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Old 10-28-2015, 09:46 AM
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Default Where does headplate wood come from?

Hello,

I always see pictures of wood to be used for the back and sides of guitars, but it doesn't seem that there is any "extra." So when matching the wood on the head plate to the back and sides, where does the head plate wood come from?

Thanks.
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Old 10-28-2015, 09:49 AM
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Originally Posted by bho View Post
Hello,
...where does the head plate wood come from?
..


Ummmm,..... trees?




(sorry couldn't resist)
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Old 10-28-2015, 09:55 AM
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Ummmm,..... trees?




(sorry couldn't resist)
DUHHHH, head-plate trees ... to be exact

Seriously, it usually comes from the waist area of the back and many times those two off cuts are then book matched to be used on the peg head. Unfortunately, there is usually only enough wood to salvage for one peg head though.
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Old 10-28-2015, 10:54 AM
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It is rare for the "waist" wood to be wide enough for one piece headplates, which I prefer. My head plates are more likely to come from otherwise unusable backs and sides, from wood bought specifically for the purpose, and especially from LMI's annual parking lot sale which is coming right up and in which they sell everything they put out for $5 a pound. This next sale will be held in conjunction with the semi monthly meeting of the Norhtern California Association of Luthiers (NCAL).
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Old 10-28-2015, 11:17 AM
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I often am doing my own resawing for backs and sides. I usually end up with an odd piece or board remnants that get used for faceplates etc.

Mark
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Old 10-28-2015, 11:50 AM
CaffeinatedOne CaffeinatedOne is offline
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Originally Posted by Raine M View Post
Or in Martin's case for many of their guitars, Black Acrylic chemicals.
To be fair, Martin uses dihydrogen monoxide - free Black Acrylic chemicals.


No GMOs were harmed in the making of this message.
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Old 10-28-2015, 12:01 PM
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Maybe having some very nice, but otherwise unusable scraps is a good reason to do mosaic headstock designs?
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Old 10-28-2015, 05:28 PM
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Originally Posted by mikealpine View Post
Maybe having some very nice, but otherwise unusable scraps is a good reason to do mosaic headstock designs?
But I have to buy a bunch of headstock plates in order to get different colors to do a mosaic.

Vicious circle, is it not?
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Old 10-28-2015, 06:35 PM
John Arnold John Arnold is offline
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Quote:
I often am doing my own resawing for backs and sides.
Same here. Headplates are a bonus from cutting your own wood. Very often, they are generated from orphan sides (single sides that have no bookmatch).
When I was cutting Brazilian RW from logs, I would save all the scraps, and mark them as to which log they came from. Not only does it facilitate using headplates that match the back and sides, but it has allowed me to document some of my pre-CITES BR that came with receipts.
Another bonus is that you can match the bridge and fingerboard....if you use rosewood for those items.
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Old 10-28-2015, 07:40 PM
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Originally Posted by printer2 View Post
But I have to buy a bunch of headstock plates in order to get different colors to do a mosaic.

Vicious circle, is it not?
Yes, I guess it is! I was thinking more about what might get cut off from making the backs. Those boards come in rectangles, so I am thinking those off-cuts could be used for mosaic style headstocks.
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Old 10-28-2015, 07:56 PM
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Quote:
Originally Posted by Mark Hatcher View Post
I often am doing my own resawing for backs and sides. I usually end up with an odd piece or board remnants that get used for faceplates etc.

Mark
This is my favorite part of resawing- matching parts!
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