#31
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If you are a filthy rich beginner fingerpicker, try an Esteban! If you are a filthy rich pro, you probably already know what you want and need! If you are an intermediate fingerpicker, try a Lowden S25 and work your way through the whole kerplonkers they offer.... The S25 Lowden has the S Lowden sound and as you go up the timber ladder, ha ha, they get more beautiful...... Love my Lowden S35! If you want to fingerpick blues, roots, look for a Waterloo! BluesKing777. |
#32
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To use some examples from our own membership: Larry Pattis has played a variety of guitars, and has some for sale in the AGF classifieds right now. When I think of him, I often associate him and his playing with smaller guitars from Simon Fay. Another member, Toby Walker, has favored a variety of older guitars, and in recent years has favored a Huss and Dalton OM, and a Waterloo. And Eric Skye plays a Santa Cruz 00 size guitar…a model which carries his name. Meanwhile, all of the guitars mentioned in this thread could be considered “the best”, as could some makers that have not yet been posted to this thread (e.g. Goodall, Webber, Greven), as could guitars made from more obscure woods (Bubinga, Myrtlewood, Australian blackwood), and body sizes that are less commonly favored( 0 size is ine example). Asking what is the best guitar is like asking what kind of woman makes the best wife….it all depends on who you are, and what your goals are. And sometimes, the one you might think is your lifelong companion might turn out to be a good fit for certain parts of your path, but your paths might diverge in ways you didn’t (or couldn’t) anticipate. |
#33
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There is no general 'best' - everyone has different tonal goals and preferences.
Of the guitars I've played, for my tastes, and money no object, the ones that have stood out are: 1. Baranik Meridian (Colorado blue spruce over macassar ebony, fan-fret) 2. Traugott R (European spruce over Brazilian rosewood) 3. Claxton E/M (European spruce over macassar ebony) 4. Somogyi Modified Dreadnought (Sitka spruce over wenge) 5. Taran 'The Taran' (European spruce over macassar ebony) However, I believe the Collings OM1 is absolutely all the guitar anyone needs - it is superbly concieved. Cheers, David
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Wolfram Perfecting the interface between you and your guitar.
wolframslides.com Endorsed by Martin Simpson and Tony McManus. |
#34
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Colins gave you the names of several specialty shops. To it I would add Cedar Rock Studios, which are the equal of the best of them.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Goodman J45 Lutz/fiddleback Mahogany Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#35
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https://soundcloud.com/99ben99/sets/solo-guitar |
#36
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If you're into something unique check out a Brentrup. Well known in the mandolin world as a top builder he also built some amazing finger picking gems modeled after Larson Bros guitars. You don't see them on the market often and he's no longer building but there's one Grand Concert left on his website & there will be no more. https://www.brentrup.com/page1/page1.html NFI but I bought his parlor and it's my prize possession. Blows me away every time I pick it up which after 8 months is still pretty much every day. Turned out to be the perfect guitar for me. YMMV
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#37
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If you want to insert several others: Kim Walker, Tom Sands (in the UK), Leo Buendia. Tom and Leo were apprentices to Somogyi.
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1993 Bourgeois JOM 1967 Martin D12-20 2007 Vines Artisan 2014 Doerr Legacy 2013 Bamburg FSC- 2002 Flammang 000 12 fret 2000 McCollum Grand Auditorium ______________________________ Soundcloud Spotify |
#38
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You may want to check out pretty much any of the Kevin Kopp models... they all excel at fingerstyle. And since you mention "one guitar" they can definitely serve that purpose as a do it all.
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#39
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If money is not an issue and you know what you want, I would go the custom route. I could think of many builders that I have complete confidence would build me exactly what I would ask for.
