#16
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If Martin's D-18 and 28 are any indication, then yes. The two sound nothing alike.
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#17
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I tend to prefer playing rosewood guitars but have generally use hog for recording with dreds. I have a Martin 000 in rosewood that records great. I think the smaller body and rosewood go well together. I also have a Pinkham dred in rosewood that is also a great recording guitar. It is very even and balanced and no frequencies stick out.
I find rosewood guitars to be richer in harmonics generally. Hog seems drier in tone and sometimes that is a good thing. Everyone hears differently and what appeals to one person might not appeal to another. |
#18
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#19
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This exactly. Get yourself to a guitar store that have both in stock, sit down and play them back to back. You will immediately understand the tonal differences, make your choice based on what you like to hear.
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#20
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No it is not. And you can actually verify this for yourself by recording notes on both and then comparing them with a frequency analysis tool (like PAZ from Waves e.g., or better still finer tools from e.g. Vienna Symphonic Library). You can then clearly see that the Mahogany guitar has a strong fundamental and weaker overtones whereas the Rosewood one has more overtones.
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Larrivee D10 (2003) Larrivee OM10 RX Moonspruce (2018) Martin HD28V (2014) Taylor K62ce 12-fret LTD 12-string (2016) Taylor GSmini-e Rosewood (2014) Gibson J45 Standard Vintage Sunburst (2016) Ovation Custom Elite CE778 (2002) |
#21
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Quote:
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Fred |
#22
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...what I hear consistently between the two is that Rosewood has some natural compression that smooths out the midrange and highs....especially when you lay into the guitar...Mahogany has more bark to my ears that can border on brash when you dig in...
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#23
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In my experience there is a difference but it is mostly determined by the luthier and what they want to achieve sonically with either wood choice. I have two wonderful rosewood guitars and have recently ordered a guitar with mahogany back and sides. The luthier and I spent time discussing what I was seeking in terms of tone and response and what I wanted that is different from the guitars that I already enjoy. If you can managed it, it is great to have a guitar that has more fundamental and one that has more overtone content. And, a big factor in both is the player, their technique, and how well they learn how to bring out what the guitar has to offer. A lot of variables can change the general perceptions and experience of either choice.
Best, Jayne |
#24
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I have a d-18 and a d-28, however, one has scalloped bracing and the other straight, so they can't really be compared in this context. Imo since rosewood is a harder wood, it probably reflects the sound waves more, which would account for the increased harmonics and reverb-like airiness.
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2017 Martin D-28 2015 Martin OM-21 1974 William Kingsly classical Fender "Eric Johnson" strat 75' RI Fender Jazz bass |
#25
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Probably 100 guitars have flowed through my hands over the last decade (yes, I do have a commitment problem...), but all ten acoustics I own currently are either spruce/hog or all hog.
I have tried and tried to bond with rosewood guitars, many of them from excellent builders, but it has never happened.
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Neal A few nice ones, a few beaters, and a few I should probably sell... |
#26
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Its not a one or the other argument. It’s about experiencing and enjoying the best the industry has to offer. So, you really gotta have at least one of each. It’s like eating....I like both steak and lobster. Why should I unnecessarily deny myself one of them?
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Consensus, by definition, is a lack of leadership. |
#27
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I have 2 Martin OMs - a rosewood and a mahogany. Same builder, same body size, same scale length. For me as a player, there's a big difference. I think of the Rosewood like a single coil strat (cleaner, brighter) and the mahogany like an LP humbucker (thicker, warmer). The Rosewood also has more volume and bass response.
I like them both very much. I'd probably save the Mahogany from a burning building. Any listener who isn't a guitar nerd wouldn't notice the difference. |
#28
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Quote:
Cheers, Bob
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Larrivee D10 (2003) Larrivee OM10 RX Moonspruce (2018) Martin HD28V (2014) Taylor K62ce 12-fret LTD 12-string (2016) Taylor GSmini-e Rosewood (2014) Gibson J45 Standard Vintage Sunburst (2016) Ovation Custom Elite CE778 (2002) |
#29
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Life is short get one of each
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Proud member of OFC Last edited by Bridgepin; 05-22-2019 at 08:49 PM. |
#30
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Mahogany is fine for back and sides - if you can't afford Rosewood.
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Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |