The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > Electric Guitars

Reply
 
Thread Tools
  #1  
Old 03-12-2024, 08:10 AM
Puddleglum Puddleglum is offline
Registered User
 
Join Date: Sep 2014
Location: Texas
Posts: 873
Default Hollow Bodies, Jazzboxes, Rockabilly Guitars, etc.

I got back into the electric guitar in recent years and have gone through a bunch of models, everything from Strats to shredder guitars. They all start out ok but I eventually lose interest and sell them.

Something recently occurred to me: I have played acoustic guitar for so long that I don’t really like electric guitars anymore. The feel is just all wrong.

At some point I started picking up the big hollow guitars in shops and realized I like them a lot. They sound cool and FEEL more like an acoustic guitar.

I’ve got a milestone in life coming up in a few months and am thinking of celebrating it with a new guitar. It will probably be a hollow body. So far I’m liking some from Guild and a few other makers, but these guitars aren’t nearly as popular or ubiquitous as Strats etc.

I’m wondering if you all here play and own guitars like this. If so, what would you recommend? I may have missed a few makers. I’d like to keep it under $2k if possible.
Reply With Quote
  #2  
Old 03-12-2024, 08:18 AM
mr. beaumont mr. beaumont is offline
Registered User
 
Join Date: Jul 2010
Location: Chicago, IL
Posts: 10,253
Default

Well that is a HUGE category...

What are you looking to do on it? I'd recommend a very different guitar to a jazz player than I would a rockabilly player.
__________________
Jeff Matz, Jazz Guitar:

http://www.youtube.com/user/jeffreymatz
Reply With Quote
  #3  
Old 03-12-2024, 08:24 AM
brad4d8 brad4d8 is offline
Registered User
 
Join Date: Feb 2007
Location: CT
Posts: 1,823
Default

Except for a year or so in a country band in the '70s, the only electrics I've owned have been archtops, like you, they feel more like the acoustics I'm used to. I currently have an Artist Award (out of your price range unless you stumble on an amazing deal) and a Korean Epi Howard Roberts Custom, definitely in your price ball park. I used to own an '88 Guild X170 that I sold to fund a Guild D55, but last I knew the buyer is offering it for sale at a decent price ($1800). I can vouch for the quality of this instrument, as I said I only sold it to fund a new acoustic, and seriously considered buying it back. You can see it here:https://letstalkguild.com/ltg/index....8-x170.220081/
__________________
Guild F212: 1964 (Hoboken), Guild Mark V: 1975 (Westerly), Guild Artist Award: 1975 (Westerly), Guild F50: 1976 (Westerly), Guild F512: 2010 (New Hartford), Pawless Mesquite Special: 2012, 90s Epi HR Custom (Samick), 2014 Guild OOO 12-fret Orpheum (New Hartford), 2013 12 fret Orpheum Dread (New Hartford), Guild BT258E, 8 string baritone, 1994 Guild D55, Westerly, 2023 Cordoba GK Negra Pro.
Reply With Quote
  #4  
Old 03-12-2024, 08:28 AM
imwjl imwjl is offline
Registered User
 
Join Date: Feb 2007
Location: My mom's basement.
Posts: 8,710
Default

Quote:
Originally Posted by Puddleglum View Post
I got back into the electric guitar in recent years and have gone through a bunch of models, everything from Strats to shredder guitars. They all start out ok but I eventually lose interest and sell them.

Something recently occurred to me: I have played acoustic guitar for so long that I don’t really like electric guitars anymore. The feel is just all wrong.

At some point I started picking up the big hollow guitars in shops and realized I like them a lot. They sound cool and FEEL more like an acoustic guitar.

I’ve got a milestone in life coming up in a few months and am thinking of celebrating it with a new guitar. It will probably be a hollow body. So far I’m liking some from Guild and a few other makers, but these guitars aren’t nearly as popular or ubiquitous as Strats etc.

I’m wondering if you all here play and own guitars like this. If so, what would you recommend? I may have missed a few makers. I’d like to keep it under $2k if possible.
This (and my Telecaster plus 14 fret 000 acoustic) kept me GAS-free for 11 years. I'm afraid to know what a new and used one would cost now but being satisfied for so long counts for something. Delay gratification and try lots of stuff. When you go testing try for using a same amp model. Most shops have a Princeton Reverb reissue as an example or the Tone Masters more recently.

You could certainly get the core elements from several makers. Dimensions are much like a fat neck ES-335. The Lollar low wind Imperials are available aftermarket and in other guitars. They sound more like real old Gibsons than many newer Gibsons I tried. Low wind doesn't mean they don't push an amp.

In addition to Guilds, I understand the Hagstrom semi-hollows are a good value. As far as acoustics, I think my Thinline Telecaster has some common shape with an acoustic.

In my case age and arthritis seem to be making an electric more attractive. The Spark Mini and Yamaha THR with iPad help that.

