. A friend of mine owns a 70s 335 that’s the antithesis of that, with a very warm, woody bridge sound and a big fat neck sound. My Sheraton II is much more middle-of-the-road than either of those—in fact, I find the tone a total snooze, though the neck is supremely playable. (If I’d ever been able to get it to sound like, for instance, Ezra Koenig’s in “Oxford Comma”, with all that juicy midrangey character, I’d feel very differently about it.)
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Martin HD-28 Eastman E10OM Guild D50 Martin D12X1AE LaPatrie CW Concert |