#46
|
|||
|
|||
No point in judging, I just do my best with what I'm given.
|
#47
|
|||
|
|||
Quote:
With that said, it's the reason why I am considering a personal monitor or acoustic amp on stage. That way I can get the tone I want as it's more of a feel thing. If it sounds great out front then that's the most important thing, I just want my guitar on stage to sound nice and warm/big. |
#48
|
|||
|
|||
Same with me: A personal monitor makes it all much more comfortable. I use a QSC K8.2 and love it for its flat response. On many gigs we do our sound from up stage, but when working with a sound tech I always want to know which EQ settings he chose for our instruments and if any special treatments were necessary. It's always great to hear that he leaves it flat on my channel, because that proofs that it is possible to work on a decent sound at home. Sure it is different when playing acoustic guitar in a loud electric band, what I did until some years back. In an acoustic duo / trio / quartet it should be possible to reproduce a close to realistic acoustic sound.
__________________
Blazer & Henkes, vintage Martins & Gibsons, Altman, Martin 00016 Streetmaster mandolin family, Weissenborn, dobro, lap steel, pedal steel, 5-string banjo live gear: Dazzo, Schatten, K&K, Mimesis Kudos, Schoeps CMC6MK4, DPA4061, Neumann KM85, Grace Felix 2, SunnAudio, ToneDexter, RedEye https://www.youtube.com/@roberthasleder1526 |