#16
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As the above. I generally prefer PB on everything, but found that 80/20 can sound ok on small bodied mahogany guitars.
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#17
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Thanks for your answers guys, I can always count on this website to tell me what I need to know =P
I'm very keen to try these phosphor bronze strings now to see how they compare to the 80/20's. I'm looking forward to getting it restrung with them in the near future.... i've had my 80/20s on since January so not sure if the strings have reached their peak yet. I guess i'll just keep playing until they go dull on me. |
#18
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Gibson used to put their uniquely specified, GHS made, Masterbuilt 80-20’s on many of their guitars including my J45 which is Spruce and Mahogany.
The fact that some people like 80-20’s on Rosewood is just personal preference IMHO. Maybe they provide less overtones, maybe they don’t. I love the sound of those strings on my J45. I’ve tried a lot of other types including a variety of many Phosphor Bronze ones.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#19
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My vote go to PB strings on almost every guitar that I like, play or own.
I have guitars with Rosewood, Mahogany and Maple. All of them sound best to me with Medium Gauge Phosphor Bronze strings. I'm a strummer and seldom play finger style. My guitars are Dred or Jumbo in most cases. If I were to ever use Elixir strings, it would be PB Med in Nanoweb.
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Happiness Is A New Set Of Strings L-20A |
#20
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General Dreedle, writing from deep inside his command post, wrote:
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In my experience, a nickel alloy of some sort. I used John Pearse Pure Nickels on the maple Guild jumbo that I used to own. whm |
#21
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I love Phosphor Bronze. A word of caution if they are new to you and maybe not what you expected: They can be very 'bright' and lively up front but give them a chance to settle in and they will be your friend. Just my opinion of course.
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#22
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Quote:
p.s. I'm not a fan of 80/20's but I did try a set of John Pearse 80/20 baritone strings that were very clear.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#23
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I love Phosphor Bronze. A word of caution if they are new to you and maybe not what you expected: They can be very 'bright' and lively up front but give them a chance to settle in and they will become your friend. Just my opinion of course.
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#24
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Well, the tonal response of different phosphor bronze guitar string sets varies from one manufacturer to another. For example, John Pearse phosphors have a much more complex lower end and lower midrange response than D'Addario phosphors, and not as much treble response.
As a rule, I try to avoid using words like "bright" to describe sounds because that word gets used by different people to describe many different things. But D'Addario phosphors conform more to your description as "bright" than the John Pearse phosphors do, if by that you mean a more prominent treble response. So, again, whether a phosphor bronze string set is "bright" depends on the brand and alloy formulation that that company happens to use. Not all phosphor bronze strings on the market are alike. whm |
#25
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I realize I’m probably the outlier here, but I almost always prefer 80/20s to PBs. I hear a metallic tone in phosphor bronze strings that doesn’t appeal to my ears. Maybe it’s an overtone — I don’t know. Most of my acoustics wear John Pearse New Mediums (80/20), but I do prefer medium gauge on a couple of guitars—especially ones used for drop tunings.
I too like JP Pure Nickels With maple. I’ve liked these on other guitars too.
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Collings • Paragon • Martin |
#26
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Quote:
This! 80/20 on my hd-28, phosphor on my j-45.
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2023 Gibson 1960 Fixed Bridge Hummingbird w/Ultratonic 2021 D'Angelico EXP-1 Throwback archtop 1983 Martin HD-28 w/Ultratonic 1965 Gibson J-45 w/K&K/Ultratonic conversion 1940's??? Harmony Patrician archtop 2002 Taylor Big Baby 1985 Kentucky KM850 mando w/lr baggs radius 1959 Gibson A-5 Mando 2004 Fender Strat (Mexican) Army bugle Old autoharp Indian flute Cowbell |
#27
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80/20s for a Dread - The Starting Point
This may be completely mad thinking. But I sort of see 80/20s as ground zero for dreadnaughts (and possibly other models but haven't really considered that). They were the primary string type available when the Dread really surfaced in the 30s/40s, and became popular with country bands. So they are sort of my baseline string beyond which I experiment. I've been using D'Addario NBs lately (a very new invention, and very different) but have slipped on a set of Martin 80/20s at my last string change and am enjoying playing those again. They have, as others have mentioned, a nice bottom end, scooped mids, and not too many overtones so a bit cleaner than PBs in the strum. I may venture out in future to other pastures, but it is always quite nice to come home.
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#28
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#29
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FWIW, Neil Young exclusively uses 80/20s..
I'd like to try some of the D'Angelico strings he uses just out of curiosity, but they don't seem to be very common. I don't see them much.
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2019 Martin Custom Shop HD-28 (Adi/EIR) 1998 Taylor 914ce (Engelmann/EIR) 1995 Takamine EN10c (cedar/mahogany) 2013 Yamaha FG720S-12 (Sitka/mahogany) Last edited by Guilty Spark; 03-30-2020 at 06:39 AM. |
#30
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I have 80/20 on my Martin and phosphor on my Southern Jumbo and really like that too
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2017 Martin HD 28 VTS 2018 Gibson Southern Jumbo 1993 Guild JF 30 Gibson Nick Lucas L 100 Maple Quantity and quality of my guitars should not be seen as indicative of the quality of my playing ability |