#31
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#32
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However I am like you Highvibrational, Click tracks are just not inspirational. I have though, started to get use to them as others have suggested. I still think that drum loops might be the better solution for myself. And of course in your DAW you can so easily change the tempo up or down. I thought dnf777 suggestion of using the Boss DR 01s is certainly a possibility. Looks like it has a line out and you could plug it into your interface and then into the DAW...But I think a drum program would be easier and free up a interface channel. But certainly a fun live practice tool. https://www.boss.info/us/products/dr-01s/ One step that has not been mentioned yet...is to first find out what Tempo/Speed you are playing at naturally without any timing device. When I write a new song, I find a tempo that corresponds to the theme's mood. You certainly would not play McCartneys " Yesterday " at a high tempo. it would destroy the vibe. Even the tiniest change of faster or slower could destroy the songs intention. And I would assume it is the same for you and your playing style. You have a speed for certain songs that lets you express the song in the way you like. Yes you can just manually adjust the tempo. But not always easy to find the exact timing you are using. In Logic, there is something called Smart Tempo. You simply record a raw track, playing like you would without a metronone or click track. And it will show you your tempo...and also the variations of your tempo. It will take a little bit of time to read up and learn how to use it. But well worth the time. If you don't use logic, There are also other inexpensive programs that you can purchase that will do relatively the same thing. |
#33
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2019 Martin D-28 Standard 2017 Gibson J-45 Standard 2020 Eastman E8 OM 2019 Emerald X20ele 2020 Martin D-15M 2002 Taylor 714 2021 Iris DF 2005 Breedlove Revival OM M https://www.youtube.com/@revelrove |
#34
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Probably best to keep blazing your own trail at this point then...since you switch feels and time signatures on a whim, you might not ever find a click or drumbeat that lines up to what you are doing consistently...and that doesn't have to be a bad thing, as a solo performer, if what you are doing works, let it work, and solve the problems of speeding up with practice and time.
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#35
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#36
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That's quite versatile, although I don't think it would help the OP as it sounds as if she may be changing tempos and time signatures improvisationally, not in a set structure.
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#37
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Yes, I like the freedom of being whimsical and I'm not sure if being "regular" will ever be a higher priority. I will try when I can, but it's sort of like practicing multiplication tables or something like that. I like Edith Piaf's singing and feel she really takes liberties, but for expressive effect.
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2019 Martin D-28 Standard 2017 Gibson J-45 Standard 2020 Eastman E8 OM 2019 Emerald X20ele 2020 Martin D-15M 2002 Taylor 714 2021 Iris DF 2005 Breedlove Revival OM M https://www.youtube.com/@revelrove |
#38
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When I need to use a click, I usually use Logic's virtual drummer, which is easy to set up, and to find a matching feel. Just more fun and musical than playing to a click, most of the time. You do have to be careful tho, that you're still creating the feel you want, not letting the drummer do it for you. I remember asking Stephen Bennett once (in regards to one of his groovier pieces) how he got the groove into his playing - he replied "You put it there" :-) And I think that applies whether playing to a click or a drummer. Assuming the drums won't be part of the final product, you have to make sure the track you record still carries the groove once you mute the drums, and that the drummer wasn't covering up the lack of feel in the part you're playing. It takes a lot of practice to use clicks, or drums, as a tempo guide only. What I often do for solo guitar stuff, is practice a lot with a metronome, and possibly even record a few takes with a click, so I can listen to how I'm doing. But then kill the click when I really record. If I, or someone else, will be adding parts, then I usually have to stick with the click/drum for recording the initial track.
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#39
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There are things you can try to make playing with a click easier. Doubletime, half time, just on one and three, just on two and four... play around with it.
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#40
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Used incorrectly it can frustrate or cause rigid playing. It's analogous to drills done by a top athlete. Of course they don't *enjoy* the drill - it's not the actual expression of the sport. The best don't get caught up in those mind games, they just knuckle down in the name of improving their skills so they can play better.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#41
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#42
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Click track? For me Yes.
I obsess over keeping in time while still flowing naturally. So challenging. |
#43
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I like to use an IOS musical notation app "Notion" when putting together guitar arrangements. That can then pretty much act as a metronome for me. Sometimes when recording I have the score playing in the Notion app and listen to it with one earphone whilst playing. It can be quite rigid but definitely helps me get the timing absolutely spot on. The app is great for trying out new ideas and hearing what it should sound like.
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#44
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A click definitely helps when we need to put together music like we're building with Legos, but very few elements of nature have anything approaching the strict mechanical timing of a click. I've been playing music with other folks for more than 50 years and the process of subtle timing interaction with other players is part of the enjoyment, and sometimes frustration, in the playing of music. It's all good of course, so metronome use (or not) ends up being preference, tempered with the need for precision if we're using cut, copy, and paste music production. If I go see a solo performer probably the last thing I'd ever think about was the timing. |
#45
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Case in point, listen to the first couple Dylan albums versus just about anything comparable by anyone from around that time. He's rock solid, you can sit down and play along with him. A lot of his lyrics are nutty, he doesn't have a conventionally good voice, but he's totally steady and confident and you buy into it. |