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  #196  
Old 04-20-2016, 09:40 AM
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My friend luthier Michael Dunn has, or had, a band called "Brighter Lights, Thicker Glasses". This is working for me, so far.

There was a recent thread somewhere re cutting miters, which inspired me to post the photo here, having forgotten where the other thread was. Yes, there's that.

I installed the graft yesterday, and today I will clean it up a see how I did. Always a question.
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  #197  
Old 04-20-2016, 10:01 AM
CaffeinatedOne CaffeinatedOne is offline
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Bruce, is that an actual Lotus? Looks like about 1970.
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About 1/2 of Guitar One completed; currently intimidating me on account of the neck geometry.
Stacks of mahogany, spruce, maritime rosewood, western red cedar
Expensive sawdust


  #198  
Old 04-20-2016, 10:14 AM
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Westfield pre-lit. Registered as a '62, Kent 7/11 block is a '68, built in '84.
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  #199  
Old 04-23-2016, 03:37 PM
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The single 0 is developing nicely:

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  #200  
Old 04-23-2016, 05:02 PM
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An hour and a bit later:

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  #201  
Old 04-23-2016, 05:06 PM
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Looks like it will be a sweet little FT-0-JB...
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A bunch of nice archtops, flattops, a gypsy & nylon strings…
  #202  
Old 04-24-2016, 10:55 AM
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My customer for this guitar asked me what tools I use for the neck carving process, so I made this picture for him.

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  #203  
Old 04-24-2016, 11:21 AM
LouieAtienza LouieAtienza is offline
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Quote:
Originally Posted by Bruce Sexauer View Post
My customer for this guitar asked me what tools I use for the neck carving process, so I made this picture for him.

Looks like interrogation tools! Seriously, however, what type of spokeshave are you using?

Guitar is coming along great by the way...
  #204  
Old 04-24-2016, 01:13 PM
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That's a Stanley #151. I have two, the other one has had the handles cut off and reattached at a steeper angle and had the sole reground so that it carves like a gouge. Useless for necks, but great for arch-tops and chair seats.

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  #205  
Old 04-24-2016, 01:59 PM
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You forgot the most important tool... I have a feeling with the exact same kit, I would make a mess!



Quote:
Originally Posted by Bruce Sexauer View Post
My customer for this guitar asked me what tools I use for the neck carving process, so I made this picture for him.
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  #206  
Old 04-25-2016, 07:19 PM
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First coats of sealer. Tomorrow the pore filler, the next day varnish!







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  #207  
Old 04-25-2016, 07:33 PM
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Here is another shot of the mitered back strip purflings at the tail block. You can see why pore filler is a must with tuc., but check out how the medulary display pops in the maple purflings. The naked eye, or mine anyway, cannot get this level of detail:


The back strip is actually 5/16" wide at this end, to give you the actual scale of things.
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  #208  
Old 04-25-2016, 07:55 PM
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Simply beautiful woods and craftsmanship...
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  #209  
Old 04-25-2016, 09:48 PM
LouieAtienza LouieAtienza is offline
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The character of the woods are really starting to pop under the sealer! Some fine miter work too!
  #210  
Old 04-27-2016, 01:19 PM
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The pore-filler changes the character by bringing in the extremes a bit, and adding color to the pores as well and making the surface closer to the flat (+/-) it will be after umpteen coats of varnish. Subtle yet crucial differences are visible here:





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