#1
|
||||
|
||||
NGD! AND Way too much relief!
Here's my first real classical!
So I unpacked my Cordoba C5 that I received for Christmas yesterday. The finish is flawless, there are no apparent defects. It sounds nice and mellow. However, you could do bow and arrow target shooting with the setup! I've done about a 3/4 - full turn with the truss rod and it is now pretty decent. Not perfect, but very playable. It was $299 so it didn't qualify for Sweetwater's 55 point inspection obviously, Here's two pictures of the guitar face on and one of the "pre-adjusted" string height:
__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: Last edited by TBman; 07-07-2022 at 09:49 AM. |
#2
|
|||
|
|||
Nice guitar and great that you could get the action closer to where you want it. Congrats on now having that nylon tone at your fingertips. I look forward to hearing some of your tasteful playing on it.
Best, Jayne |
#3
|
||||
|
||||
Quote:
Action should be adjusted in this order. - Nut slot depth - Neck camber/relief - Saddle height adjustment Many classical guitars (nylon string) don't even have truss rods, so better players have multiple saddles of different heights. I doubt the 55 point inspection would have raised any alarms. Action adjustment is a matter up for debate as to where it should be finalized. |
#4
|
||||
|
||||
Quote:
__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#5
|
|||
|
|||
Congrats on the classical.
If you don't mind me asking, IIRC the C5 has a 2 inch nut, and I was wondering why you didn't get a crossover model with the narrower nut and some neck radius. I'm kind of thinking of getting a nylon string and haven't settled on what to get. Thanks. |
#6
|
|||
|
|||
It's been said many times, many ways... Merry Christmas, and truss rod is to make the neck straight - relief - not adjust action. You no doubt know that full well. Classical guitar action is adjusted with the saddle, and ranges from oh-my-god high for really experienced players to man-that's-nice for guys like me...
__________________
Brian Evans Around 15 archtops, electrics, resonators, a lap steel, a uke, a mandolin, some I made, some I bought, some kinda showed up and wouldn't leave. Tatamagouche Nova Scotia. |
#7
|
||||
|
||||
Quote:
Yes, I want a flat neck, no bow at all, or as close as I can get it to it. Then from there I adjust nut and then saddle as needed.
__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#8
|
|||
|
|||
I saw your comment regarding those Thomastik-Infeld 'John Pearse' folk strings and I'm looking forward to hearing the results.
I have a feeling your playing style will bring out the best from this new guitar.
__________________
Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#9
|
||||
|
||||
Quote:
Here's a link to a demo I just uploaded to Show and Tell: https://www.acousticguitarforum.com/...d.php?t=567544
__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#10
|
|||
|
|||
Wow, already sounds beautiful!
That was excellent.
__________________
Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#11
|
||||
|
||||
Merry Christmas, Barry.
A new pup and a new guitar. Life must be good.
__________________
Peace, Jimmy Optima dies, prima fugit |
#12
|
||||
|
||||
Quote:
__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#13
|
|||
|
|||
Quote:
__________________
Yamaha Pacifica 512, Yamaha APX6, Alhambra 7c, Taylor 110 (w/upgraded Taylor gold tuners!), Alhambra 7p, Yamaha CS-40, Samick Corsair Pawn-Shop Special Bass |
#14
|
|||
|
|||
Quote:
__________________
2010 Larrivee LSV-11e 2002 Jose Ramirez 4e 1998 Seagull S6+folk, Mi-Si LR Baggs acoustic trio 1986 Charvel Model 3A electric 2001 Fender Jazz standard bass 1935 A-00 Gibson mandolin 1815 JG Hamm violin Kelii soprano ukulele |
#15
|
|||
|
|||
Quote:
As another poster said the instinct for steel string players is to go narrow and radiused. That is what I did when I bought my first nylon string, the Cordoba C10 crossover, 48 mm nut width. I then bought the Cordoba Cadet, flat fret board with 50 mm nut. I can play this cleaner, no string muting with the wider spacing. I eventually took the C10 crossover to a luthier to have a new nut made with wider string spacing. It helped some but is still more of a challenge to play cleanly compared to the 50mm Cadet. Congratulations Barry on the new Córdoba C5, it sounds really good on your recording, enjoy. |