#16
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Thank you KevinH for the scale comparisons. This was actually very helpful as I was able to decide based on them side-by-side and at relative similar scale to see what I've always suspected; as much as I like the bridge placement of the X7 smack dab in the middle of the lower bout, I would likely not like it due to how I would have to contort my body to get my picking hand where I would need it.
I do have an OF660 with very similar specs as the X7, bhe bridge placement on the OF660 is actually closer in alignment to the bridge on the X20. I have long arms and large hands but on my OF660 my picking hand lands just about where it would on any traditional guitar. Judging by the X7s bridge more like 5" from the edge of the lower bout instead of 6" like my OF660, I would need to adjust my arm in a way that would be uncomfortable. Plus who doesn't want the sound of a dreadnought that feels like an OM?
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Don't chase tone. Make tone. |
#17
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Much more comfortable than a traditional Dreadnought though.
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#18
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I'm one of those who posted that an X20 feels smaller than an OM. I played a Larrivee OM as my primary guitar for years before acquiring my X20. I still have the Larrivee and occasionally pull it out for old time's sake and the X20 definitely feels smaller (and much more comfortable). |
#19
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#20
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I almost have a hard time believing the X20 is so big in that comparison picture. I played a 000 for years before getting an X20 and the x20 always felt small to me. It really is ingenious engineering they've done on the shape of the x20. I sold my x20 when I got my x30, but to be honest, the x30 feels a tad bit big to me. I'm 5'11".
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#21
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Here is a photo of my Emerald X20 Short Scale (24.875”) and Martin 00-18 side by side. The scale lengths of the guitars are the same. The width of the lower bout of the Emerald is 15 1/4”, and the Martin is 14 3/8”. The neck on the Emerald joins the body right at the 14th fret, while the Martin's neck meets the body 3/16” below the 14th fret. The depth of the body of the X20 is 1/2” more than the Martin, and it feels bigger when played, even with the ergonomic design. It’s also heavier.
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1950 Martin 00-18 RainSong Concert Hybrid Orchestra Model 12 Fret Eastman E20OOSS. Strandberg Boden Original 6 Eastman T185MX G&L ASAT Classic USA Butterscotch Blonde Rickenbacher Lap Steel Voyage-Air VAD-2 Martin SW00-DB Machiche 1968 Guild F-112 Taylor 322e 12 Fret V Class Last edited by seannx; 11-18-2021 at 11:06 PM. |
#22
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Thanks for posting that. Nice to see them side by side.
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#23
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Do you have any other comments about owning a short scale X20? |
#24
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I mostly divide playing time between the 00-18, RainSong, and X20. Of the three, the X20 with the anthem pickup, cutaway, and upper fret access is the most versatile. The RainSong has the lowest action, I like the sound a little better than the X20, and it’s a 12 fret. The Martin is in a class by itself, but when the RH gets into the 60’s and it starts to get tubby, the cf guitars still sound the same. One thing I really like about the cf guitars is that their clarity and inherent tone are surprisingly similar to the Martin when the RH is 40-45%.
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1950 Martin 00-18 RainSong Concert Hybrid Orchestra Model 12 Fret Eastman E20OOSS. Strandberg Boden Original 6 Eastman T185MX G&L ASAT Classic USA Butterscotch Blonde Rickenbacher Lap Steel Voyage-Air VAD-2 Martin SW00-DB Machiche 1968 Guild F-112 Taylor 322e 12 Fret V Class |
#25
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Again Sean,
Just the kind of stuff I want to know. Cheers. |
#26
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My main guitar is a Taylor 814c. I also have a 214ceDLX. To me, because of the contours in the right places, my X20 feels smaller and more comfortable than a Taylor GA body and because it “fits” so well, the standard scale even feels a bit shorter...to me. The gloss neck is not sticky at all.
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Tom '21 Martin D-18 Standard | '02 Taylor 814c | '18 Taylor 214ceDLX | '18 Taylor 150e-12 | '78 Ibanez Dread (First acoustic) | '08 CA Cargo | '02 Fender Strat American '57 RI My original songs |
#27
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X7 v X20
So Corndog, I have both. Both custom builds. Both Nylon.
My X7 is 12 frets to the body, 52 mm nut - wanted the larger nut for classical and fingerstyle playing My X20 is a short scale, 12 frets tot the body, 50mm nut (a bit narrower) I luv both, BUT if in retrospect, I could only have one - I’d probably lean towards the X20 due to the fuller overall tone that the larger body provided. Here’s the link for my x20 - on the Emerald web site https://emeraldguitars.com/galleries/x20-n-royal-ebony/ The x7 is attached below If you’re in Florida, let me know and you’re welcome to play’ em. -cody
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-c www.Facebook.com/Codymusician Emerald Ambassador Emerald X20 Custom Nylon Emerald X7 Custom Nylon Emerald X20 Custom Fanfret Acoustic |
#28
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Why not split the difference and get an X10 - smaller body width, 25.5 scale. I believe the X20 is 1-3/4 nut, whereas the X10 is 1-11/16 nut.
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#29
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Cheers |
#30
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Of course this is all in the abstract and playing these guitars is the only way to form a more conclusive opinion. My inclination at this point is to order an X7 with a 24.5" scale. I'm going through a fairly major house remodel and guitars aren't foremost in my mind right now. That, and my budget is fairly well blown! I'll pick this all up again early next year I think. |