#31
|
|||
|
|||
After Pitar wrote:
Quote:
Quote:
Quote:
Some of them were friends I allowed to play my instruments, but the worst damage on a couple of my instruments was inflicted by uninvited idiots who grabbed the guitar off a stand without asking and proceeded to wreak havoc. This has happened to me on more than one occasion: it's an unhappy side effect of playing out in public a lot. So I'm sorry if you think that the presence of pickguards is the sign of an abusive player, but that's an unjustified assumption and very judgmental of you. I definitely thought you had a more generous spirit than that. Wade Hampton Miller |
#32
|
|||
|
|||
Quote:
But what's the reasoning behind the pickguards on the F-25?
__________________
stai scherzando? |
#33
|
|||
|
|||
Now that I see what Brucebubs posted I would have to vote for that.
I have never seen one I like. What is more beautiful than the guitar itself. I pull them all off and if there is a tan line I add a wood pickguard. |
#34
|
|||
|
|||
Quote:
That's easy - they're a copy of the tap plates used on flamenco guitars. Back during the big Folk Revival movement of the late 1950's and early 1960's, some of the folkies were putting similar tap plates on their guitars to protect the tops from their vigorous (but not exactly precise) strumming. So that style of pickguard was already in somewhat common use in the target demographic for this particular guitar, the folk musicians. Here are some flamenco guitars that have similar tap plates: ˙˙˙ That Gibson was designed to be usable with either steel or nylon strings which, again, was a trend of the time with those folk musicians. The Martin New Yorker model was another guitar from the period that could be used with either steel or nylon. So both were products of that specific era and the people who were using those guitars. Hope that makes sense. Wade Hampton Miller |
#35
|
|||
|
|||
|
#36
|
|||
|
|||
Hi, I'm primarily a flat picker, and I don't hit any part of the guitar with my pick.
I hate to see guitars with that furious slash from overly aggressive strumming, but, when I clean my guitars I DO see marks on my oickguards, which puzzled me for a time, and I've determined that it is from the nails of my trailing fingers although I'm not aware of ever touching it. We tend to like what we are accustomed to - and the std size Martin pickguard on dreads, looks just fine to me (as long as it isn't black) and the smaller ones on 00,000 and OM etc. Don't like pick guards on mandolins or archtops, or belly bridges on 000s!
__________________
Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#37
|
|||
|
|||
Ah, okay, thanks! Now I can visualize an F-25 in the hands of maybe somebody making an LP for Folkways in its early days (the days of thick heavy vinyl and a typewritten flyer with notes on the songs tucked into the cardboard sleeve).
__________________
stai scherzando? |
#38
|
|||
|
|||
The Levin Company made Levin and Goya guitars, the folk model, made to take either nylon or steel strings. Julie Andrews played one of these in The Sound Of Music. I believe she had nylon strings on it. They looked like a classical guitar with a pin bridge, position markers and a strap pin. These originally had white pick guards, but these were discontinued in the early sixties. I believe they were model F11.
Oscar Brand played one with the white pickguards. http://goyaguitars.tripod.com/catalog64_4.htm
__________________
Jim _____________________ -1962 Martin D-21 -1950 Gibson LG1 -1958 Goya M-26 -Various banjos, mandolins, dulcimers, ukuleles, Autoharps, mouth harps. . . |
#39
|
|||
|
|||
Quote:
__________________
stai scherzando? |
#40
|
|||
|
|||
Quote:
Those are cult favorites among the country traditionalists. |
#41
|
|||
|
|||
I really don’t prefer pickguards either, but for some reason, I like the look of double pickguards. I think the guild standard guards kind of put me off. Solid guitars though. Have people had any luck removing one cleanly?
|
#42
|
||||
|
||||
Generally speaking I really don't like any pickguard. But I'm less offended by smaller, darker ones (although not the all-black ones), especially on darker topped guitars like all mahogany. So I much prefer, let's say, the Martin OM pickguard to the Martin 000. I hate the look of the tiger stripe or even the mottled appearance. I did kind of dig the Taylor wood ones that were coming out for a while there though. Go figure. Maybe it's a wood on wood thing? But a lot of the outlandish ones here take the cake. And the Gibson F25? That's just an abomination!
|
#43
|
|||
|
|||
Quote:
__________________
Respectfully, Mike Taylor 415 --- Epiphone Texan --- Collings D1A --- Martin 5-15 --- etc Take a sad song and make it better. |
#44
|
|||
|
|||
Quote:
Pick on! Slim
__________________
2022 Gibson L-00 Studio Walnut/Burst 2019 Martin D-28 Re-imagined 2018 Gibson J-45 2007 BSG GJ-27 12 string 2005 BSG J-27 2020 Regal RD-30M Resonator 1938 Dobro model unknown 2023 Michael Messer Fiddle Edge Dobro Plus a Takamine and an old S.Yairi. |
#45
|
|||
|
|||
Oh BoY! Do I get to choose the license plate?
|