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Acoustic to electric Need Direction!
I've been playing acoustic guitar off and on for 30 years or so and consider myself to be an early intermediate player. I acquired a pristine 1995 Fender American Deluxe Strat sunburst body with maple neck and noiseless pickups and a Blues Jr amp many years ago. Been reluctant to sell it as I kept thinking when I have the time and gumption I'd like to learn to play electric. Well as a recent retiree, I now have the time and interest. Technique wise I know one doesn't typically play an electric the same as an acoustic but I am really unsure where to start. Finding a face to face instructor may not be possible and I so I am left with youtube and other instructional videos.
Am looking for suggestions as to how to proceed and appreciate in advance your responses.
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Rick 2000 Martin D-18GE 2019 Martin OM-28 2020 Martin OOO-18GE Custom 1997 Fender Stratocaster American Deluxe 1930’s Dobro/Regal Resophonic Guitar |
#2
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I’ve had really good luck with FenderPlay. There is a fee but I would pay a fee for face time face. It’s a yearly subscription. One if the things I like is you can set it up for the instrument (electric or acoustic) and what genre of music you want to learn. (Country, blues, folk etc) it the. Taylor’s the lesson to how you set it up. JMHO
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Taylor GS-mini Mahogany Yamaha FGX5 Taylor 114 Martin D-16e Goldtone CCR100 Banjo Fender Albert Hammond Jr. Strat Fender Player limited edition Cherry Burst Strat Fender Squire Classic Vibe Tele |
#3
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IMHO the biggest challenge is that electric tends to have lower action and thinner gauge strings than you use for acoustic.
You will need to adjust your 'touch' for electric. It can be difficult at first because muscle memory is telling you to play a lot harder than is needed. Another issue is muting. Good muting techniques are CRITICAL for electric, especially when playing through an amp. Stray notes ringing out might work with acoustic, but tend to sound extremely sloppy on electric (unless that is vibe you seek). I love to go back and forth between acoustic and electric, as I'm always finding something with one approach that ends up being quite useful with the other.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#4
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Play your electric like you would your acoustic whilst dialling in the sounds you like on your amp and see where it takes you is the best advice I can give. (A lot of us started out on acoustic before moving to electric and it's all transferable pretty much save for a few tricks and things you can pick up along the way).
Good luck! |
#5
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Like the millions that have come before you, you copy that. It’s how you figure it out. A good quality fender strat and a fender tube amp, brother you are 50% there already. Have some fun.
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I love playing guitar |
#6
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#7
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Couldn’t agree more with the last couple of posts - just dive in! You’d be amazed at what you play on your acoustic sounds really awesome on an electric...get some 11s or 12s on your electric and you will feel right at home...
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Acoustics Irvin * SCGC * Bresnan * Dyson * National Reso Electrics Fender / Fender Amps * TMG Favorite Gin - Citadelle Favorite Bourbon - Woodford Reserve Double Oaked Favorite Grape - Nebbiolo |
#8
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Quote:
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) Last edited by Steve DeRosa; 05-19-2020 at 09:13 PM. |
#9
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On a side note and subsequent to my last post, there's a bucket load of great intermediate to advanced lessons by some great players/teachers if your aim is to up your overall guitar game to another level. (I swear by Steve Stine for all things music theory and understanding the fretboard even though I only discovered him late after I'd taken in all the theory and understanding I was able to digest and the Lick N Riff YouTube site which has lessons on just about every intermediate technique, style and genre there is, to name but a few).
And yes, some great specialist lessons on all sorts of genres, styles and techniques. (Acoustic, electric and both). Again, good luck! Last edited by Steel and wood; 05-19-2020 at 08:43 PM. |
#10
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You guys are really awesome and I super appreciate the suggestions and help especially with strings and amp set-up. An earlier post resonated with me as well regarding using a light touch on the frets and learning how to mute unwanted sounds.
As soon as I get a pack of strings I'm going to take the strat to my luthier and have him do a complete set-up since its been years since the last one. I also need to learn how to change strings on the strat as well. Hopefully I'll get this done in the next week or so depending on his availability. As far as favored genres go, I think my initial interest would be learning some blues techniques and fingerings. Any suggestions for worthwhile instructional material that would be helpful at this point? My knowledge of the fretboard definitely needs some improvement as well.
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Rick 2000 Martin D-18GE 2019 Martin OM-28 2020 Martin OOO-18GE Custom 1997 Fender Stratocaster American Deluxe 1930’s Dobro/Regal Resophonic Guitar |
#11
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#12
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#13
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Right Hand Technique!!!
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Personally, having been an acoustic player for some 60 years, one of the most challenging aspects of electric guitar is the left hand... both hands, really, as the strings are generally quite a bit lighter gauge on an electric. Your fretting hand pressure is lighter, everything presses down easily. So easily that it's common to fret with so much pressure that you actually bend the strings out of the chord shape... Left hand is critical; you will quickly "re-learn" how hard to strike the strings on an electric guitar. Feeling the difference between a soft pluck or a firmer attack is a challenge for me; the variances seem to be minute when compared to an acoustic, when I'm strumming/picking harder, and then want to "dig in" a little for a note or lead line. Fortunately, the human mechanism is more than capable of making any adjustments... will help to pay attention to it, right out of the gate.. Muting is another necessity (as one reply stated), and for all those reasons he gave... quite a difference from wanting your acoustic to ring out with all those nice overtones... Lastly, string gauge. I play a Gibson ES-345, and I have finally realized that putting 11's on it makes the transition between electric and acoustic more natural. Many Strat players use 9's or 10's; some go down to 7's and 8's. Those are some seriously 'slinky" strings! You may want to have your Strat setup for 11's after you play it for a while; I have a friend in Montana who plays in a trio, all over the place... his Strat is strung with 13's!!! As he told me, "There's no time to stop and tune when you're out in the boonies in some tavern with a bunch of drunken mountain men and women... got to keep the songs coming!" Sounds like a great guitar and a nice amp... have a ball with this! Sounds like it's been a long time coming...
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"Home is where I hang my hat, but home is so much more than that. Home is where the ones and the things I hold dear are near... And I always find my way back home." "Home" (working title) J.S, Sherman |
#14
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From a technique perspective, learn the blues scale which is basically the pentatonic scale with 1 note absent. Learn it in A and E and then you can transpose it anywhere. The reason I say A and E is that a lot of blues songs are based on that but obviously not all. |
#15
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as usual Steve has provided an excellent post on strings
I would like to add the following - don't fight the floating bridge / trem system on the Strat - have is set up properly or watch some youtube and DIY. Even if you never use the bar and take it off. The floating bridge is the heart and soul of the Strat. one other thing - strats have come with 3 springs for a long time now they originally had 5 springs to handle heavier strings like 12's (the bridge may pull up with 3). The claw has hooks for 5 - you can get a set of 5 springs on the bay for less than 10 clams. Tension adjustment is done with a screwdriver and the big wood screw holding the claw in position. If you remove the plate on the back you can see this. Have fun. Of course you will want a Telecaster |