#1
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Recording King or Blueridge Dread for Bluegrass
Hi gang,
I'm looking to purchase a low budget (<$700) dread with a fast neck, 1 11/16" nut and the 'bluegrass' look and tone so I can start attending some local jams. I'm a bit puzzled by all the model numbers in the Recording King and Blueridge lines and would appreciate your input here. I *think* that the Recording King Dirty Thirties Dread models work for this? Thoughts? On the Blueridge front, it seems that the BR40 is the right one to be checking out? I'd really appreciate your feedback. Thanks! |
#2
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I bought a used Bluedridge 140A a couple years ago for under $700. It's a great bluegrass guitar - very powerful and a big, strong bass. It has good note separation too, which I prefer.
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#3
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Between those two, Blueridge, no doubt.
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"What have I learned but the proper use for several tools" -Gary Snyder Bourgeois DR-A / Bowerman "Working Man's" OM / Martin Custom D-18 (adi & flame) / Martin OM-21 / Northwood M70 MJ / 1970s Sigma DR-7 / Eastman E6D / Flatiron Signature A5 / Silverangel Econo A (Call me Dan) |
#4
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JP Cromier (a great Canadian guitar player) is high on Recording King guitars. Here's video of him playing a RD328? against a 15 year old Martin D-28CW. I have to say it sounds good but I prefer Eastman's thermo-cured dreads to RK or BG. Playing starts around 3:30.
https://www.youtube.com/watch?v=QD061N_ciTg I cannot figure out how to imbed a YT video to save my life?
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Jim Dogs Welcome......People Tolerated! |
#5
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Quote:
Double-check me on this, but the 140A has a 1 3/4 nut, while the 140 is 1 11/16. These are all solid. The BR40 is laminate back/side, but to my ears, sounded very close to the all solid -- so don't dismiss it. |
#6
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Quote:
If you get a BR, try to get an older BR40 that has laminated rosewood back and sides and not the newer models that have laminated Santos rosewood (Pau Ferro). But because it's laminated I don't how much of a sonic difference that would be. I've only played a few RKs, and those were cheaper models, but I didn't like any of them very much at all. I did play, I think, that same model a few years back and I was vastly underwhelmed by it. At an old-time bluegrass jam I used to attend, some of the folks played Blueridges and they were "accepted" as almost everybody played Martins. (At the time I had my beat-up Guild D-55 so I was OK with them, too.)
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Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#7
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Quote:
[yootube]QD061N_ciTg[/yootube] and you end up with |
#8
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Of those, definetely the Blueridge. However, also consider the BG40 or BG60, which is the slope shoulder model. Phenomenal guitar!
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https://www.mcmakinmusic.com |
#9
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I have a 140A - I like a 1-3/4 nut, I like Adi, and I don't like the blingy headstocks so it checked all my boxes. Agree with the others, the non-A guitars seem to have your 1-11/16" nut.
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Martin OM-28 Martin D-18 Blueridge BR-140A |
#10
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Between the two I'd opt for the Blueridge, but, make sure to track down JP's review of the Alvarez MDA-60BG, it may push you in a different direction.
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Breedlove Masterclass Dread - Sitka/Koa Breedlove Masterclass Concert - Sitka/BRW Seagull Artist Deluxe CE Seagull Artist Element Furch G22CR-C Several other exceptional guitars, but these make me smile and keep me inspired! |
#11
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You mentioned " 'bluegrass' look and tone"
The RK looks like a Gibson/Epiphone. Not on for bluegrass. The BR looks like a Martin - more appropriate. Neither will sound like a Martin but at least the BR will look the part. IMHO Eastmans are superior to both, but if it is to be a BR - buy the best one you can.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#12
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I swear I did that and it did not work. I've tried it so many times? Must be a "Boomer Block"? Okay...I got it figured out. For some reason my computer was deleting the first bracket ([) on the backside? I got it to work finally...thanks!
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Jim Dogs Welcome......People Tolerated! Last edited by llew; 09-24-2020 at 12:05 PM. |
#13
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I have a Blueridge BR40-solid spruce top, laminate mahogany back/sides. It
does a fair imitation of a D18. The 140 is the all solid version with a bit more bling on the headstock. The BR60/160 are the rosewood D28 clones. I love my BR40. It's a guitar that I can take camping and not worry about, yet still sounds good. |
#14
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The newer BR60/160 are the Santos rosewood ... not true rosewood ... D-28 clones.
I still think Blueridge should identify the current Santos rosewood as being Pau Ferro or Morado or otherwise clearly state in the specs that it is NOT a true rosewood.
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Martin X1-DE Epiphone AJ500MNS Alvarez AD30 Alvarez AD710 Alvarez RD20S Esteban American Legacy Rogue mandolin |
#15
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Are you set on laminate?
You should first decide what tonewoods you're after. If you're looking for a bluegrass-classic D-18 style (spruce/hog), then that's 40/140/140A BR's. Recording King solid wood equivalent is the RD-318. If you're after rosewood, that's the 60-series BR's, RK equivalent RD-328.
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Martin OM-28 Martin D-18 Blueridge BR-140A |