__________________
ƃuoɹʍ llɐ ʇno əɯɐɔ ʇɐɥʇ
Reply With Quote
  #5  
Old 03-12-2024, 08:34 AM
davidd davidd is offline
Registered User
 
Join Date: Nov 2005
Posts: 1,756
Default

Here ya go. DeArmond T400...

__________________
1990 Martin D16-M
Gibson J45
Eastman E8D-TC
Pono 0000-30DC
Yamaha FSX5, LS16, FG830, FSX700SC
Epiphone EF500-RAN
2001 Gibson '58 Reissue LP
2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel)
1972 Yamaha SG1500, 1978 LP500
Tele's and Strats
1969,1978 Princeton Reverb
1972 Deluxe Reverb
Epiphone Sheraton, Riviera
DeArmond T400
Ibanez AS73
Quilter Superblock US[/I]
Reply With Quote
  #6  
Old 03-12-2024, 09:09 AM
Puddleglum Puddleglum is offline
Registered User
 
Join Date: Sep 2014
Location: Texas
Posts: 873
Default

Quote:
Originally Posted by mr. beaumont View Post
Well that is a HUGE category...

What are you looking to do on it? I'd recommend a very different guitar to a jazz player than I would a rockabilly player.
I’m not a jazz player but love jazz guitars. Many of the ones with just the neck PUP are great but the tones probably aren’t versatile enough. I’m more of a rock player and would need the bridge PUP.
Reply With Quote
  #7  
Old 03-12-2024, 09:16 AM
mr. beaumont mr. beaumont is offline
Registered User
 
Join Date: Jul 2010
Location: Chicago, IL
Posts: 10,253
Default

Ok, that definitely helps...

So you have a lot of choices...

You have to at some point decide "Bigsby or no?" I am probably the resident Bigsby hater here, but they are a vibe...

Look into Gretsch, Ibanez, Epiphone...the Godin two pickup Kingpin is in your range...That used DeArmond is cool...and of course, there are Guilds, but their full depth hollowbodies tend to lean more jazz...

I'd avoid getting mired in semi-hollows. Fine guitars, but a totally different feel.
__________________
Jeff Matz, Jazz Guitar:

http://www.youtube.com/user/jeffreymatz
Reply With Quote
  #8  
Old 03-12-2024, 09:17 AM
Puddleglum Puddleglum is offline
Registered User
 
Join Date: Sep 2014
Location: Texas
Posts: 873
Default

Quote:
Originally Posted by davidd View Post
Here ya go. DeArmond T400...

There is a DeArmond X155 for sale locally for $700. In good shape but I’m not crazy about the tobacco burst.
Reply With Quote
  #9  
Old 03-12-2024, 09:20 AM
Puddleglum Puddleglum is offline
Registered User
 
Join Date: Sep 2014
Location: Texas
Posts: 873
Default

Quote:
Originally Posted by mr. beaumont View Post
Ok, that definitely helps...

So you have a lot of choices...

You have to at some point decide "Bigsby or no?" I am probably the resident Bigsby hater here, but they are a vibe...

Look into Gretsch, Ibanez, Epiphone...the Godin two pickup Kingpin is in your range...That used DeArmond is cool...and of course, there are Guilds, but their full depth hollowbodies tend to lean more jazz...

I'd avoid getting mired in semi-hollows. Fine guitars, but a totally different feel.
I’m not a Bigsby fan either but it’s not a deal-breaker. Semi-hollows are thinner and I like the big bodies of the full hollows. Thanks for the recommendations! Lots of the Ibanez stuff looks great but much of it is pretty cheap. I’ve been around guitars long enough to know that likely means lousy hardware and PUPs. I don’t like changing anything or customizing. I want to buy a guitar to play and enjoy from day one.
Reply With Quote
  #10  
Old 03-12-2024, 09:46 AM
mr. beaumont mr. beaumont is offline
Registered User
 
Join Date: Jul 2010
Location: Chicago, IL
Posts: 10,253
Default

Quote:
Originally Posted by Puddleglum View Post
I’m not a Bigsby fan either but it’s not a deal-breaker. Semi-hollows are thinner and I like the big bodies of the full hollows. Thanks for the recommendations! Lots of the Ibanez stuff looks great but much of it is pretty cheap. I’ve been around guitars long enough to know that likely means lousy hardware and PUPs. I don’t like changing anything or customizing. I want to buy a guitar to play and enjoy from day one.
Probably need to put bias aside and try some then. Ibanez is making great guitars, and they aren't all cheap either.
__________________
Jeff Matz, Jazz Guitar:

http://www.youtube.com/user/jeffreymatz
Reply With Quote
  #11  
Old 03-12-2024, 09:46 AM
David Eastwood's Avatar
David Eastwood David Eastwood is offline
Charter Member
 
Join Date: Apr 2007
Location: Minnesota
Posts: 7,533
Default Hollow Bodies, Jazzboxes, Rockabilly Guitars, etc.