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PS. I love guitars! |
#40
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hans
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1971 Papazian (swiss spruce/braz RW) 1987 Lowden L32p (sitka/ind RW) 1992 Froggy Bottom F (19th cent. german spruce/koa) 2000 Froggy Bottom H12c (adir/ind RW) 2016 Froggy Bottom K mod (adir/madrose; my son's) 2010 Voyage-Air VAOM-2C http://www.soundclick.com/hanstunes (recorded on Froggy H12c) |
#41
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Hi BB
I own an Olson, and it is an amazing fingerstyle guitar. Mine is the 3rd best guitar I've ever played. The other two were… Best - Somogyi OM 2005 - Brazilian Rosewood/German Spruce Second - Gerald Sheppard 2005 - Small body Brazilian Rosewood/German Spruce I played both at the 2005 Healdsburg shot in SantaRosa, California. Absolutely the two best I've played before or since. And one costs more than an Olson, the other less. |
#42
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A couple thoughts
Different fingerstyle players will have divergent playing preferences based on tonal preference, repertoire, and ergonomic preferences. There honestly is NO “best” for everyone. Even between the two small shop brands that you cite, there are huge tonal differences to my ears.
Do YOU prefer an ultimately responsive guitar to your touch at the expense of headroom or do you prefer to give up on responsiveness for a bit more headroom? Do you want long sustain because you favor slower tempo ballads or a guitar with fast attack and somewhat shorter sustain because you play more up tempo pieces? Is string to string separation and fundamentals most important or do you favor harmonic complexity? How important is bass response to you in your playing (this will relate to body size, but playing ergonomics need to be considered)? Think about the body size you want (small, midsized or large) for you to play comfortably, the scale length that you prefer (short, long, multi-scale) to support your playing, the nut width you prefer (1-11/16”, 1-3/4” or 1-13/16”) and the string spacing you prefer (2-3/16”, 2-1/4”, 2-5/16” or 2-3/8”) for the strings to be comfortable under your fingers. Do you play mostly in standard tuning or in others as well? What type of neck profile do you prefer (C-Shaped, D-Shaped, U-Shaped or V-Shaped? Do you need easy access to the upper fretboard (some form of cutaway)? DO NOT BUY A GUITAR BECAUSE YOU BELIEVE IT WILL APPRECIATE IN VALUE. These are musical instruments, tools that help you make music. If something appreciates in value, consider it a lucky consequence. You are looking for the best guitar. Some vintage or luthier made guitars may indeed appreciate in value over time, but don’t buy one for that reason. Yes, there are some luthiers whose guitars have appreciated in value, but consider two things:
I intentionally did not give you a name, because by the nature of your question, you likely need to think about what you are looking a bit more to understand YOUR “best”. Apologies for the long note, I did not have the time for a short one! Quote:
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#43
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I am a hack flat-picker, but I worked in an acoustic shop for several years and saw a lot of guitars come through the door. Also my brother-in-law plays finger style, and has owned about every boutique brand you can imagine. If I had unlimited funds, and was a finger-picker, I'd buy a Ryan or an Olson.
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#44
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People do tend to recommend what they have so I'll do the same.
In 1997, I ordered a new Collings DS2H. In the interim, I bought a Martin 00-28VS (in 2011). A Martin OM-18 Authentic (in 2014), A Martin D-28 Authentic 1931 (in 2016) and 12 fret, 000-28 style built by Gary Cotten (2017) All nice guitars but the old Collings is the one I most effectively pair with. That aside, I still have them all and intend to keep them. I enjoy having several choices to take to a gig. I don't believe one guitar, no matter how grand, would be as satisfying for me. I never know which one will call out to me and I like it that way. |
#45
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Exactly! Choices! It could take about 10 lifetimes to try all of them and pick a few, or a lot , to keep. It has been fabulous to experiment in Covid lockdown, to play the same tune on a number of totally different guitars I own, that funnily enough, are the same size and fit in the same case! For example, my Waterloo ladder braced, then my CEO7, my Lowden S35, then my hand made custom Cargill.....they all have six strings! But totally different. All great! BluesKing777. |