#31
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It's not a Collings... it's a Waterloo. Different set of numbers.
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#32
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Waterloo Serial numbers are sequential from #1 in order of production. His guitar is an earlier one.
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#33
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Were you monitoring humidity and maintaining a level generally between 40-60%? This is crucial for any solid wood guitar. Periods outside this range can cause serious problems.
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Tom 2016 Bourgeois OM SS (Addy/Maddy/Hide) 2010 Martin D-28 1968 Yamaha FG-180 |
#34
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I look forward to hearing what response that you get from Collings. Hopefully it will be useful in helping you to get the guitar back to optimal playing condition.
Best, Jayne |
#35
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Hi Ben, you did not mention where the guitar came from and where it is located now (ie: from the arid desert to a humid coastal area?), and that makes me wonder. How was it cared for by the previous owner? Drying and swelling repeatedly would cause those problems. Not saying it is your fault, it's weird that it took 6 months in your location to fall apart--previous repairs? A friend told me that he once actually saw and heard his top crack and split and attributed it to extremely dry and cold room and leaving the guitar sitting near a fireplace briefly--that is an easy cause/effect. But did you walk in one day, and just notice all the problems at once, or has it progressed slowly? Just guessing, but it sounds environmental.
Collings / Waterloo would have been my first call---before letting someone else tinker with it. I would not be surprised if Collings would like to have a look at it, if for nothing else to determine what has happened to one of their guitars. I've been to their shop. Everyone that works there are great folks, receptive, very personable, (perfectionists maybe) and build to a very high quality level. They would like to know. And seriously, call them and talk versus email....they won't bite. I'm curious to know what happened... Quote:
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#36
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I'm in Indiana. The guitar came from Maryland so no huge changes in climate. It started with me noticing the back and side coming out of alignment at the waist on both sides. Still attached at this point.
I thought it was probably humidity so kept it in the case with some silica gel packs. It just kept getting worse. I took the string tension off and kept it in it's case. One day I was really itching to play it. Tuned it up to open C got called away for something when I came back few minutes later the back had come detached from the neck to the waist on both sides. It was just a few weeks after getting it repaired the braces came loose at the x by the bridge plate. fixed that and everything was fine for about another 6-8 months. now I've got braces coming loose again. The humidity in my house gets up to 70-80% sometimes. I know this is high but I wouldn't think it would cause glue joints to come loose. I've never had issues with other guitars. I have been wrong before though. |
#37
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Quote:
It sounds to me like Collings would very much want to know about this because it sounds like a bad batch of glue, or if it was hide glue it may not have been properly prepared, ergo there may be other instruments that were affected. I clearly remember taking in a D-28 when I worked at Sam Ash, NYC, and the customer had moved from Bermuda. The guitar had been exposed to 80%+ humidity for a very, very long time. The action was horrible, the top was very distended, but with some judicious drying and a saddle reduction it was made at least 50% better. However there were no loose parts anywhere to be found. It will also interest you to know that I bought a National Resolectric, second hand, but National offered to refinish it for free because I sent them pictures of flaking finish and other issues that they hadn't been aware of. These companies are in good standing with their fan base because they do take responsibility for issues that may have started at inception. It's how they improve their brand. Let us know what they say! Best regards, Howard Emerson
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My New Website! |
#38
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An environmental trauma would be my guess as well. Wonder if it's been played or set next to a fire pit or campfire. I saw a friend playing next to a fire pit and his guitar suddenly went wildly out of tune. While the guitar did not destruct at the time, cracks appeared later.
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#39
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You'd be wrong there. Collings paid for a bridge reglue on a used OM after I called them. They offered before I could ask, saying it shouldn't have happened.
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#40
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From sources I've read (probably here haha), glues can take quite awhile between the event leading to failure and their eventual failure. I wouldn't doubt the guitar was exposed to something extreme before you bought it that took six months to eventually wear the glue down.
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#41
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Thanks for answering, Ben. Wow, that's interesting and I agree there should not be a big climate factor.
Your humidity is high, but like here I am sure it varies with the season, but even with that and the fact that your other instruments don't seem to be effected makes the mystery grow. Then it makes me wonder if the guitar was exposed to something with the previous owner, and the trouble manifested once you had it a while. Wooden instruments don't generally explode like that... I still have my first guitar (about 45 years old) that is a cheapo plywood epiphone, and had the back separate from the binding about 35 years ago....it was 100% my negligence---left it in the Texas heat and humidity in a warehouse for months....that I get the cause, it still plays good and my son has it in Colorado now...guess we got our money's worth out of it. I hope you are able to talk to Collings/Waterloo. I'm sure they can shed some light on the problem. Best wishes and let us know what their view is. Quote:
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#42
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Quote:
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#43
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Seems like if a famous guitar company used a batch of glue that could make this happen
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stai scherzando? |
#44
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To the OP:
Upon further consideration, and alas still no pictures, my inclination is to suspect HEAT as the primary culprit in a case so described, rather than humidity. Unless the humidity came to immersion.... Part of my own learning process was to have a bridge come unglued from a classical guitar left in the back seat of a car on a very hot day. 1973, at a beach outside Athens, and it still is in my mind. And...I still have the repaired guitar! On a used guitar from a private seller, with an unknown history, I’d say it’s “buyer beware” rather than “I got a lemon”. Would you say that about a used car from a private seller? Maybe, but private re-sale is in a different category than original purchase, or even private dealer re-sale, mostly. The good thing is, as many have chimed, it came from Collings. They are very upright and straighforward to say the least. If it’s indeed materials and construction, I bet they make it right. And yes, they definitely will want the feedback no matter where the issue lies. Collings, as Bill Collings intended, is eternally in continual improvement mode. If it’s post purchase handling, believe it or not they may still offer you an acceptable remedy. One heck of a first post OP. Good luck with the outcome! Guitars are not sheet metal, and problems with a prized instrument do hurt. |
#45
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Following.
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