#1
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Go Go Go (original)
Dear guitar friends,
I'm glad to share my new song "go go go" with you. http://youtu.be/I-dx2s2bqVY best regards, Agustin http://www.agustinamigo.com
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Listen to my music on Spotify my guitars: Lakewood a31 custom Lakewood a48 custom Last edited by amigomelch; 01-31-2015 at 05:39 PM. |
#2
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Really enjoyable and great technique. I would like to know which tuning you're using and about the capo; is it partial ? no need to respond if inopportune, thanks.
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https://soundcloud.com/delaorden |
#3
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Thank you. It is dropped D with partial capo on 2nd fret
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Listen to my music on Spotify my guitars: Lakewood a31 custom Lakewood a48 custom |
#4
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Wow, that was a lot of fun. You get such a booming sound. What are your thoughts on the foam panels behind you while playing?
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#5
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VERY nice recording!
Very nice song. You capture the guitar very well. It can be hard to record the guitar and have it sound good. |
#6
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As always, fantastic playing Agustin. I now use your partial capo technique for lots of tunes. It is great for adding dynamics to Fingerstyle arrangements.
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#7
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I play inside an isolated booth. The panels absorb reflections to cut bad acoustics like playing in a box.
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Listen to my music on Spotify my guitars: Lakewood a31 custom Lakewood a48 custom |
#8
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Quote:
http://www.agustinamigo.com/en/equipment.html Just a fantastic musician.
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#9
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Thanks for that info. Would you play there for the enjoyment while practicing or do ambient reflections make the acoustic more enjoyable? I understand recording wanting a clean signal, but what about just noodling?
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#10
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normally I prefer to practice outside the booth, and staying instead of sitting. But sometimes I play over night so I go to the booth to hace peace with the neighbours.
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Listen to my music on Spotify my guitars: Lakewood a31 custom Lakewood a48 custom |
#11
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Beautiful my friend....
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Best to you, Roland Kalus https://rolandkalus.bandcamp.com/alb...le-autumn-blue Mcilroy ASP30C Björn Welsch 000 12fret Martin Duwe OM 12fret Cut Stevens OM-P Martin Duwe Crossover Gibson L48 AER Amps and PA-Systems |
#12
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Wow. I might have accidentally clicked subscribed there by the way, how do you rate that naga guitar you've got there? I've never seen one of those before.
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*insert deeply meaningful and philosophical quote |