#76
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Am using this presently, also w/ a BOSE L1 for larger rooms;
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#77
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Sure thing. These are all recorded on my iPad which is clipped to my mic stand and usually behind the front of house speaker with no monitor facing me. I could do a better job with a camera crew, but truth is,... I’m not good looking enough to invest in such a thing.
Solo: Duo: Trio: Last edited by The Kid!; 05-31-2018 at 10:33 PM. |
#78
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Currently I am running a Martin DM with an LR Baggs Anthem into a Roland AC60 which sounds beautiful to my ears.
Sometimes I use a crybaby mini/Fishman AFX Chorus/Hotone Harmony. That is all dependant on what I am playing and maybe more so on what mood I'm in. |
#79
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My acoustic set:
Guitars: Yamaha L10-a, all solid woods, 1983, with K&K Pure Mini and classical guitar, 1960, JJB transducers. Pedalboard Palmer with: 1- preamp Headway EDB-2 (absolutely fantastic); 2- Boss Superoctave OC-3; 3- MXR Analog Chorus (gorgeus); 4. Neunaber Seraphim (super super reverb). Acoustic amplifier: Schertler Jam 400 But the main, wonderful, "gear" is..... Flavia, a great voice. Osvi. Last edited by labrax; 06-01-2018 at 08:51 AM. |
#80
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Quote:
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#81
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That is a great amp...and the whole set up looks great as well... bonus is extra pretty gear as the voice too! Nice.
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#82
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Labrax—curious what you have your Jam 400 sitting on and how it helps? I have same amp as well
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#83
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it's a simple k-way to improve the directivity of tweeter Osvi |
#84
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that stuff around..loll |
#85
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I have 4 guitars (see sig), and I run them ALL through a Helix Floor. One of them is a dual source. The available options are astounding, and so much cheaper than pedal boards... believe me, I've been through 150 pedals in the past 5 years. So much happier with my setup now, Helix is it.
Then I either go into a PA, or I use my Line6 L2t FRFR speaker at home.
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'10 Wechter 5712c - Fishman Rare Earth '13 Jaffrey #26 - Malaysian Blackwood! '21 Gretsch 5622 '22 Furch Red Pure G-LR - Barbera Soloist ST-300 Mini + DIY mic preamp |
#86
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I’ve been playing my Helix exclusively with electrics. I’d love to know what your Helix chain is for acoustic. Just curious if you are using aftermarket IR’s as well.
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83 Fender Strat Elite 89 Fender American Standard Strat 99 Taylor 710ce 06 Taylor Koa T5 09 Takamine 12 string 11 Taylor NS24ce-LTD 13 Gibson Les Paul Standard 14 Fender Geddy Lee Jazz Bass 16 Taylor 524ce Mahogany 16 Taylor GS Mini Mahogany 17 PRS SE Custom 24 23 Taylor GS Mini Walnut LTD --------------------- |
#87
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For Dual Source acoustic, I use Return 3 and 4 as inputs: Anthem SL: R3-> Hi/Low Cut (530/12k Hz), MicPre, Merge K & K Mini: R4-> EQ, MicPre, Merge Merge: Mod->Reverb For Dual Source, notice that K&K is full range and carries the bulk of my sound - it does require some EQ. The Anthem is filtered so that only the mic comes through, and I've LPF it so some of the string squeak above 12k is eliminated. But other than HP/LP filtering it doesn't need EQ. I don't know if having the Mod and Reverb in series or parallel makes a difference. Sometimes I think it does, other times I don't. IR's are interesting, but I haven't felt the need. All 4 of my acoustic pickups (k&k, M80, Anthem, ES2) are pretty good without IR. I also think that a mild amount of mod/verb goes a long way in hiding any pickup imperfections.
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'10 Wechter 5712c - Fishman Rare Earth '13 Jaffrey #26 - Malaysian Blackwood! '21 Gretsch 5622 '22 Furch Red Pure G-LR - Barbera Soloist ST-300 Mini + DIY mic preamp |
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83 Fender Strat Elite 89 Fender American Standard Strat 99 Taylor 710ce 06 Taylor Koa T5 09 Takamine 12 string 11 Taylor NS24ce-LTD 13 Gibson Les Paul Standard 14 Fender Geddy Lee Jazz Bass 16 Taylor 524ce Mahogany 16 Taylor GS Mini Mahogany 17 PRS SE Custom 24 23 Taylor GS Mini Walnut LTD --------------------- |