#31
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I learned a number of open tunings when I was starting out many years ago. They have their place but they are limiting. |
#32
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There is a school of thought starting beginners with Open G tuning (DGDGBD). That simplifies the easy major and seventh chords so a beginner can make a lot of music quickly - very supportive and motivating. Then when you move on to standard tuning you have to adjust the three strings that are different and learn the full six-string chord shape. I once took workshops with songwriter Peter Case who basically only plays in Open G tuning.
I can see benefits both ways. I was well down the intermediate road and had actively avoided altered tunings, but eventually ran across a tune that I really wanted to learn. It was in Open G. Now I play an hour's worth of Hawaiian slack-key and blues in six different tunings. With practice you get better at changing between tunings. |
#33
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I learned in standard, like most modern people do. I suspect most/many of my admired rural blues players learned with some variety of open tunings (or started on a monophonic "diddley bow.") I played almost exclusively in standard for decades, and I've only started to delve into alt. tunings in this century.
Answering the imaginary question of what I'd do if was starting out all over again, I'd be tempted to try starting in a alt. tuning, if only because I'd want the variety of experience (assuming in this hypothetical something inside me "remembered" founding my guitar playing from "standard" and could then appreciate the different beginning). Now, that's not meant to dispute most of what folks have said above about the advantages of EADGBE, just my own musings. What tuning would I choose to start over? I don't know for sure. I'd think about being able to achieve an all 5ths tuning or perhaps adopt one of the useful compromises of the Robert Fripp/Guitar Craft "New Standard Tuning" that arose of out that desire, (NST in the end adopted a CGDAEG.) Mind you, I've not yet played around with that tuning at all, but it has some interesting theoretical advantages.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#34
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My niece who, at the time was 10 yrs old wanted to play a guitar. I pulled a Baby Taylor out of the closet and tuned it to Open G, and gave her a juice glass for a slide and turned her loose. She sang and played happily for over an hour. Later, when she aspired to play guitar, she learned standard tuning. As a full-time music teacher in public school, standard tuning works best for her. The advantage of putting a guitar in open tuning for a kid and giving them some sort of slide is they are up and running and not thinking about chord fingerings etc. If they don't sing it seems to me they are going to hit a lot-o-walls pretty quickly. And unless all their friends form a tribe of alternate-tuners, standard tuning will serve beginners best. |
#35
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Yes,I would start out in standard..it`s not called standard for nothing.It offers versatility and a good grounding.There`s nothing to stop anyone learning about open tunings as you go along it`s all relatable.
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#36
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Yes. Start with standard and then try variations when you have mastered the basics.
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Chris Stern Guitars by: Bown Wingert Kinscherff Sobell Circa Olson Ryan Fay Kopp McNally Santa Cruz McAlister Beneteau Fairbanks Franklin Collings Tippin Martin Lowden Northworthy Pre-War GC Taylor Fender Höfner 44 in total (no wife) Around 30 other instruments Anyone know a good psychiatrist? www.chrisstern.com |
#37
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I have a friend who has been noodling around with open tunings for many years, and who has never learned standard tuning. He sounds terrific in his own stylings and the songs he has composed. But he can’t play with others, and he can’t expand his palette of songs very readily, and he can’t play any covers of songs performed by others. So he seems rather bored with playing, and faces some hurdles in opening to new landscapes...which he hasn’t been eager to take on. Learn standard tuning, either concurrently with some open tunings, or as a first step. That’s my advice. |
#38
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In general, yes. But with small children I have tuned to DADGAD and taught one-finger chords so we can play "You Are My Sunshine" together. It warms the heart when they smile because they are playing real music.
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Taylor 512ce 12-fret (cedar/mahogany grand concert) Seagull Artist Studio (spruce/rosewood dreadnought) |
#39
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Try DADGAD and play it upside down to start with...
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1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |
#40
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Wonder what tuning you'd start out with if you lived in Ireland.
The tuning you start with should be influenced by what you see yourself playing 5-10 years from now. Personally, since my main influence at the time was the American folk scene, I naturally started in standard. Wonder if there's a CAGED method of DADGAD. |
#41
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Yes, start with standard because it is standard.
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#42
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Hi Kat, Welcome to the AGF!
I'm with the majority of the people here, learn in standard tuning as a beginner. That doesn't mean you can't tune down 1/2 step or a full step though if you want. |
#43
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Start the beginner off in DADF#AD, so they can start making music right away.
Once they've decided that playing guitar is FUN, they can try out other tunings (such as Em7 add 11 ).
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stai scherzando? |
#44
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So at some point, you say "OK. That's enough fun. Here's how you really do it." |
#45
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stai scherzando? |