#16
|
|||
|
|||
Since I changed all three components at the same time the effect was cumulative. I cannot say which component made the biggest difference in sound quality. All I know is that my guitar sounds very different now and I love it.
__________________
1996 Taylor 814c |
#17
|
|||
|
|||
Not unless you play open cords the majority of the time. Once you barre cord the nut comes out of the tonal equation. The plastic nut on my old Guild 12 used to sqeek when I adjusted the strings, so I replaced it with bone (as well as the plastic bridge pins). The tone is better now with the bone.
__________________
Sharky-Blessed '26 La Pacific banjolele '76 Martin Sigma DR-9 BIG GAP in GAS '87 Guild D25-12 w/ K&K PWM- acquired in '07 '12 Voyage Air VAMD-02 '16 Alvarez MFA70- new to the herd 1/4/17 Ultrasound AG50DS4 Now playing in honor of The Bandito of Bling, TBondo & Dickensdad |
#18
|
|||
|
|||
I really disagree about the nut only affecting open notes. Put a capo on the second fret (thereby mimicking a barre chord, only better). Now reach back and rest your hand lightly on the tuners. Strum. You'll feel the tuners vibrate- why?
Also, if the string is totally dead after being fretted, why do we get back buzzes (buzzes between the fretted string and nut)? The more of those vibrations that you catch and channel into the neck the more alive the guitar is going to feel. But again... make a nut out of cardboard or modeling clay or something you can work with and see what happens. I know positively that I used to say exactly the same thing about the nut's lack of effect on sound. In '98-ish, I had an OM-28VR that I played for a year with the stock nut. Then I had a little free time and went ahead and made a bone nut for it to match the saddle. Made a difference, so- since I had the original- I switched the nuts back and forth, using a wedge under the strings so that I didn't even have to slack tension on the strings. Even with a capo on the 2nd fret, there was something going on. Now, is the nut really, really important? No, of course not. It's minor, but it is there.
__________________
Bryan Kimsey Coram Deo |
#19
|
|||
|
|||
Yeah,....but the elephant ivory w/ small abalone dot look SO cool!
........and with the hard african ivory saddle the sound is top notch also! I had Bob send me 3 of those saddles for a few of my Taylors. I only have one done so far (my straight acoustic Taylor XXX-BE), and i fitted a new set of the abalone dod ivory pins also on that one. It sounds super,.....with added sustain. I still have the saddle to replace on my 1995 912C and a custom NAMM brazilian nylon string with engleman top, once i get the time.
__________________
Archtops: 2004 Gagnon DeVant Archtop 2010 Gagnon Acoustic Only 15" Archtop, with 3-D Quited Maple & Bearclaw Spruce Classicals: 2004 Tom Humphrey Millenium Sakazo Nakade Classical 1982 Masaru Kohno Professional, Brazilian B/S Martin C-TSH Classical (Tom Humphrey Bridge & Shellac Top Finish!) 1988 Don Banzer 625mm Scale Classical 2008 Johnny Walker Grand Concert Cutaway & Pickup |
#20
|
||||
|
||||
Bob Colosi told me the sound difference is most noticeable when changing the Saddle from say plastic to Bone. Many people change the Pins to Bone as well for aesthetic reasons and possibly a slight change in sound and they will not wear as fast as plastic that is for sure. He said also often he will take a Taylor for instance and just change the Saddle because the Nut changing the sound is negligible.He will wait to change the Nut until the one that came on the Guitar wears out. I find Bob Colosi to have the highest quality Stuff and he is super nice and always willing to chat on the phone to answer any questions you may have. You will also find a lot of people who are perfectly happy with the Tusq Nuts/Saddles and Ebony Pins that come on many Guitars.
__________________
Jeff It's the Music That Really Matters! |
#21
|
|||
|
|||
Quote:
djh |
#22
|
|||
|
|||
You exhumed a 6-year-old thread to say this?
__________________
Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#23
|
|||
|
|||
Mike, he likely found this thread using a search, and didn't pay attention to the date.
But what's wrong with piggy-backing off an old discussion anyway? It's still relevant to today. I see this happen quite often on AGF, and the earth has yet to fall out of orbit |
#24
|
|||
|
|||
I have always been happy with Colosi bone saddles - have 4 of them in fact. I am not comfortable dealing in any kind of ivory for personal reasons, and the superb tone of the bone saddles has never left anything to be desired.
__________________
Some might call me a "Webber Guitars enthusiast". |
#25
|
|||
|
|||
MikeBmusic,
What in the world are you talking about? I was merely agreeing with a comment made by zombywoof in his post above. Take an aspirin and then take a nap... |
#26
|
|||
|
|||
I never noticed any change in tone, but I do love the way ebony pins look and have made the switch on a few guitars..
|
#27
|
|||
|
|||
Quote:
|
#28
|
|||
|
|||
It’s the weight difference that affects sound. Different materials usually weigh different.
|
#29
|
|||
|
|||
OLD thread ALERT!!!!!!!!
__________________
Herman |
#30
|
|||
|
|||
It’s a VINTAGE thread. Highly desirable.
__________________
Windcheetah Carbon Rotovelo Cervelo P3SL Softride Rocket Trek Y-Foil |