#106
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With an off-the peg system factory fitted?
Easily a Takamine. I've owned several, and still have my EAN20C satin cedar/mahogany Jumbo which I bought 16yrs or so ago. Really, really wonderful live guitars. Just fine acoustically too...not quite as dramatically gorgeous as something like my SJ200 or D18GE, but very good. I used mine for an album I made back in 2014 ('Traditional Dark') and it was a joy to record with. I have a CT4BII pre in mine, I previously had the Cool Tubes unit that it shipped with, but found it a bit noisy. Not sure if it was just my unit, but I put a CT4BII in there and have been happy ever since.
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'67 Gibson J45 (K&K) ‘81 Eko Ranger IV (weird factory Electra pickup) '95 Gibson Dove (MagMic) ‘97 Martin D18GE (Sunrise) ‘01 Takamine EAN46C (Palathetic and CT4B) '02 Takamine EAN20C (Palathetic and CT4BII) '15 Gibson SJ200 Standard (Sunrise) ‘19 Vintage Paul Brett Viator VC Classical ‘20 Sigma CF-100 copy (Sunrise) Capos by G7th, amplification by AER. |
#107
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JackB1
It is a TLD-M2. Only 30 made worldwide. Here are more pics. https://ibb.co/album/msGAmF
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"All the money is down around the third fret" A couple of good guitars Mac Computer #2 Pencil Various Scraps of Paper |
#108
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That weird bowl shape just feels too weird to me
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#109
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Quote:
"A lot of the sound is this well-used middle-aged Gibson J-30 I've had since the very early 90s. The pickup is a K&K pure country -- three hot spots superglued on the underside of the bridge plate, running passive. For a single source pickup it does the best job I've heard of capturing a good acoustic tone with some wood in it -- and far warmer that any of the piezos I've tried. There are elaborate blended systems, but the good ones cost an arm and a leg and are still pretty prone to feedback. For a one-song spot I just plug into the house line. Otherwise I put a little K&K DI box inline that gives me a little front end EQ control and volume adjustment, and whenever possible I add an instrument mic as well. But for the majority of solo performances these days I use just an instrument mic and don't plug in. And as we discussed briefly while you were striking the stage, for our trio performances we cluster around a since condenser mic for all the vocals and instruments except for Andy's bass." |
#110
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A lot of extremely nice guitars have been listed, so what I'm about to mention is a bit of a dark horse but since we are specifically talking about plugged-in guitars the Yamaha Silent Guitar (SLG200S or SLG200N) deserves to be added. Yeah, it's more of a hybrid but still meant to compete in the acoustic class.
These are often viewed as a practice guitar for being so quiet when not plugged in (sounds super wearing headphones) or a travel guitar because they can fit in a plane overhead. However, their real glory is amped up performing. I have the steel-string model and what a fantastic guitar. Sounds absolutely beautiful. |