#16
|
|||
|
|||
My suggestion would be to take the guitars to your Tech and discuss your thoughts with Him/Her.
I really like the medium/light strings no matter what they are called. Start with one guitar that both you and your Tech agree need the set up the most. When that one is done, you will have a better idea of what you will want for your next guitar. I have found that a set of Bluegrass gauge string can be set up the same as a normal medium gauge set. Be sure to have neck relief addressed and now would be a good time to replace any saddle that you may be thinking of replacing. If you don't already have a bone compensated saddle on the guitars, I would highly recommend it. FYI, Many years ago, I set my Martin D-35 up for light gauge strings and was not happy with the loss of sound. If you do want to try a set of light gauge strings, you may want to use them on your loudest guitar so you will have less loss of sound, if compared to a quieter guitar. You will also want to decide if you want to use Phosphor Bronze,80/20 or Monel strings. These choices will also affect the sound and volume of your guitars. Have fun with your adventure and report back with your results. One more thought. Keep your old saddles in case you want to go back. DO NOT!!! put any kind of shim between the saddle and the bridge!!!!
__________________
Happiness Is A New Set Of Strings L-20A |
#17
|
|||
|
|||
Jon Z said it before I could:
Quote:
Don’t get me wrong: there are still a lot of my instruments strung with mediums, including my 000-42 and my Larrivee OM-03W. Those guitars play like a dream and sound wonderful with the mediums that they’ve always had on them. But both of my Martins - my D-18 and my 00-21 - have bluegrass gauge strings on them. They’ve retained the bass response of the mediums and the treble response and playability of lights with these bluegrass gauge strings on there. So definitely experiment with a set or two of bluegrass gauge strings; the brand I use, prefer, recommend and endorse are the John Pearse strings. I’ve got phosphor bronze on the 00-21 and 80/20 on the D-18. Hope this helps. Wade Hampton Miller |
#18
|
||||
|
||||
I find that my Martins want Mediums. Froggy, SCGC, and Gibson dreads sound great with lights.
Plenty of folks love lights on their Martins, though. I recently tried the Santa Cruz strings - I like them for fingerstyle on my OM's, but hated them on my dreads. I thought that they sounded too 'metallic' on the D and G strings.
__________________
| 1968 Martin D-28 | 1949 Gibson J-45 | 1955 Gibson LG-2 | Santa Cruz 000 Cocobolo / Italian Spruce | Martin D-18 1939 Authentic Aged | Martin Gruhn Guitars Custom D-21 Adi/Madi | Gibson J-45 | Fender American Elite Telecaster | Fender American Standard Stratocaster | Gibson Les Paul Standard | Gibson Les Paul Studio | PRS Custom 24 10-Top | Gibson Les Paul 1960 Reissue (R0) | |
#19
|
|||
|
|||
Classic answer... try it and see what they like. A truss rod adjustment should be all you need between the two.
I had a Bourgeois Country Boy Dread with a sitka top that liked either Medium or Light and didn't sound a whole lot different between the two, but mediums felt better to me on it. I also had a D-18 GE with an adi top that was sooooooooo tight, it needed Mediums to get any kind of "body" from the tone. Nick |
#20
|
||||
|
||||
Quote:
__________________
Merrill | Martin | Collings | Gibson For Sale: 2023 Collings D2H 1 3/4 Nut, Adi Bracing, NTB -- $4100 shipped |
#21
|
|||
|
|||
Quote:
**note that SCGC recommends Light Tension for smaller instruments/ wood instruments** |
#22
|
|||
|
|||
Quote:
Yes of course you can fit lights on them, many do, but yes of course it will affect the volume, tone as there will be less tension on those big ol' tops. Just my opinion, but it kinda defeats the object of having dreads to me.
__________________
Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#23
|
|||
|
|||
It really is this. There is "conventional wisdom," then there is what works for you.
Moreover, each guitar responds differently to tension. Trying and hearing really is the only way to answer it. Edward |
#24
|
||||
|
||||
Quote:
I also like a very low action, and being of greater mass, a heavier string will maintain it’s inertia better and requires a smaller string vibration travel path than lights so one can get lower no-buzz action from meds than you can from lights. I have 12’s on most of mine. So I split the difference. |
#25
|
|||
|
|||
Andromeda,
have you made a decision yet? So many opinions here that it can make you question your choice and decision.
__________________
Happiness Is A New Set Of Strings L-20A |
#26
|
|||
|
|||
While most dreads are built for mediums - Martin makes a "Light/Medium" set MA545 (gauges .0125 > .055) that I've used for years on my Martin dread (D40) - Great compromise - feel more like lights - sound more like mediums
|
#27
|
|||
|
|||
I think I’m going to try the light/Medium set by Martin on one of my dreads and to see how that feels and sounds. There’s been some great advice in this thread!
__________________
Liam F. 👽🖖🏼👑 🎶 |
#28
|
|||
|
|||
Good choice.
To tell you the truth, when I put my first set on, I really didn't feel the difference between the Bluegrass set and normal medium gauge strings. Like I suggested before, keep your old saddles.
__________________
Happiness Is A New Set Of Strings L-20A |
#29
|
|||
|
|||
Newtone Strings offers you the opportunity to create your own “hybrids” in any gauge and string materials. As a for instance, their Round Core strings will allow you to have a 56-46-36-26-16-12 high potency set that is plenty loud and easier to play with lower tension on the bridge as well.
You can create any variation your heart desires.
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#30
|
|||
|
|||
There are some Youtube videos that compare different gauges, and I was frankly surprised at the small difference in tone from the audience perspective. It's probably considerably larger for the player, but you won't know until you try.
https://www.youtube.com/watch?v=4sZb9YjL-N8&t=17s https://www.youtube.com/watch?v=wGXj_NQONYM&t=16s
__________________
Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |