#91
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The way I see it, only Martin could make a better Martin.
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#92
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2010 Guild F47R 2009 G & L Tribute "Legacy" 1975 Ovation Legend 1986 Ovation 1758 12 String 2007 Walden G2070 2008 Guild D55 Prototype 1998 Guild Starfire IV 2016 Guild Newark St. X-175 Sunburst 1996 Ovation 1768-7LTD " custom " |
#93
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This thread feels a bit like the 11th round of a heavyweight bout. About time of the boxers to hit the canvas.
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#94
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That's no knock on Martins, just a commentary on hardcore brand loyalty and self-validation. Last edited by Bowie; 03-03-2017 at 12:08 AM. |
#95
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By a lot of these posts it seems many people that choose boutique guitars probably feel that many of us Martin guys buy Martins because of name recognition only, as if by buying a Martin we assume they are good guitar, as though we are duped because of the brand name, Well that's not the case with me, I just love the sound of a good stock HD28. I own some really expensive guitars, but when I wanted the prototypical D28 style sound I heard it immediately when I picked my Martin HD28, and then two days later the store that I got mine from got another one in, and guess what it sounded almost identical to mine, so I advised a close friend to buy it. A few months later another one came into the store and it sounded almost identical to the first two. I don't know what Martin does to achieve the consistency that they do, but they are knocking out a bunch of good sounding D28s. I have never heard a Huss and Dalton or Collings guitar that I said I better sell my Martin and buy one of those. And it's surely not a matter of money, as I've spent much more cash on other guitars than any of these other boutique guitars cost. It's just when I heard my HD28 for the first time, it was exactly what I wanted to hear. And the HD28 is a standard production model guitar so if you want to compare who makes the best Martin guitar I guess you'd have to compare all the other boutique built guitars to the highest level of the Martin custom shop or at least comparable dollar for dollar guitars. But just this week I recorded a GREAT singer/guitarist and when he walked into the room I was setting templates on the computer for the tracks so I told him to just bust out his guitar and warm up a bit. I wasn't looking at him as I was concentrating on what I was doing, but soon as he played the first few chords on his guitar I knew it was a HD28, and of course that made me happy as I've recorded mine so much that I instantly dialed in a great sound for him.
Here's my HD28, I love it... Last edited by Kerbie; 03-03-2017 at 05:35 AM. Reason: Removed masked profanity |
#96
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#97
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"I used to try to play fast, and it’s fun for a minute, but I always liked saxophone players. They speak on their instrument, and I always wanted to do that on the guitar, to communicate emotionally. When you write, you wouldn’t just throw words into a bowl. There has to be a beginning, middle and end. Same thing with phrasing on the guitar" Jimmie Vaughan Last edited by Kerbie; 03-03-2017 at 05:37 AM. Reason: Edited quote |
#98
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#99
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Yes Toby, I found it shocking too. All they would do was "refer me to the dealer". The dealer was already frustrated with the guitar after many hours of work.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#100
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Taylors (I think - and this is opinion, not scientific fact) sound treble biased, whereas Collings are evenly balanced across (and up and down) the strings. Considering that Martins have been the standard for so long, it is understandable that many consider their sound the "standard". Much more has been achieved in the last few decades.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#101
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#102
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Not sure where to even start on this. The tone of a Taylor and Collings could not be anymore different. Taylor produces hundreds a day to a spec while Collings does a fraction of that by hand and braces their tops based on the piece of wood rather than a spec. That's just on the surface of this. So...yes...it's disrespectful to Bruce at Collings doing all things wood by hand while Taylor cranks out guitar by the hundreds daily to a spec. I'm in no way anti Taylor but what these companies provide to the guitar world are completely different. For the record I commend Taylor for their current direction and think Andy Powers has done wonders. Still not comparable companies in any aspect, though. And no..I'm not saying my Collings is better than your Taylor. It's just better in my head for my tastes and my preferences which is all that matters to me. |
#103
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#104
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Or, as you spend more time here, you'll soon discover how many solid opinions have been formed. Everyone has opinions. About all kinds of subject matter. We'd be pretty dull otherwise. Any discussion goes downhill when one person cannot allow others to have a different opinion without also adding a scornful comment about the other.
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amyFb Huss & Dalton CM McKnight MacNaught Breedlove Custom 000 Albert & Mueller S Martin LXE Voyage-Air VM04 Eastman AR605CE |
#105
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Having dealt with Bill and Steve at Collings a handful of times, I suspect they'd just chuckle at the thought that they are following Taylor's lead.
Collings is actively pursuing excellence in every aspect of every instrument they build. If Bill consulted with Taylor guys for CNC set up, that is not out of norm his company's growth mindset. Bill sought out Mike Kemnitzer of Nugget Mandolins when Collings decided to start building mandolins. Mike helped Bill dial in their CNC machines. They also collaborated on the Tim O'Brien Model. Collings is unique in its ability to turn out boutique level instruments (flat tops, arch tops, electrics, mandolins, and ukes) in a production factory, albeit a very small factory in comparison to Taylor or Martin. I just wonder when they will start building banjos. Take a look at how their recent developments: the Traditional Series guitars and cases and the Waterloo brand guitars. Amazing. If Collings is following any company, it's Gibson from the Kalamazoo era. And even that's a stretch considering the Collings high level of fit finish and overall consistency.
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‘00 Martin HD28LSV ‘04 Martin D18GE ‘22 Burkett JB45 |