#211
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Could Koal be some kind of inspiration for a Black/White headstock design?
Bruce, |
#212
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Probably, but it would have to be collaborative as it’s not my thing. Do you have an idea?
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#213
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Well, I have to say, there are definitely times when Koal is better behaved than Bruce . . . .
__________________
More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#214
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Tad knows me better than average among humans, so even though I think those who know me less well may get the “wrong” idea, who am I to argue?
On a more grounded note, here’s the headstock w/bridal joint on the 0 effort: Last edited by Bruce Sexauer; 08-18-2020 at 02:46 PM. |
#215
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That is clean, Bruce. I dig the “S” on the back...classy...Very nice!
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Treenewt |
#216
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Quote:
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More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#217
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The single 0 has its first coat of varnish. Not much more to say far a few days, and then I will be completing the Pear JB-15. The FT-000C for Jmat went out FedEx yesterday to arrive Thursday. John may have something to say shortly thereafter, or not; we'll see.
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#218
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That is gorgeous, Bruce. Simple and tasteful.
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#219
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The Adi/Hmah single 0's 3rd coat dry enough to handle, but not yet ready to sand.
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#220
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That is some really pretty Mahogany! Beautiful guitar Bruce!
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Life is like a box of chocolates .... |
#221
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Dang that mahogany back is straight fire. Lovely work, Bruce!
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Treenewt |
#222
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Re: The Back - I do get “The Tree” and other highly figured tone wood. Beautiful. I also have a couple of lovely BRW guitars. I might be alone, but I find equivalent beauty in this Mahogany.
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#223
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Great looking mahogany!
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#224
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Honduran mahogany is the queen of woods. It is a near perfect material to make just about anything from that can be made from wood. Light and strong, dimensionally stable, rot resistant, finishes well; the list goes on, it is even the name of a color. Unsurpassed for boats, furniture, and musical instruments where it can be used successfully for nearly every part . . . not ideal for fingerboards and bridges, of course.
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#225
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Here is Petaluma we have hit the summer doldrum, when weather id less than ideal for the work I do . . . or the guitar work, anyway. A few weeks ago I got a call from Ben McKee, a fellow who has bought several of my guitars, and he told me he is building a music studio and stocking it with instruments. Cutting to the chase, he asked me to make a violin for him, and I will occupy my next month or so with this project.
I gave him the choice of locally sourced materials with a lot of back story, or the highest grade of Italian Spruce and Bosnian Maple. Ben went for "story", as I expected he would. If you know him you understand. My last fiddle, which I do believe is my best effort so far, is also made from the "story" wood, so it's not like I think the fancy wood would do a better job, merely look more impressive. After all, my local wood was hand logged, properly milled, air dried, and flawless as fa as I can tell from the outside. The maple grew in a back yard in Mill Valley, ca, where I felled the tree at the invitation of the property owner. That was in 2003. The Engelmann spruce was sent to me by someone I met (haven't actually met, but hope to) here in the forum, Sam VanLaningham, who cut the wood in eastern Oregon several years ago. I won't bore you with too many more details as, understandably, you are mostly guitar geeks, and how interesting could a violin build be? EDITED TO SAY: I MEAN "GEEKS" IN THE BEST WAY, IN CASE SOME OF YOU ARE IN DENIAL. Last edited by Bruce Sexauer; 08-22-2020 at 07:30 PM. |