I stepped into this world a year or so ago, with a used Ibanez AF95 which I bought from a fellow AGFer. It was more than adequate to get me started, and I’d probably still have it, except that I found the neck a little narrow for my beginning fumblings in the world of jazz guitar.

I then bought a new Eastman AR372CE. It’s pretty much a straight ES175D clone, and I love it. It’s a very high quality instrument, and plays beautifully, with a little bit of setup work to my tastes. The neck’s a hair wider (1 3/4” nut vs the 1 11/16” of the Ibanez), and it makes all the difference for me. I’m playing (or attempting) pretty much straight jazz on it (neck pickup, fingerstyle), but it makes a more than adequate noise on the middle and bridge settings, and would probably do quite nicely for rock’n’roll and rockabilly styles. And, of course, Steve Howe used an ES175D for much of his tenure with Yes if you want to go that route.

One note for you: Eastman is now advertising these as having a 1.72” nut, if that is significant for you. Also, mine was $1200 brand new from Dave’s Guitars.

IMG_1710258549.866861.jpg
__________________
Martin 0-16NY
Emerald Amicus
Emerald X20
Cordoba Stage

Some of my tunes: https://youtube.com/user/eatswodo

Last edited by David Eastwood; 03-12-2024 at 10:12 AM.
Reply With Quote
  #12  
Old 03-12-2024, 09:54 AM
Puddleglum Puddleglum is offline
Registered User
 
Join Date: Sep 2014
Location: Texas
Posts: 873
Default

Quote:
Originally Posted by mr. beaumont View Post
Probably need to put bias aside and try some then. Ibanez is making great guitars, and they aren't all cheap either.
I’m hoping to try some out in shops. I really like some of the colors they use too!
Reply With Quote
  #13  
Old 03-12-2024, 10:14 AM
Charlie Bernstein Charlie Bernstein is offline
Registered User
 
Join Date: May 2023
Location: Augusta, Maine, USA
Posts: 1,639
Default

Quote:
Originally Posted by David Eastwood View Post
I stepped into this world a year or so ago, with a used Ibanez AF95 which I bought from a fellow AGFer. It was more than adequate to get me started, and I’d probably still have it, except that I found the neck a little narrow for my beginning fumblings in the world of jazz guitar.



I then bought a new Eastman AR372CE. It’s pretty much a straight ES175D clone, and I love it. It’s a very high quality instrument, and plays beautifully, with a little bit of setup work to my tastes. The neck’s a hair wider (1 3/4” nut vs the 1 11/16” of the Ibanez), and it makes all the difference for me. I’m playing (or attempting) pretty much straight jazz on it (neck pickup, fingerstyle), but it makes a more than adequate noise on the middle and bridge settings, and would probably do quite nicely for rock’n’roll and rockabilly styles. And, of course, Steve Howe used an ES175D for much of his tenure with Yes if you want to go that route.

One note for you: Eastman is now advertising these as having a 1.72” nut, if that is significant for you. Also, mine was $1200 brand new from Dave’s Guitars.

Attachment 105309
Hm. I used to have a Gibson that looked like that, in red. It was the single-cut model Chuck Berry used sometimes.
Reply With Quote
  #14  
Old 03-12-2024, 10:34 AM
6L6 6L6 is offline
Registered User
 
Join Date: May 2011
Location: San Francisco, CA
Posts: 5,528
Default

After playing 27 years in a successful San Francisco Bay Area Oldies R&R band, I've been through Fenders, Gretches, Gibsons, Pre CBS, Custom Shop, etc. guitars.

None of them hold a candle to my 1960 Harmony Meteor for classic TONE!

Pic:

Reply With Quote
  #15  
Old 03-12-2024, 12:05 PM
FrankHudson FrankHudson is offline
Registered User
 
Join Date: Dec 2016
Location: Minneapolis, MN
Posts: 4,908
Default

I bought a DeArmond X155 jumbo sized hollow-body back during the turn of the century blow-out. I really wanted to try the big "jazz box" feel, response and sound. It gave me that.

I move through a fair number of electrics for enjoyment, but it's stayed in the mix ever since. My chord playing chops are abysmal, but it's great for my single-note "fake Jazz" playing. I use TI flats on mine.

I went with one of the MIK Gretsch hollow-bodies with a Bigsby too (AKA the "Steve DeRosa sent me" AGF signature models) I've always associated those guitars more with cranked up rock, and frankly it's taken some time to find out how to use it for that. I went through a number of string sets, but what finally brought out more of what I was looking for was adjusting the pickup heights somewhat higher.

Myself, I consider thinlines to be another kind of thing, but I dearly love my Guild Starfire 1 with three Franz-type P90ish pickups. More than other thinlines I've played it seems to have a bit of acoustic sound coming out of it, likely due to nicely microphonic details from the pickups.

Enjoy your search. It is a different kind of guitar, fun to experience.
__________________
-----------------------------------
Creator of The Parlando Project

Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses....
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > Electric Guitars






All times are GMT -6. The time now is 02:12 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=