#16
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And thanks for the field testing offer Quote:
I'm betting from past experiences with these woods that they are a great combo for a baritone. Thanks Again, Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#17
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Back
Here's a shot of the back being joined. My guitars may seem to always start so slow but, the real work in the beginning is the planning and gathering. Sometimes, like with this one I need to build some things used to make the guitar. I suppose they would start off faster if I were just making something I've done before but, I try quite hard not to do that!
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#18
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Guitar Back
Not much to show with the work I'm doing on Bacchus today. I've been developing the mold I'm using for shaping the back. Typically, a guitar back is domed, a 15 foot radius is pretty common. It gives the back a little more rigidity. Also, wood expands and contracts with changes in humidity and a dome tends to rise and sink as opposed to crush and crack if it is flat and has nowhere to go.
Due to the guitar's 17 inch lower bout width I am going with a much tighter radius across the width of the guitar which will raise the center without increasing the thickness of the sides, making for an easier reach for the player. That's not so hard but, I'm not going with that same tight radius going top to bottom. That just doesn't work for me and I don't like the look. So lengthwise, I'm keeping it fairly normal. I did some research to find just what to call that type of multi radius doom shape and knew I was on the right path when I realized my Bacchus model is going to have the type of doom that is on the side of a wine cask Thanks for following along! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#19
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I'm a sucker for Sinker!! This is going to be amazing!
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#20
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Thanks Mike!
I got the mold for building the back done today. As I'd mentioned earlier, I'm running a pretty tight curve across the back to make it comfortable and to draw up more air volume into the center of the guitar. The curve from heel bock to neck block is a normal 15 foot radius. The cross radius is a much tighter 4 foot. Here is a picture of the mold I'll build the back on; Thanks for viewing! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#21
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Back graft
With the mold done to make my cask back I can actually work on the guitar some. The back is now joined, roughly cut out, and the back graft is going on here;
I can also create the template for cutting out the sides. The tight cross section radius causes the sides to thin down more than usual as they reach the widest points at the upper and lower bouts. So when you look at a side before it's bent the bottom will look quite wavy. Thanks for following along! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#22
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Back Bracing
Here are a couple pictures of the back getting set up. I am shaping the center graft and gluing on the braces and logo chip;
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#23
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Making Sides
I mentioned earlier that with the tight radius on the back it creates quite a bit of curvature on the cut of the side to line up correctly. Since I have two different radii on what I am calling my cask back I can't just spin the sides in a radius dish to fit, the sides need to be cut up front and they need to be pretty accurate. Here they are;
We'll find out how I did tomorrow; Thanks for viewing! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#24
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I love your new photos, Mark - very much like a good illustrator or printmaker would come up with. That back looks like quite a departure from the norm: I hope it all comes together as planned.
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Hatcher Woodsman, Collings 0002H, Stella Grand Concert |
#25
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Beautiful woods; great start! What scale length will you be using?
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#26
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Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#27
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Rosette
I am working through the rosette for Bacchus. A grapevine seems quite fitting.
Here is what I've worked up so far. If the guitar was on a stand this would go up the left side inside a 3/4" thick ring; It will be all woods. The rosette ring will be curly Cherry. The grapevine leaves will be Lignum Vitae which turns a nice green pretty quickly in sunlight (I had some sunbathing today). Lignum Vitae means "Tree of Life" in Latin. The grapes will be Bloodwood. The actual vine will be Bloodwood, Cocobolo, maybe Black Walnut (still playing with that one). I'll mock one up before making the final decision.
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#28
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Very nice and creative vision with the wood choice Mark. Can't wait to see this.
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#29
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Love the idea for the rosette. Will be exciting to see how you work the "all wood" design. Awesome.
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Life is like a box of chocolates .... |
#30
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The Lignum Vitae got it's sun tan yesterday and the green started to come up. Here is a picture of the woods for the rosette; Thanks! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |